Updated: Tue, 10/08/2024 - 20:06

On Wed, Oct. 9, campus is open to McGill students, employees and essential visitors. Most classes are in-person. See Campus Public Safety website for details.


Le mercredi 9 octobre, le campus est accessible aux étudiants et au personnel de l’Université, ainsi qu’aux visiteurs essentiels. La plupart des cours ont lieu en présentiel. Voir le site Web de la Direction de la protection et de la prévention pour plus de détails.

Juanita Marchand Knight, D.M.A.

ACTOR Project Coordinator/Research Assistant, Schulich School of Music, McGill University

Schulich School of Music
555 Sherbrooke Street West,
Montreal, Quebec, Canada, H3A 1E3
Email: juanita [dot] marchand [at] mcgill [dot] ca

Research Interests


  • Voice Science
  • Auditory Perception
  • Multimedia Composition and Sound Design
  • Gender Theory, Perception, and Semiotics
  • Critical Disability Theory
  • Equity and Diversity

 

    Education


    • Vanier College, Audio Recording Technology, 2017
    • University of Miami, Doctorate of Musical Arts, Vocal Pedagogy and Musicology, 2011
      Thesis: Effects of Bulimia Nervosa on the Voice: A Guide for Voice Teachers
    • McGill University, Artist’s Diploma, Opera Performance, 2005
    • McGill University, Master of Music, Opera Performance, 2003
    • McGill University, Bachelor of Music, Early Music and Modern Vocal Performance, 2001

     

      Selected Professional Experience


      • ACTOR Project Coordinator, Schulich School of Music of McGill University, 2018-present
      • Assistant to the Dean of Music, Schulich School of Music of McGill University, 2017-2018
      • Director of School Music, St. Patrick School, 2008-2016
      • Graduate Assistant and Course Lecturer, Frost School of Music, University of Miami, 2005-2008

       

        Selected Conference Presentations


        • Unpacking the Female Werewolf: Gender Semiotics in Bitten, Queer Research Colloquium, Institute for Gender and Feminist Studies, McGill University, 2019
        • A Collaborative Labour of Queer Love: Creating Diversity in College Voice Programs through the Creation of New Multi-Media Art and Online Networking, IGSF Off-Script Conference (part of the Htmlles Festival), 2018
        • Tackling Opera’s Diversity Issues with Love Honour and Technology, Lesbians Who Tech Montreal Summit, 2018
        • Contralto Screening & Discussion with Sarah Hennies, The Arts of Trans, Gender Diverse and Two-Spirit Lives Conference, Chair, 2018

         

          Selected Vocal Performances


          • Soprano Soloist, Brey: Three Songs to Joannes, Queer History Month @ Schulich (Canadian Premiere, 2019)
          • Soprano Soloist, Mozart: Missa Brevis, Cantiamo Montreal
          • Soprano Soloist, Bach: Jauchzet Gott in allen Landen, The Miami Bach Society
          • Hanna Glawari, Lehar: The Merry Widow, Frost Opera Theatre
          • Elisabeth, Glass: Les Enfants Terribles (excerpts @ Stamps Family Distinguished Visitors Series), Frost Opera Theatre and Florida Grand Opera
          • Violetta Valéry, Verdi: La Traviata (excerpts at Art Basel), Florida Grand Opera

           

            Selected Commissions


            • Them (multimedia opera), excerpts premiered at Queer History Month @ Schulich, Montreal, 2019
            • The Death of a King (electronic/vocal), Commissioned by Black Theatre Workshop for The Mountaintop by Katori Hall, Montreal, QC, 2018
            • A Children’s Mass (treble choir), premiered by St. Patrick’s Children’s Choir, Miami Beach, FL, 2014
             
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