Updated: Wed, 10/02/2024 - 13:45

From Saturday, Oct. 5 through Monday, Oct. 7, the Downtown and Macdonald Campuses will be open only to McGill students, employees and essential visitors. Many classes will be held online. Remote work required where possible. See Campus Public Safety website for details.


Du samedi 5 octobre au lundi 7 octobre, le campus du centre-ville et le campus Macdonald ne seront accessibles qu’aux étudiants et aux membres du personnel de l’Université McGill, ainsi qu’aux visiteurs essentiels. De nombreux cours auront lieu en ligne. Le personnel devra travailler à distance, si possible. Voir le site Web de la Direction de la protection et de la prévention pour plus de détails.

Catherine Guastavino

Academic title(s): 

Professor - School of Information Studies

Associate Member - Schulich School of Music

Member - Centre for Interdisciplinary Research in Music Media and Technology (CIRMMT)

Catherine Guastavino
Contact Information
Phone: 
514-398-1709
Email address: 
catherine.guastavino [at] mcgill.ca
Degree(s): 
  • PhD, Psychoacoustics, Laboratoire d'Acoustique Musicale, Université Pierre et Marie Curie (Paris VI)
  • MSc, Computer Science and Music Technology, Institut Recherche Coordination Acoustique et Musique (IRCAM), Université Aix-Marseille, France
  • BSc, Mathematics, McGill University
Courses: 
  • GLIS 657
  • GLIS 692 Music Information Retrieval
  • GLIS 703
  • GLIS 617
Graduate supervision: 

Graduate students

  • Cynthia Tarlao
  • Richard Yanaky
  • Christopher Trudeau
  • Valerian Fraisse (Music Technology, co-supervised with Marcelo Wanderley)
  • Charlie Reimer (Music Technology, co-supervised with Marcelo Wanderley)

Postdocs

  • Daniel Steele
  • Edda Bild
  • Josée Laplace
  • Nicola Di Croce
  • Frederik Leclerc
Research areas: 
Auditory perception & cognition
Categorization
Human-computer interaction
Multisensory perception
Music archiving & retrieval
Current research: 
2021 – 2023 MITACS – Accelerate Insight. Integrating sound considerations into the Montreal nightlight policy (P.I.)
2020 – 2022

SSHRC – Insight Development Grant. Sound Art Documentation : Spatial Audio and Significant Knowledge. (co-applicant, G. Boutard, P.I.)

2020 – 2025

FRQSC/FRQNT - Regroupement Stratégique. Centre for Interdisciplinary Research on Music Media and Technology (CIRMMT). (Co-applicant., I. Cossette, P.I. and Director and 52 others).

2020 – 2021 MSSS (Ministère de la Santé et des Services sociaux). Valeurs guides, limites d'exposition et méthodes d'évaluation appliquées aux sources de bruit environnemental – Phase 2 (P.I.)
2020 MITACS – Accelerate. Understanding Montreal festival soundscapes, with Quartier des Spectacles. (P.I.)
2019-2024 NSERC - Discovery Grant and Discovery Accelerator Supplements. Sound in Space: towards a unified theory of auditory localization (P.I.)
2018- 2019

MSSS-MELCC (Ministère de la Santé et des Services sociaux - Ministère de l'Environnement et de la Lutte contre les changements climatiques). Valeurs guides, limites d'exposition et méthodes d'évaluation appliquées aux sources de bruit environnemental (P.I., 5 co-applicants from McGill, Ecole Technologie Supérieure and Université Laval)

2016-2023

 

Sounds in the City: a cross-sector partnership to make cities sound better

See http://www.sounds-in-the-city.org
2016-2018 SSHRC - Insight Development Grant (Sounds in the city: Applying the soundscape approach to urban noise management)
2018-2023 SSHRC - Partnership Development Grant, in Collaboration with Ville de Montréal (P.I.)

2018-2023

2018-2023 SSHRC - Partnership grant Analysis, Creation and Teaching of Orchestration (ACTOR) (Co-I, S. McAdams, P.I.)
2017-2021 FRQSC - Soutien aux équipes de recherche (2017-2021). Approches analytiques, perceptives et technologiques de l'orchestration musicale et sa pédagogie (Co-I, S. McAdams, P.I. and 5 others)

2016-2017

NSERC. Engage and Engage Plus grants with Applied Acoustics Systems. Virtual Acoustics Models for Physically-modeled Musical Instruments (P.I.)

2016

CFI – NIF. Live Expression “in situ”: Musical and Audiovisual Performance and Reception (Co-I., M. Wanderley, P.I. and 8 others)

2014 – 2015 NSERC. Engage grant with industry partner Audiokinetic. Spatialized and interactive artificial binaural reverberation (P.I.)
2014 – 2019 FRQ - Regroupement Stratégique. Centre for Interdisciplinary Research on Music Media and Technology (CIRMMT) (Co-I., M. Wanderley, P.I. and 40 others).
2014 CFI – Leaders Opportunity Fund Award. Digital Musical Instrument Performance Research and Rapid Prototyping Laboratory (PR2P) (Co-I., M. Wanderley, P.I. and S. Ferguson).
2013 SSHRC – Connection. Colloque International : Analyser les processus de creation musicale / Tracking the creative process in music (Co-I., J. Goldman, P.I. and 3 others).
2012-2017 NSERC - Discovery Grant. Upper limits of auditory motion perception (P.I.)
2011-2016 NSF Research Coordination Network Grant. A global sustainable soundscape network (Co-I., B. Pijanowski, P.I.)
2006-2011 Canadian Foundation for Innovation (CFI), Leaders Opportunity Fund. Perceptual evaluation of human-computer interaction: Applications to the design of adaptive multimodal systems (P.I.)
2010–2013 NSERC - Collaborative Research and Development. Physical characterization and perception of vibration transmission of road bike components (Co-I., Y. Champoux, P.I. and 1 other).
2009–2012 CFI – NIF. Vibroacoustics of large-scale, complex, multi-material structures in aerospace and terrestrial transport (Co-I., A. Berry, P.I.).

 

Selected publications: 

Trudeau, C., King., N. & Guastavino, C. (2023). Investigating sonic injustice: a review of published research. Social Science & Medicine. doi.org/10.1016/j.socscimed.2023.115919

Yanaky, R., Tyler, D., & Guastavino, C. (2023). City Ditty: An Immersive Soundscape Sketchpad for Professionals of the Built Environment. Applied Sciences, 13, 1611. doi.org/10.3390/app13031611

Tarlao, C., Steele, D., Blanc, G., & Guastavino, C. (2023). Interactive soundscape simulation as a co-design tool for urban professionals. Landscape and Urban Planning, 231, 104642. doi.org/10.1016/j.landurbplan.2022.104642

Steele, D., Bild. E., & Guastavino, C. (2023). Moving past the sound-noise dichotomy: how professionals of the built environment approach the sonic dimension. Cities, 132, 103974, doi.org/10.1016/j.cities.2022.103974

Tarlao, C., & Guastavino, C. (2022). On the ecological validity of soundscape reproduction in laboratory. The Brunswik Society Newsletter, 37, 57–60.

Laplace J. & Guastavino, C. (2022). Exploring sonic experiences in church spaces: A psycholinguistic analysis. The Senses and Society, 17 (3), 343-358. doi.org/10.1080/17458927.2022.2139134

Bild, E., Steele, D. & Guastavino, C. (2022). Revisiting public space transformations from a sonic perspective during the Covid-19 pandemic. Built Environment, 48(1), 244-263, doi.org/10.2148/benv.48.2.244

Boissinot, E., Bogdanovitch, S., Bockstael, A, & Guastavino, C. (2022). Effect of hearing protection use on pianists’ performance and experience: Comparing foam and musician earplugs. Frontiers in Psychology, 13:886861,  doi.org/10.3389/fpsyg.2022.886861

Tarlao, C., Steele, D., & Guastavino, C. (2022). Assessing the ecological validity of soundscape reproduction in different laboratory settings. Plos One, 17.6 (2022): e0270401, doi.org/10.1371/journal.pone.0270401

Di Croce, N., Bild, E., Steele, D., & Guastavino, C. (2022). A sonic perspective for the post-pandemic future of entertainment districts: the case of Montreal’s Quartier des Spectacles. Journal of Environmental Planning and Management, 1-24, doi.org/10.1080/09640568.2022.2100247

Fraisse, V., Giannini, N., Guastavino, C., & Boutard, G. (2022). Experiencing sound installations: a conceptual framework. Organised Sound. 1-16, doi:10.1017/S135577182200036X

Boutard, G., Guastavino, C., Bernier, N., Gauthier, P-A., Fraisse, V., Gianini, N. & Champagne, J. (2022). A taxonomical review of contemporary sound installations in Québec. Resonance: The journal of sound and culture, 3(2), 177–193.

Bild, E., Steele, D. & Guastavino, C. (2022). Festivals and events as everyday life in Montreal’s entertainment district. Sustainability, 14(8):4559, doi.org/10.3390/su14084559

Frissen, I., Yao, H. Y., Guastavino, C., & Hayward, V. (2022). Humans sense by touch the location of objects that roll in handheld containers. Quarterly Journal of Experimental Psychology, doi.org/10.1177/17470218221086458

Sullivan, J.. Guastavino, C., & Wanderley, M. (2022). Surveying digital musical instrument use in active musical practice. Journal of New Music Research, 1-18, doi.org/10.1080/09298215.2022.2029912

Laplace, J. , Bild, E., Trudeau, C., Perna, M., Dupont, T. & Guastavino C. (2022). Encadrement du bruit environnemental au Canada. Canadian Public Policy / Analyse de politiques publiques, 48(1), 49-65. doi.org/10.3138/cpp.2021-009

Perna, M., Padois, T., Trudeau, C., Bild, E., Laplace, J., Dupont, T., & Guastavino, C. (2022). Comparison of road noise policies across Australia, Europe, and North America. International Journal of Environmental Research and Public Health, 19(1), 173. doi.org/10.3390/ijerph19010173

Valentin, O., Gauthier P-A, Camier, C, Verron, C., Guastavino, C., & Berry, B. (2022). Perceptual validation of sound environment reproduction inside an aircraft mock-up. Applied Ergonomics, 88: 103603. doi.org/10.1016/j.apergo.2021.103603

Bild, E., Steele, D., Guastavino, C. (2021). At home in Montreal’s Quartier des spectacles festival district. Journal of Sonic Studies, 21. https://www.researchcatalogue.net/view/1278472/1278473/0/0

Steele, D., Guastavino, C. (2021). Quieted city sounds during the COVID-19 pandemic in Montreal. International Journal of Environmental Research and Public Health, 18: 5877. doi.org/10.3390/ijerph18115877

Fraisse, V., Wanderley, M., & Guastavino, C. (2021). Comprehensive Framework for Describing Interactive Sound Installations. Multimodal Technologies and Interaction. 5(4), 19. doi.org/10.3390/mti5040019

Tarlao, C., Fernandez, P., Frissen, I., & Guastavino, C. (2021). Influence of Sound Level on Diners’ Perceptions and Behavior in a Montreal Restaurant. Applied Acoustics. 174: 107772. doi.org/10.1016/j.apacoust.2020.107772

Steele, D., Fraisse, V., Bild, E., Guastavino, C. (2021). Bringing music to the park: the effect of Musikiosk on the quality of public experience. Applied Acoustics. 177: 107910. doi.org/10.1016/j.apacoust.2021.107910

Tarlao, C., Steffens, S., & Guastavino, C. (2021). Investigating contextual influences on urban soundscape evaluations with structural equation modeling. Building and Environment. 188: 107490. doi.org/10.1016/j.buildenv.2020.107490

Trudeau, C., Steele, D., Guastavino, C. (2020). A tale of three misters: the effect of water features on soundscape assessments in a Montreal public space. Frontiers in Psychology, section Environmental Psychology. Research Topic: Human Perception of Environmental Sounds,11: 570797. doi.org/10.3389/fpsyg.2020.570797

Steele, D., Kerrigan, C., & Guastavino, C. (2020). Sounds in the City: bridging the gaps from research to practice through soundscape workshops. Journal of Urban Design, 25(5), 656-664. doi.org/10.1080/13574809.2019.1699399

Roggerone, V., Vacher, J., Tarlao, C., & Guastavino, C. (2019). Auditory motion perception emerges from successive sound localizations integrated over time. Scientific Reports, 9: 16437. doi.org/10.1038/s41598-019-52742-0

Axelsson, O., Guastavino, C., & Payne, S. (2019). Editorial: Soundscape assessment. Frontiers in Psychology, section Environmental Psychology, 10: 2514. doi.org/10.3389/fpsyg.2019.02514

Steele, D., Bild, E, Tarlao, C., & Guastavino, C. (2019). Soundtracking the Public Space: Outcomes of the Musikiosk Soundscape Intervention. International Journal of Environmental Research and Public Health, 16: 1865. doi.org/10.3390/ijerph16101865

Payne, S. R., & Guastavino, C. (2018). Exploring the validity of the Perceived Restorativeness Soundscape Scale: a psycholinguistic approach. Frontiers in Psychology, section Environmental Psychology, 9, 2224.

Féron, F-X, & Guastavino, C. (2018). Étudier la musique sous toutes ses formes: la démultiplication des approches scientifiques en musicologie. Histoire de la recherche contemporaine, VII(1), 40-49.

Boutard, G., & Guastavino, C. (2018). Cultural heritage, information science and the creative process. In N. Donin (Ed)., Oxford Handbook of Creative Process in Music(pp. 1-23). New York, N.Y: Oxford University Press.

Ayachi, F.S., Drouet, J-M., Champoux, Y., & Guastavino, C.(2018). Perceptual thresholds for vibration transmitted to road cyclists. Human Factors, 60(6), 844-854.

Roque, J., Guastavino, C., Lafraire, J. & Fernandez, P., (2018). Plating influences diners’ perception of culinary creativity. International Journal of Gastronomy and Food Science, 11, 55-62.

Guastavino, C. (2018). Everyday Sound Categorization. In T. Virtanen, M. D. Plumbley, & D. Ellis (Eds.), Computational Analysis of Sound Scenes and Events (pp. 183–213). Cham: Springer International Publishing. https://doi.org/10.1007/978-3-319-63450-0_7

Saitis, C., Scavone, G., Fritz, C., Guastavino, C., & Dubois, D. (2017). Perceptual evaluation of violins: a psycholinguistic analysis of preference verbal descriptions by experienced musicians. Journal of the Acoustical Society of America, 141 (4), 2746-2757.

Steffens, J., Steele, D., & Guastavino, C. (2017). Situational and person-related factors influencing momentary and retrospective soundscape evaluations in day-to-day life. Journal of the Acoustical Society of America, 141(3), 1414-1425.

Romblom, D., Guastavino, C. & Depalle, P. (2016). Perceptual thresholds for non-ideal diffuse field reverberation. Journal of the Acoustical Society of America, 140(5), 3908-3916.

Camier, C., Boissinot, J., & Guastavino, C. (2016). On the robustness of the upper limit for circular auditory motion perception. Journal of Multimodal User Interfaces, 10, 295-298.

Gauthier, P-A., Camier, C., Lebel, F-A., Pasco, Y., Berry, A., Langlois, J., Verron, C., & Guastavino, C. (2016). Experiments of multichannel least-square methods for sound field reproduction inside aircraft mock-up: Objective evaluations. Journal of Sound and Vibration, 376, 194-216.

Romblom, D., Depalle, P., Guastavino, C., & King, R. (2016). Diffuse field modeling using physically-inspired decorrelation and B-format microphones: Part 1 Algorithm. Journal of the Audio Engineering Society, 64(4), 177-193.

Rummukainen, O., Romblom, D., & Guastavino, C. (2016). Diffuse field modeling using physically-inspired decorrelation and B-format microphones: Part 2 Evaluation. Journal of the Audio Engineering Society, 64(4), 194-207.

Luizard, P. , Katz, B. & Guastavino, C. (2015). Perceived suitability of reverberation in large coupled volume concert halls. Psychomusicology: Music, Mind and Brain, 25(3), 317-325.

Fernandez, P., Aurouze, B., & Guastavino, C. (2015). Plating in gastronomic restaurants: A qualitative exploration of chefs’ perception. Menu, Journal of Food and Hospitality Research, 4, 16-22.

Steffens, J., & Guastavino, C. (2015). Trends in momentary and retrospective soundscape judgments. Acta Acustica united with Acustica, 101(4), 713-722.

Absar, R., & Guastavino, C. (2015). The design and formative evaluation of nonspeech auditory feedback for an information system. Journal of the American Society for Information Science and Technology, 66(8), 1696-1708.

Luizard, P. , Katz, B. & Guastavino, C. (2015). Perceptual thresholds for realistic double-slope decay reverberation in large coupled spaces. Journal of the Acoustical Society of America, 137(1), 75-84.

Ayachi, F., Dorey, J., & Guastavino, C. (2015). Identifying factors of bicycle comfort: An online survey with enthusiast cyclists. Applied Ergonomics, 46(A), 124–136.

Frissen, I.,  Féron, F-X., & Guastavino, C. (2014). Auditory velocity discrimination in the horizontal plane at very high velocities. Hearing Research, 316, 94-101.

Frissen, I.,  & Guastavino, C. (2014). Do whole-body vibrations affect spatial hearing? Ergonomics, 57(7), 1090-1101.

Pras, A., Cance, C., & Guastavino, C. (2013). Record producers’ best practices for artistic direction – From light coaching to deeper collaboration with musicians. Journal of New Music Research, 42(4), 381-395.

Rosenblum, A. L., Burr, G., & Guastavino, C. (2013). Survey: Adoption of Published Standards in Cylinder and 78rpm Disc Digitization. International Association of Sound and Audiovisual Archives Journal, 41, 40-55.

Julien, C-A., Tirilly, P., Dinneen, J. D. & Guastavino, C. (2013). Reducing subject tree browsing complexity. Journal of the American Society for Information Science and Technology, 64(11), 2201-2223.

Boutard, G., Guastavino, C., & Turner, J. (2013). A digital archives framework for the preservation of artistic works with technological components.  International Journal of Digital Curation, 8(1), 42-65. Retrieved from http://www.ijdc.net/index.php/ijdc/article/download/8.1.42/314

Pras, A., Lavoie, M. & Guastavino, C. (2013). The impact of technological advances on recording studio practices. Journal of the American Society for Information Science and Technology, 64(3), 612–626.

Pras, A., & Guastavino, C. (2013). Impact of producers’ comments and musicians’ self evaluation on perceived recording quality. Journal of Music, Technology & Education, 6(1), 81-101.

Verron, C., Gauthier, P-A., Langlois, J, & Guastavino, C. (2013). Spectral and spatial multichannel analysis/synthesis of interior aircraft sounds. IEEE transactions on Audio, Speech and Language Processing, 21(7), 1317-1329.

Boutard, G., & Guastavino, C. (2012). Following gesture-following: Grounding the Documentation of a Multi-Agent Music Creation Process. Computer Music Journal, 36(4), 59-80.

Boutard, G., & Guastavino, C. (2012). Archiving electroacoustic and mixed music: significant knowledge involved in the creative process of works with spatialisation. Journal of Documentation, 68(6), 749-771.

Julien, C-A., Tirilly, P, Leide, J.E. & Guastavino, C. (2012). Constructing a True LCSH Tree of a Science and Engineering Collection. Journal of the American Society for Information Science and Technology, 63(12), 2405-2418.

Frissen, I., Ziat, M., Campion, G., Hayward, V., & Guastavino, C. (2012). The effect of voluntary movements on auditory-haptic and haptic-haptic temporal order judgments. Acta Psychologica, 141, 140-148.

Giordano, B., Guastavino, C., Murphy, E., Ogg, M., Smith, B.K., & McAdams, S. (2011). Comparison of Dissimilarity Estimation Methods. Multivariate Behavioral Research, 46, 1-33.

Féron, F-X., Frissen, I., Boissinot, J., & Guastavino, C. (2010). Upper limits of auditory rotational motion. Journal of the Acoustical Society of America, 128(6), 3703-3714.

Guastavino, C., Gómez, F., Toussaint, G., Marandola, F., Gómez, E. (2009). Measuring similarity between Flamenco Rhythmic Patterns. Journal of New Music Research, 38(2), 175-184.

Guastavino, C. (2007). Categorization of environmental sounds. Canadian Journal of Experimental Psychology. 60(1), 54-63.

Selected talks and presentations: 

Keynotes at international conferences:

Guastavino, C. (2020). Current trends in urban soundscape research. 49th International Congress and Exposition on Noise Control Engineering (Internoise 2020), Seoul, Korea, August 23-26, 2020.

Guastavino, C. (2019). Making sense of the sounds around us: Auditory scene analysis in everyday listening. 4th international workshop on Detection and Classification of Acoustics Scenes and Events (DCASE 2019). New York, NY, USA, October 25-28.

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