The lecture series would like to thank the Dean of Arts Development Fund at McGill and a generous anonymous donor for contributing to the series.
Unless otherwise noted, the events will take place at the Department of Art History and Communication Studies, Arts building, room W-215 at 4:00pm.
To subscribe to the AHCS Events mailing list, please contact: caitlin.loney [at] mcgill.ca
Abstract: When a mysterious cache of sixteenth-century Netherlandish engravings was found in the Arctic circle in 1870, many questions arose. What do such objects, for example, tell us about narratives of Renaissance globalization? About "cultural exchange" conceptualized not in terms of movement and difference, but of stasis, mundanity, and sameness?
Bio: Christopher Heuer holds a PhD from the University of California, Berkeley in the history of art and architecture (2003) and completed a predoctoral fellowship at the Kunsthistorisch Instituut of the Rijksuniversiteit Leiden (2000–2002). He earned his MA from the University of Southern California in the history of art and architecture (1997) and graduated from Bowdoin College in 1994 with a bachelor’s degree cum laude, double majoring in art history and philosophy. He was an assistant professor in the Department of Art and Archaeology at Princeton University from 2007–2014 and was recently the Samuel H. Kress Senior Fellow at the Center for Advanced Study in the Visual Arts at the National Gallery of Art, Washington, D.C. He is a widely recognized specialist in early modern European art and architecture, with an emphasis on painting, architecture, and print culture in northern Europe. He is the author of The City Rehearsed: Object, Architecture, and Print in the Worlds of Hans Vredeman de Vries. Currently, Heuer is working on books examining Albrecht Dürer and kinesis, and Renaissance encounters with the Arctic.
Abortion Beyond Bounds
Co-sponsored with IGSF and Centre for Research on Gender, Health, and Medicine
To mark the 30th anniversary of the decriminalization of abortion in Canada, this bilingual two-day conference organized by the McGill Institute for Gender, Sexuality and Feminist Studies (IGSF) and the Centre for Research on Gender, Health, and Medicine will focus on the "self-management" in order to assess contemporary questions, research, and activism around abortion both locally and globally.
Networking Global Communication in and Beyond the Age of Social Media
Conference co-sponsored with Media@McGill
In his 2016 book Marconi, McGill Professor Emeritus Marc Raboy made the case for attending to the relationship between mediated communication and social transformations since the mid-nineteenth century, seeing the evolution of our communication system as a layered process of continuity and change. This conference responds to Raboy’s call for more historically informed analyses of global and networked communication. It foregrounds the interrelated roles of media governance, institutions, and movements for social change. Featuring contributions from Darin Barney (McGill University), Greg Taylor (University of Calgary), Arne Hintz (Cardiff University), Claudia Padovani (University of Padova), Jeremy Shtern (Ryerson University), and Erol Salamon (University of Minnesota) among others, this conference will present panels on four topics: “Thinking about Globally Networked Communication,” “Media Governance and Policy,” “Institutions of Public Media,” and “Social Movements and Media Messages: Québec and Beyond.” Papers presented at this conference will be published as The Handbook of Global Media Policy Research in the International Association for Media and Communication Research’s series with Palgrave.
Just Watching: Cold War Science and the Ethics of Observation
Heather K. Love (University of Pennsylvania)
Arts 260, 4-6pm
Co-sponsorship with LLC/IGSF
Abstract: This essay considers ethological research on communication in the human and natural sciences after WWII, looking at the two-way traffic between “animal sociology” and naturalistic accounts of group interaction among humans. Ranging from discussions of the signaling behavior of homosexual geese at the Macy Conferences on “Group Processes” to Laud Humphreys’ in situ research on sex in public restrooms in the 1960s, this paper argues that observational research offered an alternative to psychological accounts of both human and animal motivation, and in many cases resulted in less stigmatizing and non-essentialist accounts of non-normative behavior. While it may seem especially perverse to champion observation during the Cold War, I argue that the emphasis on militarized surveillance has obscured the diverse and contradictory uses of observation in this period. This essay is taken from my book project, Underdogs, which traces the roots of queer studies in post-WWII social science.
Bio: Heather Love received her A.B. from Harvard and her Ph.D. from the University of Virginia. Her research interests include gender and sexuality studies, twentieth-century literature and culture, affect studies, sociology and literature, disability studies, film and visual culture, and critical theory. She is the author of Feeling Backward: Loss and the Politics of Queer History (Harvard) and the editor of a special issue of GLQ on Gayle Rubin (“Rethinking Sex”) and the co-editor of a special issue of Representations ("Description Across Disciplines"). She has written on topics including comparative social stigma, compulsory happiness, transgender fiction, spinster aesthetics, reading methods in literary studies, and the history of deviance studies. She is currently completing a book on practices of description in the humanities and social sciences after World War II.
Sven Dupré (University of Amsterdam)
AHCS Research Forum, in co-sponsorship with Le Séminaire des nouveaux modernes
4:00-6:00 PM; Arts W-220
Bio: Sven Dupré is Professor of History of Art, Science and Technology at the University of Amsterdam (Conservation & Restoration)andChair of History of Art, Science and Technology at Utrecht University (History & Art History). Dupré’s research sits at the crossroads of technical art history and the history of science and technology. He is theDirector of the project ‘Technique in the Arts: Concepts, Practices, Expertise, 1500-1950’ (ARTECHNE), supported by a European Research Council (ERC) Consolidator Grant, in cooperationwith conservatorsat the Atelier Buildingin Amsterdam, where the Rijksmuseum, the Cultural Heritage Agency of the Netherlands and the University of Amsterdam combine their knowledge in the field of restoration of art objects.Since 2018 he also heads the NWO Smart Culture digital art history project on the history of glass focusing on the archives of the artist Sybren Valkema (1916-1996), in collaboration with the FoundationVrij Glas, the RKD Netherlands Institute for Art History, the Corning Museum of Glass and the Glasmuseum Hentrich, Dusseldorf.He is a member of the editorial boards of the journals Nuncius, Science in Contextand Studium, an associate editor of History of Humanities, a former member of the advisory board of Isis, co-editor of theNuncius book series on material and visual history of science (Brill Publishers), and an advisory board member of the book series Studies in Art &Materiality (Brill Publishers).
Arctic Journalisms, Civic Spaces, and Indigenous Publics
Candis Callison (UBC Graduate School of Journalism/Princeton University)
Arts W-215, 4-6pm
Co-sponsorship with Media@McGill
Abstract :Mobilizing Indigenous experiences with and narratives about climate change through various media provides important insight for broad global publics about what it means to live with climate change both in the observable present and the predicted future. Representing and reporting on diverse Indigenous peoples however can be extremely challenging given that mainstream media narratives have often tended to reproduce stereotypes, ignore Indigenous knowledges, erase the ongoing impacts of colonialism, and/or frame Indigenous people as proxies, victims, or heroes. Drawing on research related to media in and about the Canadian Arctic, this talk examines how and where journalism might contribute to communal resilience, historical understandings of adaptation and climatic shifts, and reflect robust civic spaces and imaginations among global and regional audiences that include Indigenous publics.
Bio: Candis Callison is an Associate Professor in the Graduate School of Journalism at UBC. Her research and teaching are focused on changes to media practices and platforms, journalism ethics, the role of social movements in public discourse, and understanding how issues related to science and technology become meaningful for diverse publics. Callison’s book, How Climate Change Comes to Matter: The Communal Life of Facts (Duke University Press, 2014) uses ethnographic methods and a comparative lens to bring together the work of science journalists, scientists, and three distinct social groups that are outside environmental movement and policy frameworks in an American context. Callison leads a research team on arctic journalism, funded through a SSHRC Insight Grant. They are researching changes to professional norms, practices and standards for Canadian Arctic journalists working in an era of environmental change and global audiences. Since the project launched in 2014, research assistants have jointly conducted ethnographic research, completed a portion of their required Master of Journalism summer internships in the three northern Canadian territories, and provided live reporting and media analysis during the COP 21 meetings in Paris.
Dangerous Exposures: Work and Waste in Victorian Photography and the Chemical Trades
Jennifer Tucker (Wesleyan University)
Arts W-215, 4-6pm
Bio: Jennifer Tucker is Associate Professor of History at Wesleyan University where she is also a member of the faculty of the Science in Society Program and the College of the Environment, and currently serves as Interim Chair of the Feminist, Gender and Sexuality Studies Program. She received her BA in Human Biology (Neuropsychology of Vision, Perception, and Memory) from Stanford University, MPhil in the Dept. of the History and Philosophy of Science from the University of Cambridge (Marshall Scholarship, Gonville and Caius College), and Ph.D. in the History of Science, Medicine, and Technology from Johns Hopkins University. A historian of nineteenth- and early twentieth-century British society, she specializes in the history of technology, science, art, visual and material culture. Tucker currently is working on two new book-length projects. One, titled “Science Against Industry: Photographic Technologies and the Visual Politics of Pollution Reform,” traces the historical roots of the use of visual evidence in environmental science and pollution reform, and explores the visual representation in chemical climatology and the presentation of visual exhibits in Victorian courtroom debates over air and river pollution. The other, titled “Caught on Camera,” is a book-length study about the legal and cultural history of photographic detection and evasion, and is funded by a Public Scholar Award from the National Endowment for the Humanities. She began work on both of these projects as a Visiting Fellow at the Humanities Research Centre at the Australian National University, Canberra in 2015 and as a Senior Scholar at Birkbeck, University of London, in 2016.
Rathlyn Lecture in Disability Studies
More information coming soon.