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Analysis Creation and Teaching of Orchestration (ACTOR) Project
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  • About
      1. Participants
      2. Committees
      3. General Information
  • Research
      1. Publications
      2. Workgroups
      3. Project Blog
      4. Conference Summaries
      5. Projects
  • News
  • Contact
  • Events
      1. Annual Workshops
      2. Speaker Series
      3. Summer School
      4. Symposia
      5. Other Events
  • home-sharp icon Home
  • About
      1. Participants
      2. Committees
        1. Knowledge Mobilization Committee
        2. Training & Mentoring Committee
      3. General Information
  • Research
      1. Publications
      2. Workgroups
        1. East Asian Music Subgroup
      3. Project Blog
        1. Project Updates
          1. ACTOR and TOR
          2. An investigation of choral blending
          3. CORE - Round 2
          4. Director's Report 2019-20
          5. Director's Report 2020-21
          6. Director's Report 2021-22
          7. Instrument Identification - OrchPlay
          8. Masque de fer
          9. Metaphors we listen with
          10. Music Performance Markup
          11. Orchestration Taxonomies Workshop Report
          12. Orchview
          13. Popular Music Subgroup
          14. Puckette-Reynolds Project
          15. Recording of an album
          16. Sounding the interaction of cultures
          17. UCSD Report
        2. Postdoc Blogs
      4. Conference Summaries
      5. Projects
        1. Strategic Projects
          1. 3D Audio and Video Recording
          2. A Quick Start Guide
          3. Dance and timbral exploration
          4. Database of scores
          5. Evaluating Spatio-Timbral Features
          6. IRCAM Forum
          7. Interactions of timbre
          8. Metaphors we listen with
          9. ODESSA II
          10. ODESSA
          11. Online Guide
          12. Orchestral Timbre
          13. Path of Miracles
          14. Recording and Mixing a French Sound
        2. Research-Creation Projects
          1. Computer-assisted Orchestration
          2. Evaluating Vocality
          3. Musicians Auditory Perception (MAP) Project
          4. ODESSA IV
          5. Orchestration for the String Quartet
          6. Recording of album in 3D audio
          7. Short Geometric Pieces
          8. Space as Timbre
          9. The Hybrid Space in Music Composition
        3. Collaborative Student Projects
          1. Choral Blending
          2. Footwork Percussion
          3. Masque de fer
          4. Real-time Timbral Analysis
          5. Sounding the interaction of cultures
          6. Speech as Timbre
          7. Timbrenauts: Creative explorations in timbre space
          8. Ulezo: Mapping Acoustic Properties to Timbre Descriptors
  • News
  • Contact
  • Events
      1. Annual Workshops
        1. Student Presentations
        2. Y0 Workshop Schedule
        3. Y1 Workshop Schedule
        4. Y2 Workshop Schedule
        5. Y3 Workshop Schedule
        6. Y4 Workshop Schedule
        7. Y5 Workshop Schedule
        8. Y6 Workshop Schedule
        9. Y7 Workshop Schedule
      2. Speaker Series
      3. Summer School
        1. TOSS 2023
        2. TOSS 2024
        3. TOSS 2025
      4. Symposia
      5. Other Events

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  2. Analysis Creation and Teaching of Orchestration (ACTOR) Project
  3. Project Blog

Secondary navigation

  • Publications
  • Workgroups
  • Project Blog
    • Project Updates
      • ACTOR and TOR
      • An investigation of choral blending
      • CORE - Round 2
      • Director's Report 2019-20
      • Director's Report 2020-21
      • Director's Report 2021-22
      • Instrument Identification - OrchPlay
      • Masque de fer
      • Metaphors we listen with
      • Music Performance Markup
      • Orchestration Taxonomies Workshop Report
      • Orchview
      • Popular Music Subgroup
      • Puckette-Reynolds Project
      • Recording of an album
      • Sounding the interaction of cultures
      • UCSD Report
    • Postdoc Blogs
  • Conference Summaries
  • Projects

Project Updates

This section includes information and updates about projects while they were being developed.

DateProject
Jan 29, 2020Music Performance Markup: Infrastructure for a Data Standard for Musical Performance Modelling
Jul 12, 2020Y2 | Director's Report 2019-20
Jun 1, 2021Timbre and Orchestration Taxonomies Workshop Report
Jun 1, 2021Puckette-Reynolds Project
Jul 9, 2021Y3 | Director's Report 2020-21
Nov 1, 2021Composer-performer Orchestration Research Ensembles (CORE) – Round 2: 2021-2023
Nov 22, 2021Popular Music Subgroup Update
Dec 6, 2021Bringing OrchView out of Beta
Dec 15, 2021Recording of an album for guitar and electronics
Apr 12, 2022Student Grant Updates: Masque de Fer
Apr 12, 2022Student Grant Updates: Sounding the interaction of cultures: Orchestration techniques and perceptual effects
Apr 12, 2022Student Grant Updates: An investigation of choral blending through sound field capture, acoustic evaluation, and perceptual analysis methods
Jul 9, 2022Y4 | Director's Report 2021-22
Nov 4, 2022ACTOR and TOR Websites
Mar 10, 2023A report on the University of California San Diego Fall 2022 ACTOR and its continuation into 2023
Apr 28, 2023Using OrchPlay to investigate musical instrument identification
Apr 30, 2023Metaphors we listen with
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