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DESCRIPTION: \n\nGender\, Sexualities and Cultural Production in Brazil - P
 art 2\n	“Gender\, Sexualities and Cultural Production in Brazil” is a two-p
 art lecture series organized by Professor Beatriz Polivanov\, a Visiting S
 cholar in the Dept. of Art History and Communication Studies at McGill. Pa
 rt of the AHCS Speaker Series\, the second installment features Beatriz Po
 livanov and Greice Schneider. To read about Part 1\, please visit here.\n	
 \n	Facebook event\n\n\n\n	'Beyond the DJ Booth: Electronic Music Scenes and 
 Cultural Production from a Female Perspective'\n	\n	Beatriz Polivanov (Unive
 rsidade Federal Fluminense\, Brazil\; Visiting scholar\, AHCS)\n\nAbstract
 : The figure of the DJ – disc-jockey – is central in electronic music scen
 es. Throughout decades of experimentation and the consolidation of club cu
 lture\, there has been a low number of women occupying such position\, and
  line-ups in events are still mostly male dominant. Furthermore\, whereas 
 literature on female participation in rock n’ roll scenes is already abund
 ant\, little has been written about them in the context of electronic danc
 e music – even less so in “Global South” scenarios. Nevertheless\, a serie
 s of collectives\, events and people that address gender inequality in the
 se scenes have risen over the last decade. In her book published in 2012\,
  “Beyond the Dance Floor: Female DJs\, Technology and Electronic Dance Mus
 ic Culture”\, Rebekah Farrugia discusses how several women had managed to 
 switch from the position of observers and partygoers to that of profession
 al DJs. Based on recent interviews with female and non-binary DJs from Mon
 treal (Canada) and São Paulo (Brazil)\, as well as the observation of part
 ies\, festivals and other events\, I argue that the challenge nowadays is 
 not only reaching the DJ booth – and being respected once they do it –\, b
 ut also going beyond it\, and pursuing multiple roles in their careers\, s
 uch as that of events’ organizers\, music producers\, visual artists and e
 ntrepreneurs. Apart from the fascination with the numerous talents the res
 earch’s participants have\, I also seek to question whether there is a hig
 her demand for non-male DJs to work “double” or “triple shifts”.\n\nBio: B
 eatriz Polivanov is a tenured professor at the Media and Cultural Studies 
 Department\, as well as a permanent professor at the Post-Graduation Progr
 am in Communication at Universidade Federal Fluminense (UFF)\, Rio de Jane
 iro\, Brazil. She is currently a visiting scholar at the Art History and C
 ommunication Studies Department at McGill University. She holds a PhD and 
 MA in Communication from UFF. She got her BA degree in Arts (English and P
 ortuguese Languages and Literatures) and a licentiate degree in Education 
 from Universidade Federal do Rio de Janeiro (UFRJ). She is the founder and
  coordinator of the research group MiDICom (Digital Media\, Identity and C
 ommunication). Her research interests involve digital culture\, self-perfo
 rmance\, electronic music scenes and gender relations. She is the author o
 f the book 'Identity dynamics in social network sites: a study with partic
 ipants of electronic music scenes on Facebook' (published in Portuguese\, 
 in 2014\, based on her PhD thesis). Her work has also appeared in several 
 journals and publications\, such as “Brazilian Journal of Communication Sc
 iences” (RBCC)\; “InTexto” and “The Oxford Research Encyclopedia of Latin 
 American History” (forthcoming).\n\n\n\n	'Graphic humour in Brazilian comic
  strips: the case of Laerte Coutinho'\n\nGreice Schneider (Professor at th
 e Department of Communications at Universidade Federal de Sergipe\; Visiti
 ng scholar\, Art History\, UQAM)\n	\n	Abstract: This presentation discusses 
 the poetics of graphic humour in contemporary Brazilian comic strips\, wit
 h special attention to the way shifts in moral conventions and the reader'
 s horizon of expectations are explored. Issues such as gender\, sexuality 
 and identity will be tackled here through an examination of the work of La
 erte Coutinho\, one of the most relevant Brazilian cartoonists nowadays. T
 he aim here is to address strategies proper to the comics medium\, such as
  the tension between image and text\, the use of visual metaphors\, and th
 e power of synthesis in the schematic graphic representation of types. Thi
 s study also covers a short panorama of comic strips produced in recent ye
 ars in Brazil and investigates how ironic disjunction is explored in short
  formats\, such as editorial cartoons and comic strips.\n	\n	Bio: Greice Sch
 neider is a tenured professor at the Department of Communications of Unive
 rsidade Federal de Sergipe (Brazil). She is currently working as a visitin
 g scholar of the Department of Art History at UQAM\, doing research about 
 photo narratives in journalism. She holds a PhD in Literature (KULeuven) a
 nd a MA in Communication and Contemporary Culture (Universidade Federal da
  Bahia). Her main interests lie in the field of visual studies\, with a pa
 rticular interest in the relations between image and narrative. She is the
  author of “What happens when nothing happens: boredom and everyday life i
 n contemporary comics” (Leuven University Press). Her publications have ap
 peared in Studies in Comics\, European Comic Art and Scandinavian Journal 
 of Comic Art. She is the leader of the research group Lavint (Laboratório 
 de Análise de Visualidades\, Narrativas e Tecnologias) and member of Rede 
 Grafo (Rede Integrada de Pesquisa sobre Teorias e Análise da Fotografia).
 \n\n \n\n
DTSTART:20200206T210000Z
DTEND:20200206T230000Z
LOCATION:W-215\, Arts Building\, CA\, QC\, Montreal\, H3A 0G5\, 853 rue She
 rbrooke Ouest
SUMMARY:Speaker Series | Gender\, Sexualities and Cultural Production in Br
 azil - Part 2
URL:https://www.mcgill.ca/ahcs/channels/event/speaker-series-gender-sexuali
 ties-and-cultural-production-brazil-part-2-303686
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