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UID:20261102T061216EST-1651nPEO7a@132.216.98.100
DTSTAMP:20261102T111216Z
DESCRIPTION:In partnership with the Schulich School of Music\, and in the c
 ontext of the ethnomusicology search\, AHCS is delighted to welcome Profes
 sor John-Carlos Perea to our campus.  All welcome!\n\n \n\n“Sounding Cultu
 re\, Improvising Ethnomusicology in American Indian Studies”\n\n\n	Dr. John
 -Carlos Perea\n\n\n \n\nMONDAY JUNE 4: 10 - 11 a.m.\, ROOM C-411 (4th floo
 r of the Strathcoma Music Building\, 555 Sherbrooke St. West)\n\n \n\nMy p
 resentation will discuss my experiences as an ethnomusicologist and musici
 an working in American Indian Studies in the College of Ethnic Studies at 
 San Francisco State University. I will focus on four themes that best char
 acterize my interdisciplinary interventions: musicking across powwow\, Nat
 ive American flute\, and creative improvised music scenes\, archiving medi
 a necessary to the transmission of those scenes\, exploring the potential 
 of improvisation as classroom and performance pedagogy\, and the self-refl
 exive deployment of technology as a means through which to develop the pre
 vious themes in the present moment.\n\n \n\nBio:\n\nJohn-Carlos Perea is a
 n ethnomusicologist and associate professor of American Indian Studies in 
 the College of Ethnic Studies at San Francisco State University. His resea
 rch interests include the politics of noise\, urban American Indian lived 
 experiences and cultural productions\, music technologies\, recording and 
 archiving practices\, Native and African American jazz cultures\, and the 
 Creek and Kaw saxophonist Jim Pepper. Perea is the author of Intertribal N
 ative American Music in the United States (2014\, Oxford University Press)
 . His most recent scholarly work is “Recording Technology\, Traditioning\,
  and Urban American Indian Powwow Performance” published in Music\, Digita
 l Media\, Indigeneity(2017\, University of Rochester Press).\n\n \n\nIn ad
 dition to his scholarly activities\, Perea maintains an active career as a
  GRAMMY® Award winning multi-instrumentalist and recording artist in the S
 an Francisco Bay Area. He has recorded on eighteen albums as a sideman and
  two as a leader\, First Dance (2001) and Creation Story (2014). His most 
 recent creative work is Improvising Home (2016)\, a multi-movement work fo
 r Native American flute and large ensemble funded by grants from the San F
 rancisco Arts Commission and the Office of Research and Sponsored Programs
  at San Francisco State University.\n\n \n\nPerea is the recipient of a 20
 18-2019 Sabbatical Leave from the Office of Faculty Affairs and Profession
 al Development at San Francisco State University. The primary goal of his 
 sabbatical project is to study the Max/MSP programming language in order t
 o develop both creative and data-driven sonnifications of blood quantum fo
 r classroom use. The secondary goal of the sabbatical is to explore the po
 tential of these new skills and research to form the basis for a culturall
 y competent quantitative reasoning course syllabus.\n
DTSTART:20180604T140000Z
DTEND:20180604T150000Z
LOCATION:ROOM C-411\, Strathcona Music Building\, CA\, QC\, Montreal\, H3A 
 1E3\, 555 rue Sherbrooke Ouest
SUMMARY:John-Carlos Perea: 'Sounding Culture\, Improvising Ethnomusicology 
 in American Indian Studies'
URL:https://www.mcgill.ca/ahcs/channels/event/john-carlos-perea-sounding-cu
 lture-improvising-ethnomusicology-american-indian-studies-287423
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