Paul Yachnin

 Paul Yachnin
Contact Information
Phone: 
(514) 398-4400 ext 09349
Email address: 
paul.yachnin [at] mcgill.ca
Address: 

McGill University Department of English
853 Sherbrooke Street West
Arts Building
Montreal, QC H3A 0G5 CANADA

Group: 
Faculty Members
Position: 
Tomlinson Professor of Shakespeare Studies; Director, TRaCE McGill Project http://tracemcgill.com/
Stream: 
Drama and Theatre
Degree(s): 

Ph.D. (Toronto)
M.Litt. (Edinburgh)
​​B.A. (McGill)

 

Teaching areas: 

Early modern literature, especially Shakespeare, Ben Jonson, Thomas Middleton; Law and Literature; Animalities in History and Literature; Literary History; Early modern publics and public making; Institutional Politics of Literature; Forms of Conversion; Textual Editing

Taught previously at: 

University of Toronto, Wilfrid Laurier University, University of British Columbia

Awards, honours, and fellowships: 

(Selected)

  • Fellowship, Humanities Research Centre, Australian National University, Canberra, 2016.
  • Fellowship, Folger Shakespeare Library, Washington, D.C., 2009.
  • President of the Shakespeare Association of America, 2009-10
  • Friends of the Library “Friend of the Year,” McGill University, 2007-08.
  • Arts Undergraduate Society, McGill University, Teacher of the Year, 2004-05.
     

Research grants (selected)

SSHRC Partnership Grant Early Modern Conversions: Religions, Cultures, Cognitive Ecologies 2013-19
SSHRC Connection Grant

TRaCE—Track, Report, Connect, Exchange:
Transforming Humanities Graduate Education for the Future of Canada

2015-16
SSHRC Connection Grant Future Humanities: Transforming Graduate Studies for the Future of Canada 2015
FQRSC Shakespeare’s World of Words 2006-10
MCRI program of SSHRC Making Publics: Media, Markets, and Association in Early Modern Europe, 1500-1700 2005-10

 

Selected publications: 

     

Books

Making Publics in Shakespeare’s Playhouse. Edinburgh: University of Edinburgh Press, forthcoming, 2020.

Shakespeare’s World of Words. Ed. Paul Yachnin. Arden Shakespeare. London: Bloomsbury, 2015.

Forms of Association: Making Publics in Early Modern Europe. Ed. Paul Yachnin and Marlene Eberhart. Amherst: University of Massachusetts Press, 2015.

Making Publics in Early Modern Europe: People, Things, Forms of Knowledge. Ed. Bronwen Wilson and Paul Yachnin. London and New York: Routledge, 2010; paperback, Routledge, 2011.

Shakespeare and Character: Theory, History, Performance, and Theatrical Persons. Ed. Paul Yachnin and Jessica Slights. London: Palgrave, 2009.

Shakespeare and the Eighteenth Century. Ed. Peter Sabor and Paul Yachnin. London: Ashgate, 2008.

Shakespeare and the Cultures of Performance. Ed. Paul Yachnin and Patricia Badir. London: Ashgate, 2008.

The Culture of Playgoing in Shakespeare’s England: A Collaborative Debate. With Anthony Dawson. Cambridge: Cambridge University Press, 2001; paperback, Cambridge University Press, 2005.

Stage-wrights: Shakespeare, Jonson, Middleton and the Making of Theatrical Value. Philadelphia: University of Pennsylvania Press, 1997.

Editions

The Tempest: An Edition. Broadview Press and Internet Shakespeare Editions. Co-edited with JF Bernard. Online edition 2012; print edition, forthcoming 2019.

Richard II. Oxford Shakespeare; World’s Classics. Co-edited with Anthony Dawson. Oxford: Oxford University Press, 2011.

Meeting of Gallants at an Ordinary and Plato's Cap. In The Complete Works of Thomas Middleton. Ed. Gary Taylor and John Lavagnino. Oxford: Oxford University Press, 2008.

Chapters (selected)

“Conversional Economies: Thomas Middleton’s Chaste Maid in Cheapside.” In Performing Conversion: Urbanism, Theatre, and Transformation in the Early Modern World. Ed. José R. Jouve-Martín and Stephen Wittek. Edinburgh: Edinburgh University Press, forthcoming, 2020.

“Freedom from Debt: The Economies of The Tempest.” In Crossroads of Knowledge in Early Modern Europe. Ed Subha Mukherji. London: Palgrave, forthcoming 2019.

“Shylock, Conversion, Toleration.” In Imagining Religious Toleration. Ed. Alison Conway and David Alvarez. Toronto: University of Toronto Press, forthcoming 2019.

“The Laws of Measure for Measure.” In Shakespeare and Judgment. Ed Kevin Curran. Edinburgh: Edinburgh University Press, 2017. 139-56.

“The Publicity of the Look: Cymbeline and the Visual Field.” In Shakespeare in our Time: A Shakespeare Association of America Companion. London: Bloomsbury, 2016. 277-85.

“Slips of Wilderness: Verbal and Gestural Language in Measure for Measure. With Patrick Neilson. In Shakespeare’s World of Words. London: Bloomsbury, 2015. 187-210.

“Afterword: Richard Helgerson and Making Publics.” In Forms of Association: Making Publics in Early Modern Europe. Amherst: University of Massachusetts Press, 2015. 289-311.

“The Reformation of Space in Shakespeare’s Playhouse.” In Making Space Public in Early Modern Europe: Performance, Geography, Privacy. Ed. Angela Vanhaelen and Joseph P. Ward. London and New York: Routledge, 2013. 262-80.

“Playing with Space: Making a Public in Middleton’s Theatre.” In A Handbook of Middleton Studies. Ed. Gary Taylor and Trish Thomas Henley. Oxford: Oxford University Press, 2012. 32-46.

“Shakespeare’s Public Animals.” In Humankinds: The Renaissance and its Anthropologies. Ed. Andreas Höfele and Stephan Laqué. Berlin, New York: De Gruyter, 2011. 185-98.

“The Well-Hung Shrew.” Co-authored with Jennifer Shea. In Ecocritical Shakespeare. Ed. Lynne Bruckner and Dan Brayton. London: Ashgate Press, 2011. 105-22.

“Shakespeare and the Spaces of Publicity.” Opinion publica y espacio urbano en la Edad Moderna. Ed. Carmen Serrano Sanchez. Gijon: Ediciones Trea, 2010. 15-24.

Hamlet and the Social Thing in Early Modern England.” In Making Publics in Early Modern Europe: People, Things, Forms of Knowledge. Ed. Bronwen Wilson and Paul Yachnin. London and New York: Routledge, 2010. 81-95.

“Eating Montaigne.” In Reading Renaissance Ethics. Ed. Marshall Grossman. New York and London: Routledge, 2007. 157-72.

“’To Kill a King’: The Modern Politics of Bardicide.” In Shakespeare and Modern Theatre: The Performance of Modernity. Ed. Michael Bristol and Kathleen McLuskie, with Christopher Holmes. London: Routledge, 2001. 36-54.

Articles (selected)

“Performance: Shakespeare’s Faith Workshop.” In A Universe of Terms. The Immanent Frame, forthcoming.

“Scholarship at the Edge of Doom.” English Literary Renaissance, forthcoming. Invited essay to celebrate 50th anniversary of ELR.

“Shakespeare’s Theatre of Conversion.” The Immanent Frame, May 7 2018. https://tif.ssrc.org/2018/05/07/shakespeares-theatre-of-conversion/

“Rejoicing in the Law: The Performance of Authorship in A View from the Bridge.” Zeitschrift für Anglistik und Amerikanistik 60.1 (2012): 77-89.

“Performing Publicity.” Shakespeare Bulletin 28 (2010): 201-20.

With Desmond Manderson. “Shakespeare and Judgment: The Renewal of Law and Literature.” The European Legacy, 15 (2010): 195–213.

“’The Perfection of Ten’: Populuxe Art and Artisanal Value in Troilus and Cressida.” Shakespeare Quarterly, 56 (2005): 306-25.

With Desmond Manderson. “Love on Trial: Nature, Law, and Same-Sex Love in the Court of Shakespeare.” McGill Law Journal 49 (2004): 475-511.

“The Jewish King Lear: Populuxe, Performance, and the Dimension of Literature.” Shakespeare Bulletin 21.4 (Winter 2003): 5-18.

“Reversal of Fortune: Shakespeare, Middleton, and the Puritans.” ELH 70 (2003): 757-86.

"Scandalous Trades: Middleton's The Witch, the 'Populuxe' Market, and the Politics of Theatre." Medieval and Renaissance Drama in England 12 (1999): 218-35.

"Personations: The Taming of the Shrew and the Limits of Theoretical Criticism. Early Modern Literary Studies 2.1 (1996): 2.1-31.

"Magical Properties: Vision, Possession, and Wonder in Othello. Theatre Journal 48 (1996): 197-208.

"Shakespeare's Politics of Loyalty: Sovereignty and Subjectivity in Antony and Cleopatra." Studies in English Literature 33.2 (Spring 1993): 343-63.

"The Politics of Theatrical Mirth: A Midsummer Night's Dream, A Mad World, My Masters, and Measure for Measure." Shakespeare Quarterly 43.1 (Spring 1992): 51-66.

"The Powerless Theatre." English Literary Renaissance 21.1 (Winter 1991): 49-74.

Public Scholarship and Policy Publications (selected)

“Four PhD Stories.” University Affairs, forthcoming.

“Sexual Justice: Thinking with Shakespeare.” Queen’s Quarterly, forthcoming Fall 2019.

“Dream-Work in the House that Shakespeare (and Joss Whedon) Built.” Queen’s Quarterly, Winter 2019, 2-13.

“Shakespeare and the Beauty of War.” Queen’s Quarterly, Fall 2018, 327-39.

“Tragedy as a Way of Life.” Queen’s Quarterly, Spring 2018, 7-19.

“Alzheimer’s Disease: What would Shakespeare do?” Queen’s Quarterly, Winter 2018, 487-99.

“Tracking humanities PhD outcomes: an update on the TRaCE Project.” With Eliza Bateman and Catherine Nygren. University Affairs, March 14 2017. http://www.universityaffairs.ca/opinion/in-my-opinion/tracking-humanitie...

With Desmond Manderson. “Treating HPHD Disorder—Shakespeare, Law, and Public Life.” Cogent Arts & Humanities, November 2016. https://www.cogentoa.com/collection/humanities-research-shakespeare-and-...

 “Where are our PhDs are? A Report on the TRaCE Project.” University Affairs, May 17 2016. http://www.universityaffairs.ca/opinion/in-my-opinion/where-are-our-phd-...

“The Crisis in the Humanities: What would Shakespeare do?” Humanities 2016, 5(2), May 18 2016. http://www.mdpi.com/2076-0787/5/2/31

“Rethinking the Humanities PhD.” University Affairs, April 2015.

“Making Scholarship Public: Collaboration and Interdisciplinarity in Early Modern Studies.” Renaissance and Reformation, 37 (2014): 115-29.

With Leigh Yetter. “The Future of the PhD in the Humanities.” Policy Options, Nov-Dec 2014.

Lead author. White Paper on the Future of the PhD in the Humanities. Dec 2013.  http://tracephd.com/wp-content/uploads/2019/03/white_paper_on_the_future_of_the_phd_in_the_humanities_dec_2013_0.pdf 

Plenary/Keynote Presentations (selected)

“Shakespeare’s Reformations: Thinking with Conversion.” Annual Collins Lecture. University of Massachusetts, Amherst. April 23 2019.

“Covering for this Naked Soul:” King Lear and the Nature of Conversion.” Renaissance Conversions: Concepts, Contexts, Practices. University of Lausanne. Organized by CUSO—Conférence Universitaire de Suisse Occidentale. November 17 2018.

“Thinking with Conversion in Shakespeare’s Playhouse.” Annual Renaissance Lecture. Centre for Medieval and Early Modern Studies. University of Kent. Canterbury. October 11 2018.

“Converting Conversion in Shakespeare and Middleton: Theatre, Religion and the Transformation of Knowledge.” Change and Exchange: A Colloquium. Trinity Hall, University of Cambridge, April 29-30 2016.

“Lear’s Conversions of Kind: Moving Minds and Souls in Shakespeare.” Moving Minds: Converting Cognition and Emotion in History. Macquarie University, Sydney, Australia, March 2-4 2016.

“The Public Life of the Law in Shakespeare’s Theatre.” Shakespeare and the Public Symposium. Humanities Research Centre at the Australian National University, Feb 17-18 2016.

“A Midsummer’s Dream of the Public Sphere.” Early Modern Studies Conference. University of Reading, July 12-14 2012.

“Public Dreams.” “Shakespearean Reverie” Symposium. University of Southern Queensland, Toowoomba, Australia, October 6-8, 2011.

“Public Animals.” Discours sur les formes du vivant : La renaissance à la croisée des écritures. Figures animales du sujet humain. Bordeaux, November 28 2009.

“Seeing, Judging, Making Space Public.” Symposium on “Theatre and the Reformation of Space in Early Modern Europe.” Folger Shakespeare Library, October 30 2009.

“Working Language.” Ohio Valley Shakespeare Conference. Youngstown Ohio. October 2-4 2008.

“Shakespeare’s Public Animals.” Humankinds: The Renaissance and its Anthropologies. Munich, July 16-18 2009.

“Shakespeare and the Spaces of Publicity.” La Ciudad de Las Palabras: Opiniòn Pùblica y Espacio Urbano en la Edad Moderna. Universidad de Alcalá, Spain. April 28-30, 2008.

“The McGill Shakespeare Moot Court.” With Desmond Manderson. Shakespeare and the Law Conference. University of Warwick. July 9-11, 2007.

Policy Presentations (selected)

“Why humanity needs the humanities now: Five ways to move the humanities into public space and public action.” University of British Columbia. October 24 2019.

Presenter and co-organizer. With Joshua Lambier (co-organizer), Thomas Peace, and Sandra Lapointe. “Becoming a Public Scholar: Community Engagement and the Future of the Humanities.” Congress of the Humanities and Social Sciences. Regina. May 28 2018.

« Le doctorat en sciences humaines : défis et opportunités. » ACFAS. Chicoutimi, May 8 2018.

With Scott Krawczyk. Public Humanities and Beyond: A forum for graduate students and faculty to explore diverse careers in the humanities. Georgetown University. March 16 2018.

“Technologies and Generations.” With Andrew Piper. The Challenge of Transformation: Lifelong Learning and Living in the 21st Century. A day-long symposium. McGill University, November 3 2017.

“A Wild Dedication to Unpath’d Waters, Undream’d Shores.” Plenary. Future of the PhD in Humanities Conference. Carleton University, Ottawa, May 17-18 2016.

With Desmond Manderson. “Shakespeare and Pedagogy: The Humanities, Pure and Applied.” Shakespeare and the Public: A Symposium. Humanities Research Centre, Australian National University, Canberra, February 18 2016.

“Public Skills.” Conference: Future of the PhD in the Arts: Changing conditions for graduate education in the Humanities, Social Sciences, and Fine Arts. University of Alberta. March 20-21 2015.

Public Scholarship presentations (selected)

“Reconciling Religion.” With David Seljak (Religious Studies, University of Waterloo) and moderator Karin Wells (journalist and documentarian). Meighan Forum, Stratford Shakespeare Festival. September 25 2019.

“Table Talk: Coriolanus.” With Mikaela Davies (Assistant Director, Coriolanus; Director, Robert Lepage). Stratford Shakespeare Festival. July 10 2018.

Organizer and presenter. “Playing for Free A workshop performance based on The Tempest. Collaboration of the School of Performance at Ryerson University, the Stratford Shakespeare Festival, and the Early Modern Conversions Project. Ryerson University, Toronto. February 1-2 2018.

Organizer and lead presenter. “Converting Sounds.” A three-day workshop, culminating with a workshop performance, based on Much Ado about Nothing and a Much Ado opera-in-progress. A collaboration of the Guildhall School of Music and Drama, Opera McGill, and the Early Modern Conversions Project. Guildhall School, London, June 5-7 2017.

“The Sublime Power of Conversion.” Lobby Talk, Stratford Shakespeare Festival. S June 23 2016.

“Is Shakespeare Still Relevant?” Interview and call-in show, CBC Radio Montreal. April 22 2016.

“Changing Kate: The Taming of the Shrew.” With Patricia Badir and Deborah Hay. Stratford Shakespeare Festival Forum. June 14 2015.

Souls under Pressure: King Lear. With Torrance Kirby and Colm Feore Stratford Shakespeare Festival Forum. August 17 2014.

“Shakespeare’s Leading Women: What the World’s Greatest Playwright can Teach us about Leadership.” With Lucy Peacock. International Leadership Association—15th Annual Global Conference. Montreal, Nov 1 2013.

“The Enchanted Island.” Workshop at C2-MTL. Montreal, May 22 2013.

“A World Coming Out: Shakespeare and the Public Life of Literature.” Inaugural Dean of Art's Public Lecture, University of Southern Queensland, Toowoomba, Australia, October 8 2011.

Macbeth in Hell: A Cabaret. With Paul Hopkins and Matthias Maute. Festival Baroque Montreal, June 26 2011.

“L'effet Hamlet: Comment Shakespeare a façonné la vie publique de la Renaissance,” Les Belles Soirées, Université de Montréal, 5 novembre 2010.

Building ID: 
103
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