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Major Early Music Performance (Voice) (126 credits)

Offered by: Performance     Degree: Bachelor of Music

Program Requirements

This program requires 91 credits (plus 35 credits for the Freshman requirement for out-of-province students).

126 credits selected as follows:

35 credits - Prerequisite Requirements (for out-of-province students)
22 credits - Required Performance
12 credits - Complementary Performance
31 credits - Required Courses (Theory, Musicianship, History, Literature, or Performance Practice and Diction)
5 credits - Complementary Courses (Musicianship, Music History)
3 credits - Non-Music Electives
18 credits - Free Electives

Special Requirements:
Continuation in the program requires a minimum grade of B- in practical instruction/exams and ensembles.

Program Prerequisites - Freshman Program (35 credits)

35 credits selected as described below, in consultation with the Program Adviser:

23 credits of Prerequisite Courses
2 credits of Assigned Small Ensemble
4 credits of Basic Ensemble Training
6 credits of Non-Music Electives

Prerequisite Courses

23 credits, all of the courses below:

Note: Students who can demonstrate through auditions and placement tests that they have mastered the material in any of the courses below will be exempt from them and may proceed to more advanced courses.

  • MUHL 186 Western Musical Traditions (3 credits)

    Offered by: Music Research (Schulich School of Music)

    Overview

    Music History and Literature : A survey of Western music from the Middle Ages to the present. Emphasis on key musical concepts and genres in their historical context and aural recognition of style.

    Terms: Fall 2013

    Instructors: Steven Huebner (Fall)

    • 3 hours
  • MUIN 180 BMus Practical Lessons 1 (3 credits)

    Offered by: Performance (Schulich School of Music)

    Overview

    Practical Instrument : Practical examination in flute techniques.

    Terms: Fall 2013, Winter 2014

    Instructors: Stephen Algi, Joanne Kolomyjec, James Box, Russell Devuyst, John Zirbel, Theodore Baskin, Alain Desgagne, Normand Forget, Peter Freeman, Timothy Hutchins, Abe Kestenberg, Martin D Mangrum, Kyoko Hashimoto, Steve Amirault, Greg Clayton, Remi Bolduc, Kevin Dean, Fraser Hollins, Ranee Y Lee, Francisco J Lozano, Christopher McCann, Jocelyn Couture, Matt Haimovitz, Brian Manker, Claire Guimond, Garry M W Antonio, Andre J Roy, Denise Lupien, Richard Allen Roberts, Andre Leroux, Joshua Rager, Sanford Sylvan, Aline Kutan, Maria Popescu, Patil Harboyan, Martin Karlicek, Winston Purdy, Mark Fewer, Andrew Wan, Robert Crowley, Trevor Dix, Andrew Dunn, Yai-Yun Huang, Fabrice Marandola, Carissa Klopoushak, Marina Mdivani, Michael McMahon, Cindy Shuter, Marcelo Thys, Marek Krowicki, Ilya Poletaev, Jeremy Chaulk, Jérôme Ducharme, Therese Boudreault-Sevadjian, Jennifer Swartz, Ali Yazdanfar, Elizabeth Dolin, Michel Lambert, Carolyn Christie, Jean Gaudreault, Denys Derome, Jeffrey E H Johnston, Joseph Leo Sullivan, Dimitrios Doxas, David Mark Gossage, Emmanuel Vukovich, Stephane Levesque, David Grott, Alec Walkington, Valerie Kinslow, Michael Dumouchel, William V Mahar, Jan Krejcar, Marjolaine Lambert, Anna-Belle Marcotte, Yegor Dyachkov, Frédéric Lambert, Eric Chappell, David Laing, Chester Doxas, Simon Aldrich, Andree Azar, Michael Gauthier, Jacqueline Leclair, Sara Laimon, Brian Robinson, Thomas Davidson, Ronald Di Lauro, Scott O Feltham, Timothy Dobby, Axel Strauss, Heather L Howes, Daniele Bourget, Julia Gavrilova, Alexander David Johnson, Helene Plouffe, Carlos Alberto Jimenez, Jan Jarczyk, Jean-Nicolas Trottier, Marcelle Mallette, Alexander Read, Tatiana Dardykina (Fall) Daniele Bourget (Winter)

    • 3 hours
    • Prerequisite: Admission to the B.Mus. program by audition.
  • MUIN 181 BMus Practical Lessons 2 (3 credits)

    Offered by: Performance (Schulich School of Music)

    Overview

    Practical Instrument : Practical examination in clarinet techniques.

    Terms: Fall 2013, Winter 2014

    Instructors: Martin D Mangrum (Fall) Yai-Yun Huang, Fabrice Marandola, Carissa Klopoushak, Michael McMahon, Cindy Shuter, Marina Mdivani, Marcelo Thys, Marek Krowicki, Ilya Poletaev, Jeremy Chaulk, Jérôme Ducharme, Therese Boudreault-Sevadjian, Jennifer Swartz, Ali Yazdanfar, Elizabeth Dolin, Michel Lambert, Andrew Wan, Carolyn Christie, Jean Gaudreault, Denys Derome, Jeffrey E H Johnston, Joseph Leo Sullivan, Dimitrios Doxas, David Mark Gossage, Emmanuel Vukovich, Stephane Levesque, David Grott, Alec Walkington, Valerie Kinslow, Michael Dumouchel, William V Mahar, Jan Krejcar, Marjolaine Lambert, Anna-Belle Marcotte, Yegor Dyachkov, Frédéric Lambert, Eric Chappell, David Laing, Chester Doxas, Simon Aldrich, Andree Azar, Michael Gauthier, Jacqueline Leclair, Sara Laimon, Brian Robinson, Thomas Davidson, Scott O Feltham, Timothy Dobby, Axel Strauss, Heather L Howes, Daniele Bourget, Julia Gavrilova, Alexander David Johnson, Helene Plouffe, Carlos Alberto Jimenez, Jan Jarczyk, Jean-Nicolas Trottier, Marcelle Mallette, Tatiana Dardykina, Alexander Read, Stephen Algi, Joanne Kolomyjec, James Box, Russell Devuyst, John Zirbel, Theodore Baskin, Alain Desgagne, Normand Forget, Peter Freeman, Timothy Hutchins, Abe Kestenberg, Martin D Mangrum, Kyoko Hashimoto, Steve Amirault, Greg Clayton, Remi Bolduc, Kevin Dean, Fraser Hollins, Ranee Y Lee, Francisco J Lozano, Christopher McCann, Jocelyn Couture, Matt Haimovitz, Brian Manker, Claire Guimond, Garry M W Antonio, Andre J Roy, Denise Lupien, Richard Allen Roberts, Andre Leroux, Joshua Rager, Sanford Sylvan, Aline Kutan, Maria Popescu, Patil Harboyan, Martin Karlicek, Winston Purdy, Mark Fewer, Robert Crowley, Trevor Dix, Andrew Dunn, Chloe Dominguez (Winter)

    • Prerequisite: MUIN 180
    • Restriction: Open to students entering directly from High Schools outside Quebec.
  • MUPD 135 Music as a Profession 1 (1 credit)

    Offered by: Music Research (Schulich School of Music)

    Overview

    Music Professional Development : An introduction to the responsibilities and skills required of professionals in music; job options, contracts, professional organizations, freelancing.

    Terms: Fall 2013

    Instructors: Abe Kestenberg (Fall)

  • MUPD 136 Music as a Profession 2 (1 credit)

    Offered by: Music Research (Schulich School of Music)

    Overview

    Music Professional Development : Additional responsibilities and skills required of professionals in music.

    Terms: Winter 2014

    Instructors: Abe Kestenberg (Winter)

  • MUSP 140 Musicianship Training 1 (2 credits)

    Offered by: Music Research (Schulich School of Music)

    Overview

    Musicianship : Rhythm and metre basic subdivisions and conducting patterns; intervals, chords, and scale patterns; non-modulating tonal melodies with treble and bass clefs; harmonic progressions emphasizing two-part outer voice structures.

    Terms: Fall 2013, Winter 2014

    Instructors: Pierrette Mather, Margaret Emily De Castro, Fredericka Petit-Homme, Monica Asly, Adalyat Issiyeva (Fall) Thomas Davidson (Winter)

    • 2 hours
    • Prerequisite: Matriculation Music or McGill Conservatory Theory Secondary V or its equivalent.
    • Corequisites: MUTH 150, MUSP 170
  • MUSP 141 Musicianship Training 2 (2 credits)

    Offered by: Music Research (Schulich School of Music)

    Overview

    Musicianship : Rhythm and metre mixed divisions and syncopations; triadic and seventh chord voicings and disjunct pitch collections; chromatically embellished melodies adding alto clef; simple modulating harmonic progressions emphasizing two-part outer voice structures.

    Terms: Winter 2014

    Instructors: Pierrette Mather, Margaret Emily De Castro, Fredericka Petit-Homme, Monica Asly, Adalyat Issiyeva (Winter)

    • 2 hours
    • Prerequisites: Matriculation Music or McGill Conservatory Theory Secondary V or its equivalent. MUSP 140
    • Corequisites: MUTH 151, MUSP 171
  • MUSP 170 Musicianship (Keyboard) 1 (1 credit)

    Offered by: Music Research (Schulich School of Music)

    Overview

    Musicianship : Harmonic, melodic and rhythmic analysis at the keyboard through the study of rudiments, repertoire, chorale/score reading, transposition and harmonization.

    Terms: Fall 2013, Winter 2014

    Instructors: Thomas Davidson, Jolan Ilona Kovacs, Julia Gavrilova, Geoffrey Conquer, Jonathan Vromet, Marek Krowicki (Fall) Jolan Ilona Kovacs (Winter)

    • 1 hour
    • Prerequisite: Matriculation Music or McGill Conservatory Theory Secondary V or its equivalent.
    • Corequisites: MUTH 150 and MUSP 140.
    • Course contents parallel with those of MUTH 150 and MUSP 140.
  • MUSP 171 Musicianship (Keyboard) 2 (1 credit)

    Offered by: Music Research (Schulich School of Music)

    Overview

    Musicianship : Building chordal fluency. Harmonic vocabulary including sequences, chromaticism and modulation. Chorale and score reading with transposing instruments and alto/tenor clefs.

    Terms: Fall 2013, Winter 2014, Summer 2014

    Instructors: Julia Gavrilova, Jolan Ilona Kovacs, Mark McDonald (Fall) Thomas Davidson, Jolan Ilona Kovacs, Geoffrey Conquer, Marek Krowicki, Jonathan Vromet, Julia Gavrilova (Winter)

    • 1 hour
    • Prerequisite: MUSP 170
    • Corequisites: MUTH 111 and MUSP 131; or MUTH 151 and MUSP 141
    • Restriction: All students admitted to B.Mus. and L.Mus. programs, including those with keyboard or guitar as their principal instrument, are required to take MUSP 171 Keyboard Lab, unless exempt on the basis of a placement test. Students who are exempt from MUTH 111 through placement tests must still take MUSP 171 (unless exempt) since this course forms the foundation of keyboard-based musicianship tasks at upper levels. (All Majors in Jazz Performance substitute MUJZ 171 for MUSP 171. Students in Jazz Performance who have completed MUJZ 170 and MUJZ 171, and who transfer to a Department of Theory program, will be required to complete MUSP 171.) Students who do not achieve a continuation pass in MUSP 171 must reregister for the course in the semester immediately following. Students who do not achieve a continuation pass after repeating the course will not be allowed to proceed with further Musicianship or Theory studies until a continuation pass is achieved. Tests for MUSP 171 are held in August-September, December-January, and April-May [as well as during the Summer Session when course(s) offered], the exact dates determined by the Department of Music Research.
    • Course contents parallel with those of MUTH 151 and MUSP 141.
  • MUTH 150 Theory and Analysis 1 (3 credits)

    Offered by: Music Research (Schulich School of Music)

    Overview

    Music Theory and Analysis : Diatonic chords and harmonic progressions, focus on outer-voice framework, cadences, embellishments, building chordal fluency in common-practice tonality, applied chords.

    Terms: Fall 2013

    Instructors: Peter N Schubert, Thomas Davidson (Fall)

    • Prerequisite: Matriculation Music or McGill Conservatory Theory Secondary V or its equivalent.
    • Corequisites: MUSP 140 and MUSP 170
  • MUTH 151 Theory and Analysis 2 (3 credits)

    Offered by: Music Research (Schulich School of Music)

    Overview

    Music Theory and Analysis : Sequences and modulation, chromatic vocabulary, analysis of simple theme types (sentence, period, hybrids) and fugal techniques.

    Terms: Winter 2014

    Instructors: Nicole Biamonte, Thomas Davidson (Winter)

    • Pre- or Co-requisites: MUTH 150, MUSP 140 and MUSP 170
    • Corequisites: MUSP 141 and MUSP 171

Required Performance (22 credits)

  • MUIN 280 BMus Practical Lessons 3 (3 credits)

    Offered by: Performance (Schulich School of Music)

    Overview

    Practical Instrument : Practical instruction on an instrument or voice.

    Terms: Fall 2013, Winter 2014

    Instructors: Joanne Kolomyjec, James Box, Jean Gaudreault, David R Martin, John Zirbel, Simon Aldrich, Alain Desgagne, Normand Forget, Heather L Howes, Stephane Levesque, Julia Gavrilova, Kyoko Hashimoto, Sara Laimon, Marina Mdivani, Luba Zuk, Kenneth Bibace, Greg Clayton, Remi Bolduc, Ronald Di Lauro, David Grott, Fraser Hollins, Francisco J Lozano, Elizabeth Dolin, Matt Haimovitz, Garry M W Antonio, Frédéric Lambert, Andre J Roy, Marjolaine Lambert, Richard Allen Roberts, Chester Doxas, Jan Jarczyk, Joshua Rager, John Roney, Francois Stevenson, Joseph Leo Sullivan, Andre White, Sanford Sylvan, Maria Popescu, Martin Karlicek, Jan Krejcar, Andrew Wan, Mark Fewer, Robert Crowley, Trevor Dix, Andrew Dunn, Dimitrios Doxas, Yai-Yun Huang, Fabrice Marandola, Timothy Hutchins, Christopher McCann, Carlos Alberto Jimenez, Stephen Algi, Winston Purdy, Denise Lupien, William V Mahar, Russell Devuyst, Martin D Mangrum, Theodore Baskin, Peter Freeman, Abe Kestenberg, Steve Amirault, Jocelyn Couture, Kevin Dean, Jeffrey E H Johnston, Therese Boudreault-Sevadjian, Marcelo Thys, Jérôme Ducharme, Patil Harboyan, Anna-Belle Marcotte, Yegor Dyachkov, Carissa Klopoushak, Cindy Shuter, Alec Walkington, David Laing, Ranee Y Lee, Michel Lambert, Douglas McNabney, Brian Manker, Jun-Yuan Chen, Dave Turner, Ilya Poletaev, Thomas Davidson, Denys Derome, Dennis Miller, Jennifer Swartz, Erik Eriksson, Michael Dumouchel, Carolyn Christie, Ali Yazdanfar, Emmanuel Vukovich, Axel Strauss, Marcelle Mallette, Baptiste Rodrigues, David Mark Gossage, Timothy Dobby, Pierre Beaudry, Hank Knox, Andree Azar, Greg G Amirault, Brian Robinson, Eric Chappell, Jean-Nicolas Trottier, Katherine Petersen, Michael Gauthier, Scott O Feltham, Matthias Maute, Allan Robert McLean, Tracy Smith, Jeremy Chaulk, Amy Horvey, Donald Leyland Kennedy, Anna Peletsis, Alexander Read (Fall) Axel Strauss, Jean Gaudreault, Martin D Mangrum, Marek Krowicki, Allan Robert McLean, Carolyn Christie, Sara Laimon, Kenneth Bibace, Andre J Roy, Marcelle Mallette, Christine Jensen (Winter)

    • Prerequisite: MUIN 181 or admission to the B.Mus. program by audition.
  • MUIN 281 BMus Practical Lessons 4 (3 credits)

    Offered by: Performance (Schulich School of Music)

    Overview

    Practical Instrument : Practical instruction on an instrument or voice.

    Terms: Fall 2013, Winter 2014

    Instructors: Carlos Alberto Jimenez, Hank Knox, Matt Haimovitz, Thomas Davidson, Christopher McCann, Maria Popescu (Fall) Dimitrios Doxas, Timothy Hutchins, Christopher McCann, Carlos Alberto Jimenez, Stephen Algi, Winston Purdy, Denise Lupien, William V Mahar, Russell Devuyst, Martin D Mangrum, Theodore Baskin, Peter Freeman, Abe Kestenberg, Steve Amirault, Jocelyn Couture, Kevin Dean, Jeffrey E H Johnston, Therese Boudreault-Sevadjian, Marcelo Thys, Jérôme Ducharme, Patil Harboyan, Anna-Belle Marcotte, Yegor Dyachkov, Carissa Klopoushak, Cindy Shuter, Alec Walkington, David Laing, Ranee Y Lee, Michel Lambert, Douglas McNabney, Brian Manker, Andre J Roy, Jun-Yuan Chen, Dave Turner, Ilya Poletaev, Thomas Davidson, Denys Derome, Dennis Miller, Jennifer Swartz, Erik Eriksson, Michael Dumouchel, Carolyn Christie, Ali Yazdanfar, Emmanuel Vukovich, Axel Strauss, Marcelle Mallette, David Mark Gossage, Timothy Dobby, Pierre Beaudry, Hank Knox, Andree Azar, Greg G Amirault, Brian Robinson, Eric Chappell, Jean-Nicolas Trottier, Katherine Petersen, Fabrice Marandola, Michael Gauthier, Scott O Feltham, Matthias Maute, Allan Robert McLean, Tracy Smith, Anna Peletsis, Jeremy Chaulk, Amy Horvey, Alexander Read, Donald Leyland Kennedy, Joanne Kolomyjec, James Box, Jean Gaudreault, David R Martin, John Zirbel, Simon Aldrich, Alain Desgagne, Normand Forget, Heather L Howes, Stephane Levesque, Julia Gavrilova, Kyoko Hashimoto, Sara Laimon, Marina Mdivani, Luba Zuk, Kenneth Bibace, Greg Clayton, Remi Bolduc, Ronald Di Lauro, David Grott, Fraser Hollins, Francisco J Lozano, Elizabeth Dolin, Matt Haimovitz, Garry M W Antonio, Frédéric Lambert, Marjolaine Lambert, Richard Allen Roberts, Chester Doxas, Jan Jarczyk, Joshua Rager, John Roney, Francois Stevenson, Joseph Leo Sullivan, Andre White, Sanford Sylvan, Maria Popescu, Martin Karlicek, Jan Krejcar, Andrew Wan, Mark Fewer, Robert Crowley, Trevor Dix, Andrew Dunn, Chloe Dominguez (Winter)

    • Prerequisite: MUIN 280
  • MUIN 282 BMus Performance Examination 1

    Offered by: Performance (Schulich School of Music)

    Overview

    Practical Instrument : Assessment of student's progress in the practical area.

    Terms: Fall 2013, Winter 2014

    Instructors: There are no professors associated with this course for the 2013-2014 academic year.

    • Exam details are to be found under Examinations and Goals in Practical Subjects in the Music Chapter of the University Calendar.
  • MUIN 300 Voice Coaching 1 (2 credits)

    Offered by: Performance (Schulich School of Music)

    Overview

    Practical Instrument : Individual coaching on repertoire.

    Terms: Fall 2013, Winter 2014

    Instructors: Valerie Kinslow, Hank Knox, Marie-Ève Scarfone, Dana Nigrim, Louise Pelletier, Michael McMahon, Louise Diamond, Olivier Godin (Fall) Marie-Ève Scarfone, Valerie Kinslow, Dana Nigrim, Louise Pelletier, Louise Diamond, Olivier Godin (Winter)

  • MUIN 301 Voice Coaching 2 (2 credits)

    Offered by: Performance (Schulich School of Music)

    Overview

    Practical Instrument : Individual coaching on repertoire.

    Terms: Fall 2013, Winter 2014

    Instructors: Louise Diamond, Louise Pelletier, Marie-Ève Scarfone (Fall) Valerie Kinslow, Hank Knox, Marie-Ève Scarfone, Dana Nigrim, Louise Pelletier, Michael McMahon, Louise Diamond, Olivier Godin (Winter)

  • MUIN 380 BMus Practical Lessons 5 (3 credits)

    Offered by: Performance (Schulich School of Music)

    Overview

    Practical Instrument : Practical instruction on an instrument or voice.

    Terms: Fall 2013, Winter 2014

    Instructors: Fraser Hollins, Kenneth Bibace, Greg Clayton, Jocelyn Couture, Ronald Di Lauro, Chester Doxas, Jan Jarczyk, Donald Leyland Kennedy, Christopher McCann, Joseph Leo Sullivan, Andre White, Dimitrios Doxas, Joshua Rager, John Zirbel, James Box, David R Martin, Andrew Dunn, Hank Knox, David Grott, Francisco J Lozano, Joanne Kolomyjec, Maria Popescu, Winston Purdy, Sanford Sylvan, Stephane Levesque, Robert Crowley, Alain Desgagne, Jeffrey E H Johnston, Steve Amirault, Remi Bolduc, Ilya Poletaev, Alec Walkington, Julia Gavrilova, Kyoko Hashimoto, Jan Krejcar, Denise Lupien, Jérôme Ducharme, Elizabeth Dolin, Matt Haimovitz, Mark Fewer, Andre J Roy, Russell Devuyst, Pierre Beaudry, Marina Mdivani, Carlos Alberto Jimenez, Stephen Algi, Trevor Dix, Erik Eriksson, Timothy Hutchins, Theodore Baskin, Andrew Wan, Richard Allen Roberts, Brian Manker, Yegor Dyachkov, Abe Kestenberg, Jun-Yuan Chen, Frédéric Lambert, Marjolaine Lambert, Axel Strauss, Jean-Nicolas Trottier, Greg G Amirault, David Laing, Ranee Y Lee, Marcelle Mallette, William V Mahar, Jean Gaudreault, Patrice Richer, Garry M W Antonio, Timothy Dobby, Jennifer Swartz, Michael Dumouchel, Ali Yazdanfar, Eric Chappell, Brian Robinson, Therese Boudreault-Sevadjian, Yai-Yun Huang, Fabrice Marandola, Emmanuel Vukovich, Lena Weman Eriksson, Denys Derome, Alexander Weimann, Daniele Bourget, Michel Lambert, Aline Kutan, Alexander David Johnson, Mark Austin Howle (Fall) Matt Haimovitz, Marina Mdivani, Christopher McCann, Maria Popescu, Patrice Richer, Trevor Dix (Winter)

    • Prerequisite: MUIN 281
  • MUIN 381 BMus Practical Lessons 6 (3 credits)

    Offered by: Performance (Schulich School of Music)

    Overview

    Practical Instrument : Practical instruction on an instrument or voice.

    Terms: Fall 2013, Winter 2014

    Instructors: Jan Jarczyk, Andre White, Sara Laimon, Marina Mdivani, Axel Strauss (Fall) Joshua Rager, John Zirbel, James Box, David R Martin, Andrew Dunn, Hank Knox, David Grott, Francisco J Lozano, Joanne Kolomyjec, Maria Popescu, Winston Purdy, Sanford Sylvan, Stephane Levesque, Robert Crowley, Alain Desgagne, Dimitrios Doxas, Jeffrey E H Johnston, Steve Amirault, Remi Bolduc, Joseph Leo Sullivan, Ilya Poletaev, Alec Walkington, Julia Gavrilova, Kyoko Hashimoto, Jan Krejcar, Denise Lupien, Jérôme Ducharme, Elizabeth Dolin, Matt Haimovitz, Mark Fewer, Andre J Roy, Pierre Beaudry, Marina Mdivani, Carlos Alberto Jimenez, Russell Devuyst, Stephen Algi, Trevor Dix, Erik Eriksson, Timothy Hutchins, Theodore Baskin, Andrew Wan, Richard Allen Roberts, Brian Manker, Yegor Dyachkov, Abe Kestenberg, Jun-Yuan Chen, Frédéric Lambert, Marjolaine Lambert, Axel Strauss, Jean-Nicolas Trottier, Greg G Amirault, David Laing, Ranee Y Lee, William V Mahar, Jean Gaudreault, Patrice Richer, Garry M W Antonio, Timothy Dobby, Jennifer Swartz, Michael Dumouchel, Marcelle Mallette, Ali Yazdanfar, Eric Chappell, Brian Robinson, Therese Boudreault-Sevadjian, Emmanuel Vukovich, Lena Weman Eriksson, Denys Derome, Alexander Weimann, Daniele Bourget, Michel Lambert, Aline Kutan, Mark Austin Howle, Alexander David Johnson, Fraser Hollins, Kenneth Bibace, Greg Clayton, Jocelyn Couture, Ronald Di Lauro, Jan Jarczyk, Chester Doxas, Donald Leyland Kennedy, Christopher McCann, Chloe Dominguez, Kevin Dean, Andre White, Fabrice Marandola (Winter)

    • Prerequisite: MUIN 380
  • MUIN 382 BMus Performance Examination 2

    Offered by: Performance (Schulich School of Music)

    Overview

    Practical Instrument : Assessment of student's progress in the practical area.

    Terms: Fall 2013, Winter 2014

    Instructors: There are no professors associated with this course for the 2013-2014 academic year.

    • Exam details are to be found under Examinations and Goals in Practical Subjects in the Music Chapter of the University Calendar.
  • MUIN 480 BMus Practical Lessons 7 (3 credits)

    Offered by: Performance (Schulich School of Music)

    Overview

    Practical Instrument : Practical instruction on an instrument or voice.

    Terms: Fall 2013, Winter 2014

    Instructors: Steve Amirault, Fraser Hollins, Remi Bolduc, Chester Doxas, Jan Jarczyk, Donald Leyland Kennedy, Christopher McCann, Francois Stevenson, Andre White, David Grott, Kevin Dean, David Laing, Greg Clayton, Francisco J Lozano, William V Mahar, Kenneth Bibace, Ranee Y Lee, Sara Laimon, Jean Gaudreault, Marina Mdivani, James Box, John Zirbel, Andrew Dunn, Hank Knox, Jérôme Ducharme, Kyoko Hashimoto, Winston Purdy, Stephane Levesque, Robert Crowley, Michael Dumouchel, Matt Haimovitz, Sanford Sylvan, Joanne Kolomyjec, Denise Lupien, David R Martin, Greg G Amirault, Jeffrey E H Johnston, Michel Lambert, Alec Walkington, Jean-Nicolas Trottier, Ilya Poletaev, Andre J Roy, Frédéric Lambert, Pierre Beaudry, Elizabeth Dolin, Russell Devuyst, Mark Fewer, Erik Eriksson, Alain Desgagne, Timothy Hutchins, Theodore Baskin, Axel Strauss, Richard Allen Roberts, Andrew Wan, Jun-Yuan Chen, Brian Manker, Yegor Dyachkov, Stephen Algi, Abe Kestenberg, Jocelyn Couture, Trevor Dix, Maria Popescu, Mark Austin Howle, Carlos Alberto Jimenez, Amy Horvey (Fall) Jan Jarczyk, Andre White, Kevin Dean, Sara Laimon, Marina Mdivani, Axel Strauss, Jean-Nicolas Trottier, Dimitrios Doxas (Winter)

    • Prerequisite: MUIN 381
  • MUIN 481 BMus Practical Lessons 8 (3 credits)

    Offered by: Performance (Schulich School of Music)

    Overview

    Practical Instrument : Practical instruction on an instrument or voice.

    Terms: Fall 2013, Winter 2014

    Instructors: Francisco J Lozano, Remi Bolduc, Christopher McCann, Sara Laimon, Joseph Leo Sullivan (Fall) David Grott, Kevin Dean, David Laing, Francisco J Lozano, William V Mahar, Maria Popescu, Kenneth Bibace, Sara Laimon, Brian Robinson, Jean Gaudreault, Marina Mdivani, James Box, John Zirbel, Andrew Dunn, Hank Knox, Jérôme Ducharme, Kyoko Hashimoto, Winston Purdy, Stephane Levesque, Robert Crowley, Michael Dumouchel, Matt Haimovitz, Sanford Sylvan, Joanne Kolomyjec, Denise Lupien, David R Martin, Greg G Amirault, Jeffrey E H Johnston, Michel Lambert, Alec Walkington, Jean-Nicolas Trottier, Ilya Poletaev, Andre J Roy, Frédéric Lambert, Pierre Beaudry, Elizabeth Dolin, Russell Devuyst, Mark Fewer, Erik Eriksson, Alain Desgagne, Timothy Hutchins, Theodore Baskin, Axel Strauss, Richard Allen Roberts, Andrew Wan, Jun-Yuan Chen, Brian Manker, Yegor Dyachkov, Stephen Algi, Jacqueline Leclair, Greg Clayton, Jocelyn Couture, Mark Austin Howle, Carlos Alberto Jimenez, Amy Horvey, Steve Amirault, Fraser Hollins, Remi Bolduc, Chester Doxas, Jan Jarczyk, Donald Leyland Kennedy, Christopher McCann, Francois Stevenson, Chloe Dominguez, Alexander Read, Andre White (Winter)

    • Prerequisite: MUIN 480
  • MUIN 482 BMus Performance Examination 3

    Offered by: Performance (Schulich School of Music)

    Overview

    Practical Instrument : Assessment of student's progress in the practical area.

    Terms: Fall 2013, Winter 2014, Summer 2014

    Instructors: There are no professors associated with this course for the 2013-2014 academic year.

    • Exam details are to be found under Examinations and Goals in Practical Subjects in the Music Chapter of the University Calendar.

Complementary Performance (12 credits)

Ensemble - during every term of enrolment as a full-time or part-time student.

12 credits are selected as follows:

12 credits selected from:

  • MUEN 496 Opera Studio (2 credits)

    Offered by: Performance (Schulich School of Music)

    Overview

    Ensemble : Coachings, rehearsals, stagings, technical/dress rehearsals in the theatre, and performances in front of an audience.

    Terms: Fall 2013, Winter 2014

    Instructors: Patrick Hansen (Fall) Patrick Hansen (Winter)

    • 2 hours
    • Prerequisite: Audition
    • For undergraduates voice majors students cast in roles in Opera McGill productions.
  • MUEN 563 Jazz Vocal Workshop (2 credits)

    Offered by: Performance (Schulich School of Music)

    Overview

    Ensemble : Vocal workshop for jazz musicians.

    Terms: This course is not scheduled for the 2013-2014 academic year.

    Instructors: There are no professors associated with this course for the 2013-2014 academic year.

  • MUEN 572 Cappella Antica (2 credits)

    Offered by: Performance (Schulich School of Music)

    Overview

    Ensemble : An ensemble of 8 to 12 voices specializing in early music. N.B. This ensemble may substitute as a Basic Ensemble in programs that specify Choral Ensemble, with Departmental approval.

    Terms: Fall 2013, Winter 2014

    Instructors: Valerie Kinslow (Fall) Valerie Kinslow (Winter)

    • 4 hours
    • Prerequisite: Audition.
  • MUEN 578 Song Interpretation 1 (1 credit)

    Offered by: Performance (Schulich School of Music)

    Overview

    Ensemble : Normally open only to Voice and Piano Performance students. Study of the standard song repertoire with emphasis on the singer and pianist as partners. A public recital will be given at the end of each term.

    Terms: Fall 2013, Winter 2014

    Instructors: Michael McMahon (Fall) Michael McMahon (Winter)

    • 2 hours
    • Prerequisite: Audition.
  • MUEN 579 Song Interpretation 2 (1 credit)

    Offered by: Performance (Schulich School of Music)

    Overview

    Ensemble : Study of song repertoire for singers and pianists.

    Terms: Fall 2013, Winter 2014

    Instructors: Michael McMahon (Fall) Michael McMahon (Winter)

  • MUEN 580 Early Music Ensemble (1 credit)

    Offered by: Performance (Schulich School of Music)

    Overview

    Ensemble : An ensemble of 4-6 vocalists and instrumentalists which performs music of the Medieval, Renaissance and Baroque periods.

    Terms: Fall 2013, Winter 2014

    Instructors: Lena Weman Eriksson, Elizabeth H MacMillan, Matthew Dixon Jennejohn, Valerie Kinslow, Natalie Michaud (Fall) Elizabeth H MacMillan, Valerie Kinslow, Natalie Michaud, Matthew Dixon Jennejohn, Lena Weman Eriksson, Tom Beghin (Winter)

    • Prerequisite: Audition. Prerequisite or corequisite for keyboard players: MUPG 272.
  • MUEN 587 Cappella McGill (2 credits)

    Offered by: Performance (Schulich School of Music)

    Overview

    Ensemble : An ensemble of 16 voices performing challenging repertoire from the Renaissance to the present day. Since the expectation is a level of performance equivalent to a professional chamber ensemble, singers wishing to join this group should have had considerable ensemble experience, and advanced vocal and sight-reading skills.

    Terms: This course is not scheduled for the 2013-2014 academic year.

    Instructors: There are no professors associated with this course for the 2013-2014 academic year.

    • 4 hours
    • Prerequisite: Audition.
    • Note: May be taken instead of Choral Ensemble.
  • MUEN 593 Choral Ensembles (2 credits)

    Offered by: Performance (Schulich School of Music)

    Overview

    Ensemble : Students enrolling in Choral Ensembles will be assigned to one of the above groups.

    Terms: Fall 2013, Winter 2014

    Instructors: Patrick Hansen, Francois Ouimet (Fall) Francois Ouimet, Patrick Hansen, Peter N Schubert (Winter)

    • 4 hours
    • Prerequisite: Audition.
    • Section 001 Chamber Singers: a group of approximately 24 mixed voices which explores the a cappella repertoire of all periods as well as works with chamber accompaniment.
    • Section 002 Concert Choir: an ensemble of approximately 60 voices (S.A.T.B.) which performs the repertoire from all periods appropriate to a group of this size.
    • Section 003 University Chorus: a mixed chorus of approximately 100 which performs a variety of choral material including both traditional and popular selections.
    • Section 004 Women's Chorale: an ensemble of approximately 40 women stressing the fundamentals of singing and ensemble participation.
  • MUEN 594 Contemporary Music Ensemble (2 credits)

    Offered by: Performance (Schulich School of Music)

    Overview

    Ensemble : Ensemble for contemporary music - instruments and voice.

    Terms: Fall 2013, Winter 2014

    Instructors: Guillaume Bourgogne, Cristian Gort (Fall) Guillaume Bourgogne, Cristian Gort (Winter)

    • 4 hours
    • Prerequisite: Audition.

Required Courses (31 credits)

31 credits are selected as follows:

12 credits - Theory
4 credits - Musicianship
6 credits - Music History, Literature, or Performance Practice
9 credits - Diction

Theory

12 credits

  • MUTH 250 Theory and Analysis 3 (3 credits)

    Offered by: Music Research (Schulich School of Music)

    Overview

    Music Theory and Analysis : Compositional resources of late 18th and early 19th century music. Analysis of forms common to the period c. 1770 - 1840, including Classical sonata forms in several media.

    Terms: Fall 2013, Summer 2014

    Instructors: René Rusch (Fall)

    • 3 hours
    • Prerequisite: MUTH 151
    • Corequisite: MUSP 240
  • MUTH 251 Theory and Analysis 4 (3 credits)

    Offered by: Music Research (Schulich School of Music)

    Overview

    Music Theory and Analysis : Expanded harmonic resources of the 19th century (e.g., advanced chromaticism including enharmonic reinterpretation and symmetrical division). Analysis of characteristic small and large forms. Writing and analytical skills with a goal toward perceiving how levels of musical structure interact.

    Terms: Winter 2014, Summer 2014

    Instructors: René Rusch, Brian Cherney, Nicole Biamonte, Jonathan Wild (Winter) Nicole Biamonte (Summer)

    • 3 hours
    • Prerequisite: MUTH 250
    • Corequisite: MUSP 241
  • MUTH 350 Theory and Analysis 5 (3 credits)

    Offered by: Music Research (Schulich School of Music)

    Overview

    Music Theory and Analysis : Exploration of 20th and 21st century organizations of pitch, rhythm, timbre etc. Written and analytical skills for the purpose of gaining insight into the compositional techniques and aesthetics of this repertoire.

    Terms: Fall 2013, Summer 2014

    Instructors: Robert Hasegawa (Fall) Robert Hasegawa (Summer)

    • 3 hours
    • Prerequisite: MUTH 251
  • MUTH 426 Topics in Early Music Analysis (3 credits)

    Offered by: Music Research (Schulich School of Music)

    Overview

    Music Theory and Analysis : Music from before 1700 is analyzed using recently developed techniques as well as materials gathered from treatises contemporaneous with the music. The implications of analysis for performance are considered.

    Terms: Fall 2013

    Instructors: Peter N Schubert (Fall)

    • 3 hours
    • Prerequisite: MUTH 250; or MUTH 211, MUHL 184

Musicianship

4 credits

  • MUSP 240 Musicianship Training 3 (2 credits)

    Offered by: Music Research (Schulich School of Music)

    Overview

    Musicianship : Rhythm and metre mixed divisions and two-part work; additional chordal voicings and pitch collections; melodies modulating to closely-related keys adding tenor clef; harmonic progression including applied chords; two-part keyboard-style passages.

    Terms: Fall 2013, Winter 2014, Summer 2014

    Instructors: John W P Guzik, Monica Asly, Thomas Davidson (Fall) Monica Asly (Winter) Monica Asly (Summer)

    • Prerequisites: Matriculation Music or McGill Conservatory Theory Secondary V or its equivalent. MUSP 141
    • Corequisite: MUTH 250
  • MUSP 241 Musicianship Training 4 (2 credits)

    Offered by: Music Research (Schulich School of Music)

    Overview

    Musicianship : Changing metres; chord voicings and atonal pitch collections; modulating tonal melodies and score reading of transposing instruments; harmonic progression including chromatic chords; two-part passages.

    Terms: Fall 2013, Winter 2014, Summer 2014

    Instructors: Monica Asly (Fall) Thomas Davidson, Monica Asly, John W P Guzik (Winter) Monica Asly (Summer)

    • Prerequisite: MUSP 240
    • Corequisite: MUTH 251

Music History, Literature or Performance Practice

6 credits

  • MUHL 286 Critical Thinking About Music (3 credits)

    Offered by: Music Research (Schulich School of Music)

    Overview

    Music History and Literature : Examination of various periods and styles: e.g., central works from different traditions, the interaction of music and society, performance practice, and music's relation to other arts.

    Terms: Fall 2013, Winter 2014, Summer 2014

    Instructors: Lisa Barg (Fall) David Brackett (Winter) Lisa Barg (Summer)

    • Prerequisite: MUHL 186 or MUJZ 187
    • Restriction: Not open to students who have taken MUTH 301
  • MUPP 381 Topics in Performance Practice (3 credits)

    Offered by: Music Research (Schulich School of Music)

    Overview

    Performance Practice : Issues in performance traditions. Topics focus on rhythmic interpretation, vocal and instrumental style, ornamentation, improvisation, performance venues and context. Sources include original notation and modern editions, treatises, iconography, organology, analysis, criticism, and recordings.

    Terms: Winter 2014

    Instructors: Tom Beghin (Winter)

    • 3 hours
    • Restriction: Not open to students who have taken MUPP 385

Diction

9 credits

Complementary Courses (5 credits)

Musicianship

2 credits from:

  • MUSP 346 Post-Tonal Musicianship (2 credits)

    Offered by: Music Research (Schulich School of Music)

    Overview

    Musicianship : Extended tonal and post-tonal harmonic and contrapuntal structures, rhythmic practices of the 20th and 21st century, score reading.

    Terms: Fall 2013, Winter 2014, Summer 2014

    Instructors: Thomas Davidson, Justin B Mariner (Fall) Justin B Mariner, Monica Asly (Winter) Justin B Mariner (Summer)

    • Prerequisite: MUSP 241
  • MUSP 353 Musicianship for Voice (2 credits)

    Offered by: Music Research (Schulich School of Music)

    Overview

    Musicianship : Fundamental musicianship issues in the context of performance with an emphasis on intonation accuracy, rhythm, voice-leading and sound texture.

    Terms: This course is not scheduled for the 2013-2014 academic year.

    Instructors: There are no professors associated with this course for the 2013-2014 academic year.

    • Prerequisite: MUSP 141
  • MUSP 354 Introduction to Improvisation and Ornamentation (2 credits)

    Offered by: Music Research (Schulich School of Music)

    Overview

    Musicianship : Principles of improvisation and ornamentation for music before 1800, including harmonic progressions and voice-leading and contrapuntal patterns for instrumentalists and singers, along with examples of ornamented vocal and instrumental works from 17th and 18th century sources.

    Terms: This course is not scheduled for the 2013-2014 academic year.

    Instructors: There are no professors associated with this course for the 2013-2014 academic year.

    • Prerequisite: MUSP 241
  • MUSP 381 Singing Renaissance Notation (2 credits)

    Offered by: Music Research (Schulich School of Music)

    Overview

    Musicianship : Choral sightsinging of mensural notation, with a focus on white notation c. 1420-1600. Development of basic fluency in the notation, interpretation of values in triple meter, addition of accidentals given the contrapuntal context as perceived aurally, Renaissance solmisation.

    Terms: This course is not scheduled for the 2013-2014 academic year.

    Instructors: There are no professors associated with this course for the 2013-2014 academic year.

    • Prerequisite: MUSP 241

Music History

3 credits from:

  • MUHL 377 Baroque Opera (3 credits)

    Offered by: Music Research (Schulich School of Music)

    Overview

    Music History and Literature : History of opera from its origins in the musical, literary, and philosophical models available to the Florentine Camerata to the end of the baroque. The development of opera will be studied from the perspective of artistic style and in the light of historical, political, social, and economic conditions.

    Terms: This course is not scheduled for the 2013-2014 academic year.

    Instructors: There are no professors associated with this course for the 2013-2014 academic year.

    • 3 hours
    • Prerequisites: MUHL 184 and MUHL 185 and MUTH 211 OR MUCO 240D1/D2 and MUSP 231 OR MUHL 286 and MUTH 250 and MUSP 241
  • MUHL 380 Medieval Music (3 credits)

    Offered by: Music Research (Schulich School of Music)

    Overview

    Music History and Literature : The medieval style - an intensive study of one or more selected topics from the repertoire. Possible subjects include liturgical chant, Notre Dame, the medieval motet, secular developments, and instrumental literature.

    Terms: This course is not scheduled for the 2013-2014 academic year.

    Instructors: There are no professors associated with this course for the 2013-2014 academic year.

    • 3 hours
    • Prerequisites: MUHL 184 and MUHL 185 and MUTH 211 OR MUCO 240D1/D2 and MUSP 231 OR MUHL 286 and MUTH 250 and MUSP 241
    • Corequisites: MUTH 210 and MUSP 229
    • Normally alternates with MUHL 381
  • MUHL 381 Renaissance Music (3 credits)

    Offered by: Music Research (Schulich School of Music)

    Overview

    Music History and Literature : Sacred and secular musical genres of the 15th and 16th Centuries. Various phases of imitative practice, cantus firmus and parody techniques. The emergence of homophonic textures in peripheral areas of the repertoire. Selected problems in the fields of theory, bibliography and aesthetics.

    Terms: This course is not scheduled for the 2013-2014 academic year.

    Instructors: There are no professors associated with this course for the 2013-2014 academic year.

    • 3 hours
    • Prerequisites: MUHL 184 and MUHL 185 and MUTH 211 OR MUCO 240D1/D2 and MUSP 231 OR MUHL 286 and MUTH 250 and MUSP 241
    • Corequisites: MUTH 210 and MUSP 229
    • Normally alternates with MUHL 380
  • MUHL 382 Baroque Music (3 credits)

    Offered by: Music Research (Schulich School of Music)

    Overview

    Music History and Literature : A detailed examination of several selected areas of Baroque music. Topics will be drawn from different geographical regions (e.g., Italy, France, Germany, etc.) and encompass church, chamber and theatre music, as well as performance practice. Each topic will be related to general musical developments of the period.

    Terms: This course is not scheduled for the 2013-2014 academic year.

    Instructors: There are no professors associated with this course for the 2013-2014 academic year.

    • 3 hours
    • Prerequisites: MUHL 184 and MUHL 185 and MUTH 211 OR MUCO 240D1/D2 and MUSP 231 OR MUHL 286 and MUTH 250 and MUSP 241
    • Normally offered in alternate years
  • MUHL 383 Classical Music (3 credits)

    Offered by: Music Research (Schulich School of Music)

    Overview

    Music History and Literature : The period covered will be from approximately 1740-1828, from the schools of the Italian keyboard composers, opera buffa and seria, and composers centred at Mannheim, Paris, London, Berlin and Vienna, through the Viennese Classic period of Haydn, Mozart and Beethoven, to the death of Schubert.

    Terms: This course is not scheduled for the 2013-2014 academic year.

    Instructors: There are no professors associated with this course for the 2013-2014 academic year.

    • 3 hours
    • Prerequisites: MUHL 184 and MUHL 185 and MUTH 211 OR MUCO 240D1/D2 and MUSP 231 OR MUHL 286 and MUTH 250 and MUSP 241
    • Normally offered in alternate years
  • MUHL 395 Keyboard Literature before 1750 (3 credits)

    Offered by: Music Research (Schulich School of Music)

    Overview

    Music History and Literature : The solo repertoire for organ, harpsichord, and clavichord from 1400 to 1750: intabulation, cantus firmus treatment, indigenous keyboard genres, German organ literature, French harpsichord repertoire.

    Terms: Winter 2014

    Instructors: Erik Eriksson (Winter)

    • 3 hours
    • Prerequisites: MUHL 184 and MUHL 185 and MUTH 211 OR MUCO 240D1/D2 and MUSP 231 OR MUHL 286 and MUTH 250 and MUSP 241
  • MUHL 591D1 Paleography (1.5 credits)

    Offered by: Music Research (Schulich School of Music)

    Overview

    Music History and Literature : The theory and practice of musical transcription for the period 1100 to 1600. Black modal notation, Franconian notation, French and Italian Ars Nova notation, Mannerism, white mensural notation, proportions, and lute and keyboard tablatures will be studied.

    Terms: Fall 2013

    Instructors: Julie Emelyn Cumming (Fall)

    • 1 hour
    • Prerequisites: MUHL 184 and MUHL 185 and MUTH 211 OR MUCO 240D1/D2 and MUSP 231 OR MUHL 286 and MUTH 250 and MUSP 241
    • Restriction: U3 honours students in History
    • Normally alternates with MUHL 529
    • Students must register for both MUHL 591D1 and MUHL 591D2
    • No credit will be given for this course unless both MUHL 591D1 and MUHL 591D2 are successfully completed in consecutive terms
  • MUHL 591D2 Paleography (1.5 credits)

    Offered by: Music Research (Schulich School of Music)

    Overview

    Music History and Literature : See MUHL 591D1 for course description.

    Terms: Winter 2014

    Instructors: Julie Emelyn Cumming (Winter)

    • Prerequisite: MUHL 591D1
    • No credit will be given for this course unless both MUHL 591D1 and MUHL 591D2 are successfully completed in consecutive terms

Non-Music Electives* (3 credits)

Free Electives* (18 credits)

(May not include courses with a MUEN prefix)

* Prior to, or concurrent with registration in the corresponding Diction courses, the Voice Major must furnish evidence of having completed English Second Language courses, ITAL 205D1/ITAL 205D, GERM 202, and FRSL 207, or their equivalent. This language requirement may be fulfilled by appropriate high school or CEGEP courses, or as part of the non-music and/or free elective requirements above, or by extra university courses.

Schulich School of Music—2013-2014 (last updated Aug. 21, 2013) (disclaimer)