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Faculty Program Music - Jazz (123 credits)

Offered by: Music Research     Degree: Bachelor of Music

Program Requirements

The Bachelor of Music (B.Mus.); Faculty Program in Music; Jazz requires 123 credits and has been designed to accommodate students who trained as jazz musicians and who are interested in a pattern of specialization not provided in the established major programs, or who are interested in combining studies in music with studies in other disciplines. Students registered in the Faculty Program in Music; Jazz may, with the approval of a staff adviser, design their own programs around specific interests or develop programs with a broader base by incorporating courses from other disciplines and faculties.

Program Prerequisites - Freshman Program (33 credits)

33 credits selected as described below, in consultation with the Program Adviser:

23 credits of Prerequisite courses
4 credits of Basic Ensemble Training
6 credits of non-Music electives

Prerequisite Courses

23 credits, all of the courses below:

Note: Students who can demonstrate through auditions and placement tests that they have mastered the material in any of the courses below will be exempt from them and may proceed to more advanced courses.

  • MUIN 180 BMus Practical Lessons 1 (3 credits)

    Offered by: Performance (Schulich School of Music)

    Overview

    Practical Instrument : Practical instruction on an instrument or voice.

    Terms: Fall 2014, Winter 2015

    Instructors: Joanne Kolomyjec, James Box, John Zirbel, Peter Freeman, Abe Kestenberg, Greg Clayton, Remi Bolduc, Kevin Dean, Fraser Hollins, Christopher McCann, Brian Manker, Richard Allen Roberts, Sanford Sylvan, Maria Popescu, Martin Karlicek, Robert Crowley, Trevor Dix, Yai-Yun Huang, Fabrice Marandola, Marina Mdivani, Michael McMahon, Ilya Poletaev, Therese Boudreault-Sevadjian, Ali Yazdanfar, Elizabeth Dolin, Michel Lambert, Carolyn Christie, Jean Gaudreault, Denys Derome, Jeffrey E H Johnston, Joseph Leo Sullivan, Dimitrios Doxas, Stephane Levesque, David Grott, Alec Walkington, Michael Dumouchel, William V Mahar, Yegor Dyachkov, Frédéric Lambert, David Laing, Simon Aldrich, Michael Gauthier, Jacqueline Leclair, Sara Laimon, Brian Robinson, Thomas Davidson, Ronald Di Lauro, Timothy Dobby, Axel Strauss, Julia Gavrilova, Alexander David Johnson, Helene Plouffe, Carlos Alberto Jimenez, Jean-Nicolas Trottier, Marcelle Mallette, Alexander Read, Stephen Algie, Russell Devuyst, Theodore Baskin, Alain Desgagne, Normand Forget, Timothy Hutchins, Martin D Mangrum, Kyoko Hashimoto, Steve Amirault, Ranee Y Lee, Francisco J Lozano, Jocelyn Couture, Matt Haimovitz, Claire Guimond, Garry M W Antonio, Andre J Roy, Denise Lupien, Joshua Rager, Patil Harboyan, Winston Purdy, Mark Fewer, Andrew Wan, Cindy Shuter, Jérôme Ducharme, Jennifer Swartz, David Mark Gossage, Valerie Kinslow, Eric Chappell, Andree Azar, Scott O Feltham, Daniele Bourget, Tatiana Dardykina, Stéphane Lemelin, Dominique Labelle, Donald Leyland Kennedy, Paul A Merkelo, Felicia Moye, Amy Hillis, Geoffrey Thompson, Aline Kutan, Anja Strauss (Fall) Daniele Bourget (Winter)

    • 3 hours
    • Prerequisite: Admission to the B.Mus. program by audition.
  • MUIN 181 BMus Practical Lessons 2 (3 credits)

    Offered by: Performance (Schulich School of Music)

    Overview

    Practical Instrument : Practical examination in clarinet techniques.

    Terms: Fall 2014, Winter 2015

    Instructors: Martin D Mangrum (Fall) Yai-Yun Huang, Fabrice Marandola, Michael McMahon, Cindy Shuter, Marina Mdivani, Ilya Poletaev, Jérôme Ducharme, Therese Boudreault-Sevadjian, Jennifer Swartz, Ali Yazdanfar, Elizabeth Dolin, Michel Lambert, Andrew Wan, Carolyn Christie, Jean Gaudreault, Denys Derome, Jeffrey E H Johnston, Joseph Leo Sullivan, Dimitrios Doxas, David Mark Gossage, Stephane Levesque, David Grott, Alec Walkington, Valerie Kinslow, Michael Dumouchel, William V Mahar, Yegor Dyachkov, Frédéric Lambert, Eric Chappell, David Laing, Simon Aldrich, Andree Azar, Michael Gauthier, Jacqueline Leclair, Sara Laimon, Brian Robinson, Thomas Davidson, Scott O Feltham, Timothy Dobby, Axel Strauss, Daniele Bourget, Julia Gavrilova, Alexander David Johnson, Helene Plouffe, Carlos Alberto Jimenez, Jean-Nicolas Trottier, Marcelle Mallette, Tatiana Dardykina, Alexander Read, Stephen Algie, Joanne Kolomyjec, James Box, Russell Devuyst, John Zirbel, Theodore Baskin, Alain Desgagne, Normand Forget, Peter Freeman, Timothy Hutchins, Abe Kestenberg, Martin D Mangrum, Kyoko Hashimoto, Steve Amirault, Greg Clayton, Remi Bolduc, Kevin Dean, Fraser Hollins, Ranee Y Lee, Francisco J Lozano, Christopher McCann, Jocelyn Couture, Matt Haimovitz, Brian Manker, Claire Guimond, Garry M W Antonio, Andre J Roy, Denise Lupien, Richard Allen Roberts, Joshua Rager, Sanford Sylvan, Aline Kutan, Maria Popescu, Patil Harboyan, Martin Karlicek, Winston Purdy, Mark Fewer, Robert Crowley, Trevor Dix, Stéphane Lemelin, Alejandro Dominguez, Dominique Labelle, Ronald Di Lauro, Donald Leyland Kennedy, Paul A Merkelo, Amy Hillis, Geoffrey Thompson (Winter)

    • Prerequisite: MUIN 180
    • Restriction: Open to students entering directly from High Schools outside Quebec.
  • MUJZ 160 Jazz Materials 1 (3 credits)

    Offered by: Performance (Schulich School of Music)

    Overview

    Jazz Studies : Fundamental aural and theoretical skills associated with the jazz idiom. Nomenclature, chord construction, chord/scale relationships, harmonic progression, circle of 5ths, simple turnarounds, simple substitution, symmetrical scales and chord relationships, voice leading.

    Terms: Fall 2014

    Instructors: Jonathon Resney (Fall)

    • 4 hours
    • Prerequisite: none. Open to non-jazz majors, space permitting, but not for elective credit in B.Mus. or Artist Diploma programs
  • MUJZ 161 Jazz Materials 2 (3 credits)

    Offered by: Performance (Schulich School of Music)

    Overview

    Jazz Studies : Simple and advanced substitution, borrowed chords, reharmonisation, modes of harmonic minor and melodic minor diatonic systems, unresolved tensions, odd and infrequent modulations, mixed two-five-ones, introduction to polychords, slashchords and non-functional harmony.

    Terms: Winter 2015

    Instructors: Jonathon Resney (Winter)

    • 4 hours
    • Prerequisite: MUJZ 160. Open to non-jazz majors, space permitting, but not for elective credit in B.Mus. or Artist Diploma programs
  • MUJZ 170 Jazz Keyboard Proficiency 1 (1 credit)

    Offered by: Performance (Schulich School of Music)

    Overview

    Jazz Studies : Basic piano skills, basic comping techniques, standard 3 note rootless voicings in 7, 3 and 3, 7 position with one extension, two-five-ones in major and minor - limited keys. Simple substitution and reharmonisation.

    Terms: Fall 2014

    Instructors: Gabriel Desjardins, Min Jung Suh (Fall)

    • 1 hour
    • Prerequisite: none. Open only to Jazz Performance Majors. May not be taken for elective credit in B.Mus. or Artist Diploma programs
  • MUJZ 171 Jazz Keyboard Proficiency 2 (1 credit)

    Offered by: Performance (Schulich School of Music)

    Overview

    Jazz Studies : Continuation of previous semester. Two-five-ones and mixed two-five-ones using 4 note close position voicings and 4 and 5 note spreads, in all keys, diminished passing chords, half step shifts, voice leading extensions, quartal and modal voicing, sight reading of standard jazz repertoire.

    Terms: Winter 2015

    Instructors: Min Jung Suh (Winter)

    • 1 hour
    • Prerequisite: MUJZ 170. Open only to Jazz Performance Majors. May not be taken for elective credit in B.Mus. or Artist Diploma programs
  • MUJZ 187 Jazz History Survey (3 credits)

    Offered by: Music Research (Schulich School of Music)

    Overview

    Jazz Studies : An introductory study of the principal recordings, artists and musical trends in jazz from its origins to the present day.

    Terms: Winter 2015

    Instructors: Andre White (Winter)

    • 3 hours
  • MUPD 135 Music as a Profession 1 (1 credit)

    Offered by: Music Research (Schulich School of Music)

    Overview

    Music Professional Development : An introduction to the responsibilities and skills required of professionals in music; job options, contracts, professional organizations, freelancing.

    Terms: Fall 2014

    Instructors: Abe Kestenberg (Fall)

  • MUPD 136 Music as a Profession 2 (1 credit)

    Offered by: Music Research (Schulich School of Music)

    Overview

    Music Professional Development : Additional responsibilities and skills required of professionals in music.

    Terms: Winter 2015

    Instructors: Shawn Eliot Mativetsky (Winter)

  • MUSP 123 Jazz Ear Training 1 (2 credits)

    Offered by: Music Research (Schulich School of Music)

    Overview

    Musicianship : Rhythmic, melodic and harmonic materials from the jazz idiom. Sight-singing, dictation and transcription with some classical materials.

    Terms: Fall 2014

    Instructors: Laura Bucher, Bohdanna Novak (Fall)

    • 2 hours
    • Corequisites: MUJZ 160, MUJZ 170
    • Restriction: Open to Jazz Performance Majors.
  • MUSP 124 Jazz Ear Training 2 (2 credits)

    Offered by: Music Research (Schulich School of Music)

    Overview

    Musicianship : Advanced jazz idioms.

    Terms: Winter 2015

    Instructors: Bohdanna Novak (Winter)

    • 2 hours
    • Prerequisite: MUSP 123
    • Corequisites: MUJZ 161, MUJZ 171
    • Restriction: Open to Jazz Performance Majors.

Required Courses (25 credits)

25 credits of the required courses are selected as follows:

12 credits of Theory
4 credits of Musicianship
3 credits of Music History
6 credits of Performance

Theory

12 credits

  • MUJZ 262 Applied Jazz Theory (3 credits)

    Offered by: Performance (Schulich School of Music)

    Overview

    Jazz Studies : An examination of harmonic practices and compositional styles in post-1960 jazz. Various theoretical approaches to jazz harmonic analysis will be addressed. Students analyze and compose jazz tunes and longer forms.

    Terms: Fall 2014

    Instructors: Joseph Leo Sullivan (Fall)

    • Prerequesite (s): MUJZ 161.
  • MUTH 150 Theory and Analysis 1 (3 credits)

    Offered by: Music Research (Schulich School of Music)

    Overview

    Music Theory and Analysis : Diatonic chords and harmonic progressions, focus on outer-voice framework, cadences, embellishments, building chordal fluency in common-practice tonality, applied chords.

    Terms: Fall 2014

    Instructors: Robert Hasegawa (Fall)

    • Prerequisite: Matriculation Music or McGill Conservatory Theory Secondary V or its equivalent.
    • Corequisites: MUSP 140 and MUSP 170
  • MUTH 151 Theory and Analysis 2 (3 credits)

    Offered by: Music Research (Schulich School of Music)

    Overview

    Music Theory and Analysis : Sequences and modulation, chromatic vocabulary, analysis of simple theme types (sentence, period, hybrids) and fugal techniques.

    Terms: Winter 2015

    Instructors: Nicole Biamonte (Winter)

    • Pre- or Co-requisites: MUTH 150, MUSP 140 and MUSP 170
    • Corequisites: MUSP 141 and MUSP 171
  • MUTH 250 Theory and Analysis 3 (3 credits)

    Offered by: Music Research (Schulich School of Music)

    Overview

    Music Theory and Analysis : Compositional resources of late 18th and early 19th century music. Analysis of forms common to the period c. 1770 - 1840, including Classical sonata forms in several media.

    Terms: Fall 2014, Summer 2015

    Instructors: René Rusch (Fall)

    • 3 hours
    • Prerequisite: MUTH 151
    • Corequisite: MUSP 240

Musicianship

4 credits

  • MUJZ 213 Non-Performance Jazz Improvisation 1 (2 credits)

    Offered by: Performance (Schulich School of Music)

    Overview

    Jazz Studies : Introduction to basic improvisation concepts of phrasing, articulation, melodic development, harmonic control, musical vocabulary and style. Pedagogical techniques will be discussed.

    Terms: Fall 2014

    Instructors: Benjamin Deschamps (Fall)

    • Prerequisites: MUJZ 161 and MUSP 124.
    • Note: Open to jazz instrumentalists who are not in Performance programs.
  • MUJZ 214 Non-Performance Jazz Improvisation 2 (2 credits)

    Offered by: Performance (Schulich School of Music)

    Overview

    Jazz Studies : A continuation of development of basic improvisation concepts of phrasing, articulation, melodic development, harmonic control, musical vocabulary and style. Pedagogical techniques will be discussed.

    Terms: Winter 2015

    Instructors: Bogdan Gumenyuk (Winter)

    • Prerequisite: MUJZ 213 or permission of instructor.
    • Note: Open to jazz instrumentalists who are not in Performance programs.

Music History

3 credits

  • MUHL 286 Critical Thinking About Music (3 credits)

    Offered by: Music Research (Schulich School of Music)

    Overview

    Music History and Literature : Examination of various periods and styles: e.g., central works from different traditions, the interaction of music and society, performance practice, and music's relation to other arts.

    Terms: Fall 2014, Winter 2015, Summer 2015

    Instructors: Lloyd Whitesell (Fall) Steven Huebner (Winter)

    • Prerequisite: MUHL 186 or MUJZ 187
    • Restriction: Not open to students who have taken MUTH 301

Performance

6 credits

  • MUIN 280 BMus Practical Lessons 3 (3 credits)

    Offered by: Performance (Schulich School of Music)

    Overview

    Practical Instrument : Practical instruction on an instrument or voice.

    Terms: Fall 2014, Winter 2015

    Instructors: Joanne Kolomyjec, Alain Desgagne, Normand Forget, Julia Gavrilova, Kyoko Hashimoto, Marina Mdivani, Greg Clayton, Remi Bolduc, Fraser Hollins, Francisco J Lozano, Matt Haimovitz, Garry M W Antonio, Andre J Roy, Joshua Rager, Francois Stevenson, Sanford Sylvan, Maria Popescu, Martin Karlicek, Andrew Wan, Mark Fewer, Trevor Dix, Timothy Hutchins, Christopher McCann, Stephen Algie, Winston Purdy, Denise Lupien, William V Mahar, Russell Devuyst, Martin D Mangrum, Theodore Baskin, Peter Freeman, Abe Kestenberg, Steve Amirault, Jocelyn Couture, Kevin Dean, Jeffrey E H Johnston, Therese Boudreault-Sevadjian, Jérôme Ducharme, Patil Harboyan, Cindy Shuter, Alec Walkington, David Laing, Ranee Y Lee, Michel Lambert, Brian Manker, Ilya Poletaev, Thomas Davidson, Denys Derome, Jennifer Swartz, Erik Eriksson, Michael Dumouchel, Carolyn Christie, Ali Yazdanfar, Axel Strauss, David Mark Gossage, Timothy Dobby, Pierre Beaudry, Hank Knox, Andree Azar, Greg G Amirault, Brian Robinson, Eric Chappell, Jean-Nicolas Trottier, Fabrice Marandola, Michael Gauthier, Scott O Feltham, Allan Robert McLean, James Box, Jean Gaudreault, David R Martin, John Zirbel, Simon Aldrich, Stephane Levesque, Sara Laimon, Luba Zuk, Kenneth Bibace, Ronald Di Lauro, David Grott, Elizabeth Dolin, Frédéric Lambert, Richard Allen Roberts, Joseph Leo Sullivan, Andre White, Robert Crowley, Dimitrios Doxas, Yai-Yun Huang, Carlos Alberto Jimenez, Yegor Dyachkov, Douglas McNabney, Dave Turner, Dennis Miller, Marcelle Mallette, Katherine Petersen, Matthias Maute, Anna Peletsis, Alexander Read, Tatiana Dardykina, Stéphane Lemelin, Gili Loftus, Alexander David Johnson, Daniele Bourget, Jacqueline Leclair, Dominique Labelle, Felicia Moye, Denis Bluteau, Amy Hillis, Bohdanna Novak, Helene Plouffe, Geoffrey Thompson, Paul A Merkelo, Christopher Smith (Fall) Axel Strauss, Jean Gaudreault, Martin D Mangrum, Allan Robert McLean, Carolyn Christie, Sara Laimon, Kenneth Bibace, Andre J Roy (Winter)

    • Prerequisite: MUIN 181 or admission to the B.Mus. program by audition.
  • MUIN 281 BMus Practical Lessons 4 (3 credits)

    Offered by: Performance (Schulich School of Music)

    Overview

    Practical Instrument : Practical instruction on an instrument or voice.

    Terms: Fall 2014, Winter 2015

    Instructors: Carlos Alberto Jimenez, Hank Knox, Matt Haimovitz, Thomas Davidson, Christopher McCann, Maria Popescu, Francisco J Lozano, Marek Krowicki, Marcelle Mallette, Alec Walkington, Fraser Hollins (Fall) Dimitrios Doxas, Yai-Yun Huang, Fabrice Marandola, Timothy Hutchins, Christopher McCann, Carlos Alberto Jimenez, Stephen Algie, Winston Purdy, Denise Lupien, William V Mahar, Russell Devuyst, Martin D Mangrum, Theodore Baskin, Peter Freeman, Abe Kestenberg, Steve Amirault, Jocelyn Couture, Kevin Dean, Jeffrey E H Johnston, Therese Boudreault-Sevadjian, Jérôme Ducharme, Patil Harboyan, Yegor Dyachkov, Cindy Shuter, Alec Walkington, David Laing, Ranee Y Lee, Michel Lambert, Douglas McNabney, Brian Manker, Andre J Roy, Dave Turner, Ilya Poletaev, Thomas Davidson, Denys Derome, Dennis Miller, Jennifer Swartz, Erik Eriksson, Michael Dumouchel, Carolyn Christie, Ali Yazdanfar, Axel Strauss, Marcelle Mallette, David Mark Gossage, Timothy Dobby, Pierre Beaudry, Hank Knox, Andree Azar, Greg G Amirault, Brian Robinson, Eric Chappell, Jean-Nicolas Trottier, Katherine Petersen, Michael Gauthier, Scott O Feltham, Matthias Maute, Allan Robert McLean, Tracy Smith, Anna Peletsis, Alexander Read, Joanne Kolomyjec, James Box, Jean Gaudreault, David R Martin, John Zirbel, Simon Aldrich, Alain Desgagne, Normand Forget, Stephane Levesque, Julia Gavrilova, Kyoko Hashimoto, Sara Laimon, Marina Mdivani, Luba Zuk, Kenneth Bibace, Greg Clayton, Remi Bolduc, Ronald Di Lauro, David Grott, Fraser Hollins, Francisco J Lozano, Elizabeth Dolin, Matt Haimovitz, Garry M W Antonio, Frédéric Lambert, Richard Allen Roberts, Joshua Rager, Francois Stevenson, Joseph Leo Sullivan, Andre White, Sanford Sylvan, Maria Popescu, Martin Karlicek, Andrew Wan, Mark Fewer, Robert Crowley, Trevor Dix, Stéphane Lemelin, Tatiana Dardykina, Alexander David Johnson, Chloe Dominguez, Daniele Bourget, Jacqueline Leclair, Felicia Moye, Dominique Labelle, Denis Bluteau, Amy Hillis, Bohdanna Novak, Helene Plouffe, Geoffrey Thompson, Paul A Merkelo, Christopher Smith (Winter)

    • Prerequisite: MUIN 280
  • MUIN 283 BMus Concentration Final Examination

    Offered by: Performance (Schulich School of Music)

    Overview

    Practical Instrument : Assessment of student's progress in the practical area.

    Terms: Fall 2014

    Instructors: There are no professors associated with this course for the 2014-2015 academic year.

    • Exam details are to be found under Examinations and Goals in Practical Subjects in the Music Chapter of the University Calendar.

Complementary Courses (12 credits)

Music History

6 credits
(Courses with a MUHL or MUPP prefix.)

Musicianship

2 credits from:

  • MUJZ 323 Advanced Jazz Ear Training (2 credits)

    Offered by: Performance (Schulich School of Music)

    Overview

    Jazz Studies : Dictation workshop. Content includes tonal functions commonly found in Blues, Standard Tunes and post-1960s tunes; all harmonic structures commonly used in jazz; modulations to all keys; harmonic sequences and turnaround patterns; all commonly used jazz scales; melodic dictation of tonic, II-V and turnaround patterns.

    Terms: This course is not scheduled for the 2014-2015 academic year.

    Instructors: There are no professors associated with this course for the 2014-2015 academic year.

    • Prerequisite(s): MUJZ 214 or MUSP 241.
  • MUSP 324 Musicianship for Strings (2 credits)

    Offered by: Music Research (Schulich School of Music)

    Overview

    Musicianship : Fundamental musicianship issues in the context of performance with an emphasis on intonation accuracy, rhythm, articulation, voice-leading and sound texture for strings.

    Terms: This course is not scheduled for the 2014-2015 academic year.

    Instructors: There are no professors associated with this course for the 2014-2015 academic year.

    • Pre- or Co-requisite: MUSP 241
  • MUSP 330 Musicianship for Woodwinds (2 credits)

    Offered by: Music Research (Schulich School of Music)

    Overview

    Musicianship : Fundamental musicianship issues in the context of performance with an emphasis on intonation accuracy, rhythm, articulation, voice-leading and sound texture for woodwinds.

    Terms: This course is not scheduled for the 2014-2015 academic year.

    Instructors: There are no professors associated with this course for the 2014-2015 academic year.

    • Prerequisite: MUSP 241
  • MUSP 335 Musicianship for Brass (2 credits)

    Offered by: Music Research (Schulich School of Music)

    Overview

    Musicianship : Fundamental musicianship issues in the context of performance with an emphasis on intonation accuracy, rhythm, articulation, voice-leading and sound texture for brass.

    Terms: This course is not scheduled for the 2014-2015 academic year.

    Instructors: There are no professors associated with this course for the 2014-2015 academic year.

    • Prerequisite: MUSP 241
  • MUSP 346 Post-Tonal Musicianship (2 credits)

    Offered by: Music Research (Schulich School of Music)

    Overview

    Musicianship : Extended tonal and post-tonal harmonic and contrapuntal structures, rhythmic practices of the 20th and 21st century, score reading.

    Terms: Fall 2014, Winter 2015, Summer 2015

    Instructors: Justin B Mariner (Fall) Justin B Mariner (Winter)

    • Prerequisite: MUSP 241
  • MUSP 350 Musicianship for Pianists (2 credits)

    Offered by: Music Research (Schulich School of Music)

    Overview

    Musicianship : Fundamental musicianship issues in the context of performance with an emphasis on sight-reading, practical score analysis and focused learning methods.

    Terms: This course is not scheduled for the 2014-2015 academic year.

    Instructors: There are no professors associated with this course for the 2014-2015 academic year.

    • Prerequisite: MUSP 241
  • MUSP 353 Musicianship for Voice (2 credits)

    Offered by: Music Research (Schulich School of Music)

    Overview

    Musicianship : Fundamental musicianship issues in the context of performance with an emphasis on intonation accuracy, rhythm, voice-leading and sound texture.

    Terms: This course is not scheduled for the 2014-2015 academic year.

    Instructors: There are no professors associated with this course for the 2014-2015 academic year.

    • Prerequisite: MUSP 141
  • MUSP 354 Introduction to Improvisation and Ornamentation (2 credits)

    Offered by: Music Research (Schulich School of Music)

    Overview

    Musicianship : Principles of improvisation and ornamentation for music before 1800, including harmonic progressions and voice-leading and contrapuntal patterns for instrumentalists and singers, along with examples of ornamented vocal and instrumental works from 17th and 18th century sources.

    Terms: This course is not scheduled for the 2014-2015 academic year.

    Instructors: There are no professors associated with this course for the 2014-2015 academic year.

    • Prerequisite: MUSP 241
  • MUSP 355 Musicianship for Percussion (2 credits)

    Offered by: Music Research (Schulich School of Music)

    Overview

    Musicianship : Fundamental musicianship issues in the context of performance with an emphasis on polyrhythm.

    Terms: Winter 2015

    Instructors: Shawn Eliot Mativetsky (Winter)

    • Prerequisite: MUSP 241
  • MUSP 381 Singing Renaissance Notation (2 credits)

    Offered by: Music Research (Schulich School of Music)

    Overview

    Musicianship : Choral sightsinging of mensural notation, with a focus on white notation c. 1420-1600. Development of basic fluency in the notation, interpretation of values in triple meter, addition of accidentals given the contrapuntal context as perceived aurally, Renaissance solmisation.

    Terms: This course is not scheduled for the 2014-2015 academic year.

    Instructors: There are no professors associated with this course for the 2014-2015 academic year.

    • Prerequisite: MUSP 241

Performance

4 credits from:

  • MUEN 563 Jazz Vocal Workshop (2 credits)

    Offered by: Performance (Schulich School of Music)

    Overview

    Ensemble : Vocal workshop for jazz musicians.

    Terms: This course is not scheduled for the 2014-2015 academic year.

    Instructors: There are no professors associated with this course for the 2014-2015 academic year.

  • MUEN 572 Cappella Antica (2 credits)

    Offered by: Performance (Schulich School of Music)

    Overview

    Ensemble : An ensemble of 8 to 12 voices specializing in early music. N.B. This ensemble may substitute as a Basic Ensemble in programs that specify Choral Ensemble, with Departmental approval.

    Terms: Fall 2014, Winter 2015

    Instructors: Valerie Kinslow (Fall) Valerie Kinslow (Winter)

    • 4 hours
    • Prerequisite: Audition.
  • MUEN 573 Baroque Orchestra (2 credits)

    Offered by: Performance (Schulich School of Music)

    Overview

    Ensemble : Open to singers and instrumentalists, this ensemble specializes in chamber music primarily of the Baroque era.

    Terms: Fall 2014, Winter 2015

    Instructors: Hank Knox (Fall) Hank Knox (Winter)

    • 4 hours
    • Prerequisites: Audition AND MUEN 480 AND a prerequisite or corequisite of MUPP 381. Additional prerequisite for keyboard players: MUPG 372 with a grade of A-.
  • MUEN 587 Cappella McGill (2 credits)

    Offered by: Performance (Schulich School of Music)

    Overview

    Ensemble : An ensemble of 16 voices performing challenging repertoire from the Renaissance to the present day. Since the expectation is a level of performance equivalent to a professional chamber ensemble, singers wishing to join this group should have had considerable ensemble experience, and advanced vocal and sight-reading skills.

    Terms: This course is not scheduled for the 2014-2015 academic year.

    Instructors: There are no professors associated with this course for the 2014-2015 academic year.

    • 4 hours
    • Prerequisite: Audition.
    • Note: May be taken instead of Choral Ensemble.
  • MUEN 590 McGill Winds (2 credits)

    Offered by: Performance (Schulich School of Music)

    Overview

    Ensemble : Large ensemble for wind instruments.

    Terms: Fall 2014, Winter 2015

    Instructors: Alain Cazes (Fall) Alain Cazes (Winter)

    • 4-6 hours
    • Prerequisite: Audition
  • MUEN 592 Chamber Jazz Ensemble (2 credits)

    Offered by: Performance (Schulich School of Music)

    Overview

    Ensemble : This ensemble will deal with the extensive repertoire of music which exists for small jazz orchestra (9-13 instruments).

    Terms: Fall 2014, Winter 2015

    Instructors: Jean-Nicolas Trottier (Fall) Jean-Nicolas Trottier (Winter)

    • Restriction: Open to Jazz Performance students only.
  • MUEN 593 Choral Ensembles (2 credits)

    Offered by: Performance (Schulich School of Music)

    Overview

    Ensemble : Students enrolling in Choral Ensembles will be assigned to one of the above groups.

    Terms: Fall 2014, Winter 2015

    Instructors: Francois Ouimet, Patrick Hansen (Fall) Francois Ouimet (Winter)

    • 4 hours
    • Prerequisite: Audition.
    • Section 001 Chamber Singers: a group of approximately 24 mixed voices which explores the a cappella repertoire of all periods as well as works with chamber accompaniment.
    • Section 002 Concert Choir: an ensemble of approximately 60 voices (S.A.T.B.) which performs the repertoire from all periods appropriate to a group of this size.
    • Section 003 University Chorus: a mixed chorus of approximately 100 which performs a variety of choral material including both traditional and popular selections.
    • Section 004 Women's Chorale: an ensemble of approximately 40 women stressing the fundamentals of singing and ensemble participation.
  • MUEN 594 Contemporary Music Ensemble (2 credits)

    Offered by: Performance (Schulich School of Music)

    Overview

    Ensemble : Ensemble for contemporary music - instruments and voice.

    Terms: Fall 2014, Winter 2015

    Instructors: Guillaume Bourgogne (Fall) Guillaume Bourgogne (Winter)

    • 4 hours
    • Prerequisite: Audition.
  • MUEN 595 Jazz Ensembles (2 credits)

    Offered by: Performance (Schulich School of Music)

    Overview

    Ensemble : Ensemble for jazz - instruments and voice.

    Terms: Fall 2014, Winter 2015

    Instructors: Joseph Leo Sullivan, Ronald Di Lauro, William V Mahar, Mark Nelson (Fall) Ronald Di Lauro, Andrew King, William V Mahar, Mark Nelson (Winter)

    • 3-4 hours
    • Prerequisite: Audition.
  • MUEN 597 Orchestral Ensembles (2 credits)

    Offered by: Performance (Schulich School of Music)

    Overview

    Ensemble : Ensemble for orchestral instruments.

    Terms: Fall 2014, Winter 2015

    Instructors: Rudolf-Alexius Hauser (Fall) Rudolf-Alexius Hauser (Winter)

    • 6 - 7 hours
    • Prerequisite: Audition.

Music Electives (20 credits)

Non-Music Electives (3 credits)

Free Electives (30 credits)

Schulich School of Music—2014-2015 (last updated Feb. 18, 2014) (disclaimer)