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Note: This is the 20122013 edition of the eCalendar. For the most recent publication, click here.

Major Concentration Music (36 credits)

Offered by: Music     Degree: Bachelor of Arts

Program Requirements

This Major concentration studies music as a vital art form in contemporary society and in the history of Western civilization. Its central purpose emphasizes music within broader intellectual and cultural contexts; the Major concentration's premise is that, as a product of culture, music must be considered in relation to the other humanistic disciplines. This degree could be an excellent preparation for graduate work in music (musicology, music theory, music librarianship, music journalism, arts administration) or for professional studies in other fields.

Students in the Major concentration MUST consult the Adviser PRIOR to registration each year. Questions regarding the requirements of the B.A. Major Concentration and especially elective courses should be addressed to Arts OASIS in Dawson Hall.

Prerequisite Courses

Students who have not successfully completed the diagnostic placement exams for the required courses for this program will be asked to register for one or more of the courses below. These courses may not be counted toward the 36 credits of the program requirements.

  • MUSP 140 Musicianship Training 1 (2 credits)

    Offered by: Music Research (Schulich School of Music)

    Overview

    Musicianship : Rhythm and metre basic subdivisions and conducting patterns; intervals, chords, and scale patterns; non-modulating tonal melodies with treble and bass clefs; harmonic progressions emphasizing two-part outer voice structures.

    Terms: Fall 2012

    Instructors: Pierrette Mather, Margaret Emily De Castro, Monica Asly, Fredericka Petit-Homme (Fall)

    • 2 hours
    • Prerequisite: Matriculation Music or McGill Conservatory Theory Secondary V or its equivalent.
    • Corequisites: MUTH 150, MUSP 170
  • MUSP 141 Musicianship Training 2 (2 credits)

    Offered by: Music Research (Schulich School of Music)

    Overview

    Musicianship : Rhythm and metre mixed divisions and syncopations; triadic and seventh chord voicings and disjunct pitch collections; chromatically embellished melodies adding alto clef; simple modulating harmonic progressions emphasizing two-part outer voice structures.

    Terms: Fall 2012, Winter 2013

    Instructors: Margaret Emily De Castro, Monica Asly (Fall) Pierrette Mather, Margaret Emily De Castro, Monica Asly, Fredericka Petit-Homme (Winter)

    • 2 hours
    • Prerequisites: Matriculation Music or McGill Conservatory Theory Secondary V or its equivalent. MUSP 140
    • Corequisites: MUTH 151, MUSP 171
  • MUSP 170 Musicianship (Keyboard) 1 (1 credit)

    Offered by: Music Research (Schulich School of Music)

    Overview

    Musicianship : Harmonic, melodic and rhythmic analysis at the keyboard through the study of rudiments, repertoire, chorale/score reading, transposition and harmonization.

    Terms: Fall 2012, Winter 2013

    Instructors: Thomas Davidson, Jolan Ilona Kovacs, Julia Gavrilova, Marek Krowicki, Geoffrey Conquer (Fall) Jolan Ilona Kovacs (Winter)

    • 1 hour
    • Prerequisite: Matriculation Music or McGill Conservatory Theory Secondary V or its equivalent.
    • Corequisites: MUTH 150 and MUSP 140.
    • Course contents parallel with those of MUTH 150 and MUSP 140.
  • MUSP 171 Musicianship (Keyboard) 2 (1 credit)

    Offered by: Music Research (Schulich School of Music)

    Overview

    Musicianship : Building chordal fluency. Harmonic vocabulary including sequences, chromaticism and modulation. Chorale and score reading with transposing instruments and alto/tenor clefs.

    Terms: Fall 2012, Winter 2013, Summer 2013

    Instructors: Julia Gavrilova, Jolan Ilona Kovacs (Fall) Thomas Davidson, Jolan Ilona Kovacs, Geoffrey Conquer, Marek Krowicki, Julia Gavrilova (Winter) Thomas Davidson (Summer)

    • 1 hour
    • Prerequisite: MUSP 170
    • Corequisites: MUTH 111 and MUSP 131; or MUTH 151 and MUSP 141
    • Restriction: All students admitted to B.Mus. and L.Mus. programs, including those with keyboard or guitar as their principal instrument, are required to take MUSP 171 Keyboard Lab, unless exempt on the basis of a placement test. Students who are exempt from MUTH 111 through placement tests must still take MUSP 171 (unless exempt) since this course forms the foundation of keyboard-based musicianship tasks at upper levels. (All Majors in Jazz Performance substitute MUJZ 171 for MUSP 171. Students in Jazz Performance who have completed MUJZ 170 and MUJZ 171, and who transfer to a Department of Theory program, will be required to complete MUSP 171.) Students who do not achieve a continuation pass in MUSP 171 must reregister for the course in the semester immediately following. Students who do not achieve a continuation pass after repeating the course will not be allowed to proceed with further Musicianship or Theory studies until a continuation pass is achieved. Tests for MUSP 171 are held in August-September, December-January, and April-May [as well as during the Summer Session when course(s) offered], the exact dates determined by the Department of Music Research.
    • Course contents parallel with those of MUTH 151 and MUSP 141.
  • MUTH 150 Theory and Analysis 1 (3 credits)

    Offered by: Music Research (Schulich School of Music)

    Overview

    Music Theory and Analysis : Diatonic chords and harmonic progressions, focus on outer-voice framework, cadences, embellishments, building chordal fluency in common-practice tonality, applied chords.

    Terms: Fall 2012, Summer 2013

    Instructors: Peter N Schubert, Thomas Davidson (Fall) Meghan Goodchild (Summer)

    • Prerequisite: Matriculation Music or McGill Conservatory Theory Secondary V or its equivalent.
    • Corequisites: MUSP 140 and MUSP 170
  • MUTH 151 Theory and Analysis 2 (3 credits)

    Offered by: Music Research (Schulich School of Music)

    Overview

    Music Theory and Analysis : Sequences and modulation, chromatic vocabulary, analysis of simple theme types (sentence, period, hybrids) and fugal techniques.

    Terms: Winter 2013, Summer 2013

    Instructors: Nicole Biamonte, Thomas Davidson (Winter) Justin B Mariner (Summer)

    • Pre- or Co-requisites: MUTH 150, MUSP 140 and MUSP 170
    • Corequisites: MUSP 141 and MUSP 171

Required Courses (16 credits)

Prior to registering for the required courses MUSP 240, MUSP 241, MUTH 250, and MUTH 251, students must take the diagnostic placement exams. If the appropriate level is not achieved on the examination, students will be asked to register for one or more prerequisite courses.

  • MUHL 286 Critical Thinking About Music (3 credits)

    Offered by: Music Research (Schulich School of Music)

    Overview

    Music History and Literature : Examination of various periods and styles: e.g., central works from different traditions, the interaction of music and society, performance practice, and music's relation to other arts.

    Terms: Fall 2012, Winter 2013, Summer 2013

    Instructors: Lisa Barg (Fall) Steven Huebner (Winter) Steven Huebner (Summer)

    • Prerequisite: MUHL 186 or MUJZ 187
    • Restriction: Not open to students who have taken MUTH 301
  • MUHL 570 Research Methods in Music (3 credits)

    Offered by: Music Research (Schulich School of Music)

    Overview

    Music History and Literature : Survey and critical evaluation of research- and performance-related tools: composers' collected editions, monuments of music, bibliographies of music and music literature, discographies, directories, and databases. Topics will include: developing bibliographies, structuring written arguments, assessing academic and popular writings about music, and understanding the task of the music editor.

    Terms: This course is not scheduled for the 2012-2013 academic year.

    Instructors: There are no professors associated with this course for the 2012-2013 academic year.

    • 3 hours
    • Prerequisites: MUHL 184 and MUHL 185 and MUTH 211 OR MUCO 240 and MUSP 231. Additional prerequisite: one MUHL or MUPP course at the 300 level or higher, or permission of instructor.
  • MUSP 240 Musicianship Training 3 (2 credits)

    Offered by: Music Research (Schulich School of Music)

    Overview

    Musicianship : Rhythm and metre mixed divisions and two-part work; additional chordal voicings and pitch collections; melodies modulating to closely-related keys adding tenor clef; harmonic progression including applied chords; two-part keyboard-style passages.

    Terms: Fall 2012, Winter 2013, Summer 2013

    Instructors: Thomas Davidson, John W P Guzik, Monica Asly, Jean-Willy Kunz, Rebecca Woodmass (Fall) Monica Asly (Winter) Monica Asly (Summer)

    • Prerequisites: Matriculation Music or McGill Conservatory Theory Secondary V or its equivalent. MUSP 141
    • Corequisite: MUTH 250
  • MUSP 241 Musicianship Training 4 (2 credits)

    Offered by: Music Research (Schulich School of Music)

    Overview

    Musicianship : Changing metres; chord voicings and atonal pitch collections; modulating tonal melodies and score reading of transposing instruments; harmonic progression including chromatic chords; two-part passages.

    Terms: Fall 2012, Winter 2013, Summer 2013

    Instructors: Monica Asly, John W P Guzik (Fall) Thomas Davidson, Justin B Mariner, Monica Asly, John W P Guzik, Rebecca Woodmass (Winter) Monica Asly (Summer)

    • Prerequisite: MUSP 240
    • Corequisite: MUTH 251
  • MUTH 250 Theory and Analysis 3 (3 credits)

    Offered by: Music Research (Schulich School of Music)

    Overview

    Music Theory and Analysis : Compositional resources of late 18th and early 19th century music. Analysis of forms common to the period c. 1770 - 1840, including Classical sonata forms in several media.

    Terms: Fall 2012, Summer 2013

    Instructors: There are no professors associated with this course for the 2012-2013 academic year.

    • 3 hours
    • Prerequisite: MUTH 151
    • Corequisite: MUSP 240
  • MUTH 251 Theory and Analysis 4 (3 credits)

    Offered by: Music Research (Schulich School of Music)

    Overview

    Music Theory and Analysis : Expanded harmonic resources of the 19th century (e.g., advanced chromaticism including enharmonic reinterpretation and symmetrical division). Analysis of characteristic small and large forms. Writing and analytical skills with a goal toward perceiving how levels of musical structure interact.

    Terms: Winter 2013, Summer 2013

    Instructors: René Rusch, Nicole Biamonte, Justin B Mariner (Winter) Nicole Biamonte (Summer)

    • 3 hours
    • Prerequisite: MUTH 250
    • Corequisite: MUSP 241

Complementary Courses (20 credits)

Students select from courses offered by the Schulich School of Music except for courses with a MUAR subject code. Students must meet all prerequisite and/or corequisite requirements before registering.

Faculty of Arts—2012-2013 (last updated Dec. 20, 2012) (disclaimer)