B.A. (Bucharest), M.A. (Bucharest), M.A. (Windsor), Ph.D. (University of Pennsylvania), Associate Professor
African literatures; Postcolonial studies and the Global South; Cold War studies; World literature; Eastern Europe and postcommunist studies; Gender studies
A book project on the Cold War in postcolonial writing. A co-edited special issue of the Journal of Postcolonial Writing entitled Alternative Solidarities: Black Diasporas and Cultural Alliances during the Cold War. Articles in preparation: representations of the Angolan war in South African Literature; representations of Transylvania in travel literature.
At Penpoint: African Literatures, Postcolonial Studies and the Cold War, Duke University Press, 2020
South African Literature Beyond the Cold War. New York: Palgrave, 2010
The Politics of Violence in Post-communist Films. Brasov, Romania: Concordia, 1999
Book Series co-editor for the Routledge Studies in Cultures of the Global Cold War, with Katherine Zien and Sandeep Banerjee https://www.routledge.com/Routledge-Studies-in-Cultures-of-the-Global-Cold-War/book-series/RSCGCW
Sites of Contest: Cold War Cultural Diplomacy and the Global South. Co-editor (with Kerry Bystrom and Katherine Zien), 2020.
African Literary History and the Cold War. Special issue of Research in African Literatures. Co-editor (with Bhakti Shringarpure). 50.3 (Fall 2019).
Alternative Solidarities: Black Diasporas and Cultural Alliances during the Cold War. Special issue of the Journal of Postcolonial Writing. Co-editor (with Cedric Tolliver and Julie Tolliver). 50.4 (2014).
Articles and Chapters:
“The Battle of Conferences: Cultural Decolonisation and Global Cold War.” The Palgrave Handbook to Cold War Literature. Ed. Andrew Hammond, forthcoming 2020.
“Introduction: African Literature and the Cold War. What Is at Stake?” Special issue on African Literary History and the Cold War. Research in African Literatures. Eds. Monica Popescu and Bhakti Shringarpure. 50.3 (Fall 2019).
“‘Children of the Cold War’: Rethinking African Literary Generations through the Global Conflict.” The Routledge Handbook of African Literature. Eds. Moradewun Adejunmobi and Carli Coetzee. New York: Routledge, 2019, 21-34.
“Revolutionary Times: Mongane Wally Serote and Cold War Fiction.” South African Writing in Transition. Eds. Rita Barnard and Andrew van der Vlies. London: Bloomsbury, 2019, 33-54.
“Transnational Dimensions in Nelson Mandela’s Autobiographical Writing.” JELL: Journal of English Language and Literature 62.1 (2016): 35-53.
"Nelson Mandela." Co-authored with Rita Barnard. Mental Maps in the Era of Detente and the End of the Cold War, 1968-1991. Eds. Steven Casey and Jonathan Wright. New York: Plagrave, 2015. 236-49.
“On the Margins of the Black Atlantic: Angola, the Second World, and the Cold War.” Research in African Literatures. Special Issue on Africa and the Black Atlantic. 45.3 (2014): 91-109.
“Aesthetic Solidarities: Ngugi wa Thiong’o and the Cold War.” Journal of Postcolonial Writing 50.4 (2014): 384-397.
“War Room Stories and the Rainbow Nation: Competing Narratives in Contemporary South African Literature.” National Myths: Constructed Pasts, Contested Presents. Ed. Gerard Bouchard. London: Routledge, 2013. 191-205.
“Lewis Nkosi in Warsaw: Translating Eastern European Experiences for an African Audience.” Journal of Postcolonial Writing 48.2 (May 2012). 178-89.
“Reading through a Cold War Lens: Apartheid-Era Literature and the Global Conflict.” Current Writing 24.1 (May 2012): 37-49.
“Translations: Lenin’s Statues, Post-communism and Post-apartheid.” Marginal Spaces: Ivan Vladislavić. Ed. Gerald Gaylard. Wits University Press, 2011.
Reprint of: “Translations: Lenin’s Statues, Post-communism and Post-apartheid.” The Yale Journal of Criticism 16.2 (2003): 407-423.
“Voortrekkers of the Cold War: Enacting the South African Past and Present in Mark Behr’s The Smell of Apples.” Settler and Creole Reenactment. Eds. Jonathan Lamb and Vanessa Agnew. New York: Palgrave Macmillan, 2010. 123-137.
Reworked version of: “Mirrorings: Communists, Capitalists and Voortrekkers of the Cold War.” Beyond the Border War: New Perspectives on Southern Africa’s Late-Cold War Conflicts. Eds. Peter Vale and Gary Baines. Pretoria: UNISA, 2008. 42-55.
“Waiting for the Russians: Coetzee’s The Master of Petersburgand the Logic of Late Post-colonialism.” Postcolonialism: South/African Perspectives. Ed. Michael Chapman. Cambridge Scholars Publishing, 2008. 106-24.
Reprint of: “Waiting for the Russians: Coetzee’s The Master of Petersburg and the Logic of Late Post-colonialism.” Current Writing. 19.1 (April 2007): 1-20.
“Licence for Shooting: South African Literature, the Media, and the Cold War.” Scrutiny2: Issues in English Studies in Southern Africa 13.1 (2008): 92-104.
“Imaging the Past: Cultural Memory in Dubravka Ugrešić’s The Museum of Unconditional Surrender.” Studies in the Novel. 39.3 (Fall 2007): 336-56.
“Cold War and Hot Translation.” Safundi: The Journal of South African and American Studies. 8.1 (January 2007): 83-90.
“Cultural Liminality and Hybridity: The Romanian Transition.”Kroeber Anthropological Society Papers. The Paradoxes of Progress: Globalization and Postsocialist Cultures. (Special Issue). 86 (Fall 2001). 47-68.
“Writing in and Writing out—Race and Ethnicity in The Sound and the Fury.” Transatlantic Connections: Essays in Cultural Relocation. Ed. R. Mihaila and I. Pana, Bucuresti: Integral, 2000, 49-62.
“Liminal Space in the Post-colonial Context.” Studii de Limbi si Literaturi Moderne. Timisoara: Mirton, 1999, 130-38.
“On the Borderline: Liminal Aspects in Malouf’s Fiction.” Bulletin of the Transilvania University 6.41 (1999): 173-79.
“Wanlov the Kubolor’s Cold War Soundscapes.” Warscapes <http://www.warscapes.com/art/wanlov-kubolors-cold-war-soundscapes>. December 27, 2018.
Republished as: “Wanlov the Kubolor’s Cold War Soundscapes” The Mantle <https://www.themantle.com/arts-and-culture/wanlov-kubolors-cold-war-soundscapes> April 25, 2019.
“Of Masters, Scholars, and the Global Prize Economy” Berfrois. August 29, 2013.
Republished in abridged form as: "The argument over J.M. Coetzee" Africa Is a Country.
• Visiting Scholar, New York University, Department of English, Spring 2019
• Works featured in the "Red-Black Thread" Exhibition, The Met Breuer, New York, 2019 https://www.metmuseum.org/exhibitions/listings/2019/siah-armajani-follow-this-line/red-black-thread-reading-list
• Resident Faculty Fellow, Institute for the Public Life of Arts and Ideas, 2013-2015
• SSHRC Insight Grant, 2012-2016
• Fonds québécois de la recherche sur la société et la culture. Établissement de nouveaux professeurs-chercheurs. 2008-2011
• Delta Kappa Gamma International Fellowship for Women Researchers
• Open Society Institute, Global Supplementary Grant
• Dean’s Scholar, University of Pennsylvania