Current exhibit: ouch ouch ouch

Exhibit | ouch ouch ouch

 

In The Body in Pain, Elaine Scarry wrote that "to have pain is to have certainty; to hear about pain is to have doubt".  

This influential statement, alongside research into early pseudoscientific anatomical iconography, graphic pathography, and discourses in contemporary ecofeminisms, forms the basis of ouch ouch ouch, an exhibition of new work on the somatic, temporal and poetic dimensions of physical pain. 

Ouch ouch ouch will debut an artist book of speculative illness morphologies, based on a collection of sensation maps assembled through a daily practice of body scan meditation. Alongside the internal phenomena of pain, a series of gestures representing the duration of the residency (or a single very long, very painful moment) explores the non-linear, dilatory, and atemporal nature of illness.   

The accompanying text addresses the act of viewing and draws into question the visible external boundaries of the human form in an extended reflection on the presence of others, objects and non-human animals in early anatomical texts. 

Curated by Ev Ricky. Accessible during opening hours. On until October 15, 2025. More information. 


Future lectures and exhibits

Exhibit | How to transform black and white incunabula into luxury items

When Johannes Gutenberg printed his 42-line black and white Bible in 1455, a new era began in the dissemination of knowledge. As a result, this Bible is considered as the first incunabulum, a term used to describe books printed from the beginning of printing until the year 1500. In the history of the book, this transition from manuscript to printed book triggered an intense period of innovation, in typography, book layout and decoration, to name but these.

Although still influenced by the handwritten book where colour was important, the new black and white printed book was given its own aesthetics by printers who sought to enhance its prestige. While the vast majority of printed books remained in black and white, some were rubricated, that is, decorated with simple initials of different sizes, especially red, and with other elements serving as visual markers for chapters and paragraphs, as in manuscripts.

Furthermore, printers set aside around twenty copies, sometimes printed on vellum, for hand finishing. This production was intended for religious or secular clients, many of whom were bibliophiles. The buyer could then acquire the book in leaves from the printer or a bookseller and choose to have it illuminated and bound by the artists and bookbinders in a city often very far from its place of printing. One could also buy it already ornamented, when printers would set up decoration workshops, places of serial decoration, which, despite standardization, still left room for some customizing.

The current exhibition provides an opportunity for many discoveries to be made about the hand-finishing of the incunabula drawn from both the Rare Books and Special Collections Department and the Osler Library. Visitors are invited to appreciate these artists and the beauty of their varied styles of the second half of the XVth century that transformed the seemingly austere books of medicine, science, and theological commentaries into luxury items!

Accessible during opening hours from October 21 through December 19, 2025. More information.

Recent events and exhibits

Book Talk | Something Hidden with Jefferson Lewis

Remote video URL

On September 26th, 2025, the Osler Library of the History of Medicine heard Jefferson Lewis, author and grandson of Wilder Penfield, speak about the second edition of Something Hidden: The Life of Wilder Penfield.

The Mind Mappers

Book cover for the Mind Mappers by Eric Andrew-Gee

On May 27th, 2025, the Osler Library of the History of Medicine celebrated the launch of The Mind Mappers, a new book by Globe and Mail journalist Eric Andrew-Gee.

When There Are No Words

painting of a flower
When There Are No Words

The exhibit, When There Are No Words, addresses the subjects of death and grief in Québec society through the lens of colour, symbols, printed texts, and handwritten messages found in sympathy cards from the last 150 years. It also includes a selection of condolence objects provided by the Organ and Tissue Donation Program of the McGill University Health Centre as an illustration of a different expression of sympathy. Presented by the Department of Social Studies of MedicineMaude Abbott Medical Museum, and the Osler Library of the History of Medicine.


 

The Scientific Revolution in the Renaissance and the Dialogue between Galileo and Kepler

Remote video URL

Reading Abbott

Reading Abbott banner

Maude Abbott loved to read. This exhibition explores both what she read and ways we can read her life story.

 

Past exhibitions and presentations

2024

 

Pam and Rolando Del Maestro Family William Osler Medical Student Essay Awards, 2024 

Remote video URL

2024 Ceremony | Molina Foundation Medical Student Osler Library Research Awards 

Remote video URL

Heart & Mind by Stéphan Ballard, 2023 Michèle Larose-Osler Library Artist-in-Residence

Sequence Heart and Mind by Stephan Ballard

 

Thou Hast Need of Them: Historical Minorities in the Faculty of Medicine

 Historical surgical tools / Left side: Logos McGill Library, Jewish Public Library, School of Medicine / Right side: Maude Abbott Medical Museum & Osler Library crest

Staff from the Osler Library of the History of MedicineMaude Abbott Medical Museum, and the Jewish Public Library Archives discussed the fascinating holdings related to three medical graduates from McGill University, each of whom prevailed over the systemic barriers they faced in pursuing their medical careers. Each institution gave a brief presentation about their graduate, followed by the opportunity to interact with items from their material history.

2023
2022
2021
  • Show and Tell: The Secrets of Women / Montrer et racontrer : les secrets des femmes. Local artist Caroline Boileau and McGill-trained historian Margaret Carlyle interact with a few of the Osler Library's new acquisitions (and some older ones!) in an attempt to demystify medical history during a feminist dialogue of discovery. 15 December 2021. Enjoy the event.
  • Research and the Osler. An evening celebrating medical student humanities research supported by the Osler Library. Featured speakers: Lilly Groszman, "Untold Medical History: Montreal’s Days of Shame;" Brendan Ross, "The Chinese Apotheosis of Dr. Norman Bethune: The Making of a Medical Folk Hero;" Faith Wallis, "Osler the Student." Watch the symposium.
  • The many faces of Norman Bethune. A moderated discussion held virtually on 23 March 2021. Watch the discussion.
  • Perspectives on Sir William Osler in the 21st century. Virtual symposium hosted by our colleagues in the Department of Social Studies of Medicine on February 3, 2021. Moderated by Suzanne Morton (McGill University) and featuring panelists Jenna Healey (Queen's University), Samir Shaheen-Hussain (McGill University), Nadeem Toodayan (University of Queensland), André Lametti (McGill University), Mary Hague-Yearl (McGill University), and Christoph Gradmann (University of Oslo). Read summaries of each of the talks, written by the medical students from the McGill Osler Society. Watch the symposium.
2020
2019
2018
2017
2016
2015
2014
  • The Literature of Prescription: Charlotte Perkins Gilman and The Yellow Wallpaper. A Biography of Neurasthenia in the late 19th and early 20th Centuries, curated by Prof. Andrea Tone. September - April 2014.
2013
  • Designing Doctors, an exhibit talk by Professor Annmarie Adams, McGill School of Architecture. Tuesday, 7 May 2013, 1:00-2:00, Meakins Auditorium (5th floor McIntyre Medical Sciences Building).
  • "Neurological Laboratories" to Interdisciplinary "Centres of Brain Research": Otfrid Foerster, Wilder Penfield, and Early Neuroscience in Breslau and Montreal, a Nickerson Fellowship talk by Dr. Frank Stahnisch, Thursday, 2 May 2013, 2:00 - 3:00, Don Bates Seminar Room 101, Department of Social Studies of Medicine, McGill University, 3647 Peel Street.
2012
2011