2010-2011
The Bachelor of Music (B.Mus.) - Major Performance Voice program requires 90 credits (plus 35 credits for the Freshman requirement for out-of-province students).
125 credits are selected as follows:
35 credits - Prerequisite requirements (for out-of-province students)
18 credits - Required Performance
21 credits - Complementary Performance
27 credits - Required Courses (Theory, Musicianship, Music History and Diction)
6 credits - Complementary History/Literature
3 credits - Non-Music Electives
15 credits - Free Electives
Special Requirements:
1. Continuation in the program requires a minimum grade of B- in practical instruction/exams, ensembles, and voice coaching.
35 credits selected as described below, in consultation with the program adviser:
23 credits of Prerequisite courses
2 credits of Assigned Small Ensemble
4 credits of Basic Ensemble Training
6 credits of Non-Music Electives
23 credits, all of the courses below:
Note: Applicants who can demonstrate through auditions and placement tests that they have mastered the material in any of the courses below will be exempt from them and may proceed to more advanced courses.
Music History and Literature : A survey of Western music from the Middle Ages to the present. Emphasis on key musical concepts and genres in their historical context and aural recognition of style.
Terms: Fall 2010, Summer 2011
Instructors: Lisa Barg (Fall)
3 hours
Practical Instrument : Practical instruction on an instrument or voice.
Terms: Fall 2010
Instructors: Timothy Hutchins, Russell Devuyst, Joanne Kolomyjec, James Box, Normand Forget, Peter Freeman, Martin D Mangrum, Dennis Miller, John Zirbel, Stephen Michael Algie, Alain Desgagne, Theodore Baskin, Abe Kestenberg, Kyoko Hashimoto, Steve Amirault, Ranee Y Lee, Remi Bolduc, Greg Clayton, Kevin Dean, Christopher McCann, Fraser Hollins, Francisco J Lozano, Jocelyn Couture, Claire Guimond, Matt Haimovitz, Brian Manker, Denise Lupien, Richard Allen Roberts, Andre J Roy, Jonathan Crow, Edward Carroll, Thomas Williams, Garry M W Antonio, Andre Leroux, Joshua Rager, Sanford Sylvan, Winston Purdy, Martin Karlicek, Patil Harboyan, Trevor Dix, Mark Fewer, Robert Crowley, Andrew Wan, Yai-Yun Huang, Fabrice Marandola, Aline Kutan, Carissa Klopoushak, John Grew, Marina Mdivani, Andrew Dunn, Michael McMahon, Jun-Yuan Chen, Maria-Caliopi Popescu (Fall)
3 hours
Prerequisite: Admission to the B.Mus. program by audition.
Practical Instrument : Practical instruction on an instrument or voice.
Terms: Winter 2011
Instructors: Timothy Hutchins, Russell Devuyst, Joanne Kolomyjec, James Box, Normand Forget, Peter Freeman, Martin D Mangrum, Dennis Miller, John Zirbel, Stephen Michael Algie, Alain Desgagne, Theodore Baskin, Abe Kestenberg, Kyoko Hashimoto, Steve Amirault, Ranee Y Lee, Remi Bolduc, Greg Clayton, Kevin Dean, Christopher McCann, Fraser Hollins, Francisco J Lozano, Jocelyn Couture, Claire Guimond, Matt Haimovitz, Brian Manker, Denise Lupien, Richard Allen Roberts, Andre J Roy, Jonathan Crow, Edward Carroll, Thomas Williams, Garry M W Antonio, Andre Leroux, Joshua Rager, Sanford Sylvan, Winston Purdy, Martin Karlicek, Patil Harboyan, Trevor Dix, Mark Fewer, Robert Crowley, Yai-Yun Huang, Fabrice Marandola, Carissa Klopoushak, John Grew, Michael McMahon, Jun-Yuan Chen, Aline Kutan, Andrew Dunn, Maria-Caliopi Popescu, Carlos Alberto Jimenez (Winter)
Prerequisite: MUIN 180
Restriction: Open to students entering directly from High Schools outside Quebec.
Music Professional Development : An introduction to the responsibilities and skills required of professionals in music; job options, contracts, professional organizations, freelancing.
Terms: Fall 2010
Instructors: Abe Kestenberg (Fall)
Music Professional Development : Additional responsibilities and skills required of professionals in music.
Terms: Winter 2011
Instructors: Abe Kestenberg (Winter)
Musicianship : Rhythm and metre basic subdivisions and conducting patterns; intervals, chords, and scale patterns; non-modulating tonal melodies with treble and bass clefs; harmonic progressions emphasizing two-part outer voice structures.
Terms: Fall 2010, Winter 2011
Instructors: Justin B Mariner, Margaret Emily De Castro, Monica Asly, John W P Guzik, Fredericka Petit-Homme, Jean-Willy Kunz (Fall) Margaret Emily De Castro (Winter)
Musicianship : Rhythm and metre mixed divisions and syncopations; triadic and seventh chord voicings and disjunct pitch collections; chromatically embellished melodies adding alto clef; simple modulating harmonic progressions emphasizing two-part outer voice structures.
Terms: Fall 2010, Winter 2011, Summer 2011
Instructors: Margaret Emily De Castro, Fredericka Petit-Homme (Fall) Margaret Emily De Castro, Monica Asly, Justin B Mariner, Fredericka Petit-Homme, Jean-Willy Kunz (Winter)
Musicianship : Harmonic, melodic and rhythmic analysis at the keyboard through the study of rudiments, repertoire, chorale/score reading, transposition and harmonization.
Terms: Fall 2010, Winter 2011
Instructors: Jolan Ilona Kovacs, Thomas Davidson, Julia Gavrilova, Yoo Kyung Choi (Fall) Jolan Ilona Kovacs (Winter)
Musicianship : Building chordal fluency. Harmonic vocabulary including sequences, chromaticism and modulation. Chorale and score reading with transposing instruments and alto/tenor clefs.
Terms: Fall 2010, Winter 2011, Summer 2011
Instructors: Julia Gavrilova, Thomas Pousont (Fall) Jolan Ilona Kovacs, Julia Gavrilova, Yoo Kyung Choi (Winter)
1 hour
Prerequisite: MUSP 170
Corequisites: MUTH 111 and MUSP 131; or MUTH 151 and MUSP 141
Restriction: All students admitted to B.Mus. and L.Mus. programs, including those with keyboard or guitar as their principal instrument, are required to take MUSP 171 Keyboard Lab, unless exempt on the basis of a placement test. Students who are exempt from MUTH 111 through placement tests must still take MUSP 171 (unless exempt) since this course forms the foundation of keyboard-based musicianship tasks at upper levels. (All Majors in Jazz Performance substitute MUJZ 171 for MUSP 171. Students in Jazz Performance who have completed MUJZ 170 and MUJZ 171, and who transfer to a Department of Theory program, will be required to complete MUSP 171.) Students who do not achieve a continuation pass in MUSP 171 must reregister for the course in the semester immediately following. Students who do not achieve a continuation pass after repeating the course will not be allowed to proceed with further Musicianship or Theory studies until a continuation pass is achieved. Tests for MUSP 171 are held in August-September, December-January, and April-May [as well as during the Summer Session when course(s) offered], the exact dates determined by the Department of Music Research.
Course contents parallel with those of MUTH 151 and MUSP 141.
Music Theory and Analysis : Diatonic chords and harmonic progressions, focus on outer-voice framework, cadences, embellishments, building chordal fluency in common-practice tonality, applied chords.
Terms: Fall 2010, Summer 2011
Instructors: Peter N Schubert, Thomas Davidson (Fall) Matthew Provost (Summer)
Music Theory and Analysis : Sequences and modulation, chromatic vocabulary, analysis of simple theme types (sentence, period, hybrids) and fugal techniques.
Terms: Winter 2011, Summer 2011
Instructors: Thomas Davidson, Nicole Biamonte (Winter) Justin B Mariner (Summer)
Practical Instrument : Practical instruction on an instrument or voice.
Terms: Fall 2010, Winter 2011
Instructors: Joanne Kolomyjec, James Box, Normand Forget, Heather L Howes, Jean Gaudreault, Stephane Levesque, John Zirbel, Simon Aldrich, David R Martin, Alain Desgagne, Sara Laimon, Kyoko Hashimoto, Marina Mdivani, Julia Gavrilova, Luba Zuk, Kenneth Bibace, Remi Bolduc, Greg Clayton, David Grott, Fraser Hollins, Ronald Di Lauro, Francisco J Lozano, Matt Haimovitz, Elizabeth Dolin, Richard Allen Roberts, Frederic Lambert, Andre J Roy, Edward Carroll, Thomas Williams, Garry M W Antonio, Andre White, Jan Jarczyk, Joseph Leo Sullivan, Chester Doxas, John Roney, Francois Stevenson, Joshua Rager, Sanford Sylvan, Martin Karlicek, Jan Krejcar, Andrew Wan, Trevor Dix, Dimitrios Doxas, Mark Fewer, Robert Crowley, Timothy Hutchins, Yai-Yun Huang, Fabrice Marandola, Christopher McCann, Stephen Michael Algie, Denise Lupien, Carlos Alberto Jimenez, Winston Purdy, William V Mahar, Andrew Dunn, Maria-Caliopi Popescu, Alexander David Johnson (Fall) Kenneth Bibace, Andre J Roy, Sara Laimon (Winter)
Prerequisite: MUIN 181 or admission to the B.Mus. program by audition.
Practical Instrument : Practical instruction on an instrument or voice.
Terms: Fall 2010, Winter 2011
Instructors: Sara Laimon, Yai-Yun Huang (Fall) Joanne Kolomyjec, James Box, Normand Forget, Heather L Howes, Jean Gaudreault, Stephane Levesque, John Zirbel, Simon Aldrich, David R Martin, Alain Desgagne, Sara Laimon, Kyoko Hashimoto, Marina Mdivani, Julia Gavrilova, Luba Zuk, Kenneth Bibace, Remi Bolduc, Greg Clayton, David Grott, Fraser Hollins, Ronald Di Lauro, Francisco J Lozano, Matt Haimovitz, Elizabeth Dolin, Richard Allen Roberts, Frederic Lambert, Edward Carroll, Thomas Williams, Garry M W Antonio, Andre White, Jan Jarczyk, Joseph Leo Sullivan, Chester Doxas, John Roney, Francois Stevenson, Joshua Rager, Sanford Sylvan, Martin Karlicek, Jan Krejcar, Andrew Wan, Trevor Dix, Dimitrios Doxas, Mark Fewer, Robert Crowley, Timothy Hutchins, Yai-Yun Huang, Fabrice Marandola, Christopher McCann, Stephen Michael Algie, Denise Lupien, Carlos Alberto Jimenez, Winston Purdy, William V Mahar, Andrew Dunn, Maria-Caliopi Popescu, Alexander David Johnson, Andre J Roy, Ranee Y Lee, Abe Kestenberg, Hank Knox (Winter)
Prerequisite: MUIN 280
Practical Instrument : Assessment of student's progress in the practical area.
Terms: Fall 2010, Winter 2011
Instructors: There are no professors associated with this course for the 2010-2011 academic year.
Exam details are to be found under Examinations and Goals in Practical Subjects in the Music Chapter of the University Calendar.
Practical Instrument : Practical instruction on an instrument or voice.
Terms: Fall 2010, Winter 2011
Instructors: Andre White, Jan Jarczyk, Kenneth Bibace, Joseph Leo Sullivan, Chester Doxas, Donald Leyland Kennedy, Greg Clayton, Fraser Hollins, Ronald Di Lauro, Jocelyn Couture, Christopher McCann, Dimitrios Doxas, Joshua Rager, Kevin Dean (Fall) Sara Laimon (Winter)
Prerequisite: MUIN 281
Practical Instrument : Practical instruction on an instrument or voice.
Terms: Fall 2010, Winter 2011
Instructors: Jan Jarczyk (Fall) Andre White, Jan Jarczyk, Kenneth Bibace, Donald Leyland Kennedy, Chester Doxas, Greg Clayton, Fraser Hollins, Ronald Di Lauro, Jocelyn Couture, Christopher McCann, Joshua Rager, Kevin Dean, Steve Amirault, Greg G Amirault, Dimitrios Doxas, David Grott, Maria-Caliopi Popescu (Winter)
Prerequisite: MUIN 380
Practical Instrument : Assessment of student's progress in the practical area.
Terms: Fall 2010, Winter 2011
Instructors: There are no professors associated with this course for the 2010-2011 academic year.
Exam details are to be found under Examinations and Goals in Practical Subjects in the Music Chapter of the University Calendar.
Practical Instrument : Practical instruction on an instrument or voice.
Terms: Fall 2010, Winter 2011
Instructors: Andre White, Jan Jarczyk, Steve Amirault, Chester Doxas, Donald Leyland Kennedy, Remi Bolduc, Fraser Hollins, Christopher McCann, Francois Stevenson (Fall) Jan Jarczyk, Christopher McCann (Winter)
Prerequisite: MUIN 381
Practical Instrument : Practical instruction on an instrument or voice.
Terms: Fall 2010, Winter 2011
Instructors: Francisco J Lozano, Remi Bolduc (Fall) Jan Jarczyk, Steve Amirault, Chester Doxas, Donald Leyland Kennedy, Remi Bolduc, Fraser Hollins, Christopher McCann, Francois Stevenson, Alec Walkington, Francisco J Lozano, David Mark Gossage (Winter)
Prerequisite: MUIN 480
Practical Instrument : Assessment of student's progress in the practical area.
Terms: Winter 2011
Instructors: There are no professors associated with this course for the 2010-2011 academic year.
Exam details are to be found under Examinations and Goals in Practical Subjects in the Music Chapter of the University Calendar.
Ensemble - during every term of enrolment as a full-time or part-time student
12 credits of complementary performance selected from:
Ensemble : Coachings, rehearsals, stagings, technical/dress rehearsals in the theatre, and performances in front of an audience.
Terms: Fall 2010, Winter 2011
Instructors: Patrick Hansen (Fall) Patrick Hansen (Winter)
2 hours
Prerequisite: Audition
For undergraduates voice majors students cast in roles in Opera McGill productions.
Ensemble : .
Terms: This course is not scheduled for the 2010-2011 academic year.
Instructors: There are no professors associated with this course for the 2010-2011 academic year.
Ensemble : An ensemble of 8 to 12 voices specializing in early music. N.B. This ensemble may substitute as a Basic Ensemble in programs that specify Choral Ensemble, with Departmental approval.
Terms: Fall 2010, Winter 2011
Instructors: Valerie Kinslow (Fall) Valerie Kinslow (Winter)
4 hours
Prerequisite: Audition.
Ensemble : Normally open only to Voice and Piano Performance students. Study of the standard song repertoire with emphasis on the singer and pianist as partners. A public recital will be given at the end of each term.
Terms: Fall 2010, Winter 2011
Instructors: Michael McMahon (Fall) Michael McMahon (Winter)
2 hours
Prerequisite: Audition.
Ensemble : .
Terms: Fall 2010, Winter 2011
Instructors: Michael McMahon (Fall) Michael McMahon (Winter)
Ensemble : An ensemble of 4-6 vocalists and instrumentalists which performs music of the Medieval, Renaissance and Baroque periods.
Terms: Fall 2010, Winter 2011
Instructors: Valerie Kinslow, Helene Plouffe, Sylvain Bergeron, Natalie Michaud, Elizabeth H MacMillan, Tom Beghin (Fall) Tom Beghin, Elizabeth H MacMillan, Valerie Kinslow, Natalie Michaud, Sylvain Bergeron, Helene Plouffe (Winter)
Prerequisite: Audition. Prerequisite or corequisite for keyboard players: MUPG 272.
Ensemble : An ensemble of 16 voices performing challenging repertoire from the Renaissance to the present day. Since the expectation is a level of performance equivalent to a professional chamber ensemble, singers wishing to join this group should have had considerable ensemble experience, and advanced vocal and sight-reading skills.
Terms: This course is not scheduled for the 2010-2011 academic year.
Instructors: There are no professors associated with this course for the 2010-2011 academic year.
4 hours
Prerequisite: Audition.
Note: May be taken instead of Choral Ensemble.
Ensemble : Students enrolling in Choral Ensembles will be assigned to one of the above groups.
Terms: Fall 2010, Winter 2011
Instructors: Francois Ouimet (Fall) Julian Wachner, Francois Ouimet (Winter)
4 hours
Prerequisite: Audition.
Section 001 Chamber Singers: a group of approximately 24 mixed voices which explores the a cappella repertoire of all periods as well as works with chamber accompaniment.
Section 002 Concert Choir: an ensemble of approximately 60 voices (S.A.T.B.) which performs the repertoire from all periods appropriate to a group of this size.
Section 003 University Chorus: a mixed chorus of approximately 100 which performs a variety of choral material including both traditional and popular selections.
Section 004 Women's Chorale: an ensemble of approximately 40 women stressing the fundamentals of singing and ensemble participation.
Ensemble : .
Terms: Fall 2010, Winter 2011
Instructors: Cristian Gort, Jean-Michaël Lavoie (Fall) Cristian Gort, Julian Wachner, Shalom Bard (Winter)
4 hours
Prerequisite: Audition.
9 credits of complementary performance selected from:
Ensemble : Vocal ensemble repertoire written after 1800.
Terms: This course is not scheduled for the 2010-2011 academic year.
Instructors: There are no professors associated with this course for the 2010-2011 academic year.
Prerequisite: Audition
Restriction: Open by audition to pianists and singers.
Ensemble : Opera scenes from all periods; including Baroque, Classical, 19th and 20th century, and new works from this century in original languages.
Terms: Fall 2010
Instructors: Francois Racine, Olivier Godin (Fall)
Prerequisite: Audition
Practical Instrument
Terms: Fall 2010, Winter 2011
Instructors: Louise Pelletier, Michael McMahon, Louise Diamond, Olivier Godin (Fall) Louise Pelletier, Louise Diamond, Olivier Godin (Winter)
Practical Instrument
Terms: Winter 2011
Instructors: Louise Pelletier, Michael McMahon, Louise Diamond, Olivier Godin (Winter)
Performance : Acting methods focused on improvisation, open scenes, and script analysis, including Laban theory and character development based on environments, relationships, objectives, obstacles, tactics and stakes.
Terms: Fall 2010
Instructors: There are no professors associated with this course for the 2010-2011 academic year.
1 hour
Performance : Critical awareness of the body in space, interpersonal and intrapersonal knowledge of one's own spine, torso, and extremities and their function in movement as well as stillness. Methods may include Feldenkreis, period dance, Tai Chi and/or Alexander Technique.
Terms: Fall 2010
Instructors: There are no professors associated with this course for the 2010-2011 academic year.
1 hour
Performance : Advanced lyric diction.
Terms: This course is not scheduled for the 2010-2011 academic year.
Instructors: There are no professors associated with this course for the 2010-2011 academic year.
Prerequisite: MUPG 209
Restriction: Open to singers and collaborative pianists.
Performance : Art song repertoire from the late eighteenth century to the present, including the reciprocal relationship between poet and composer and it's expression through performance and performance history.
Terms: Fall 2010
Instructors: Michael McMahon (Fall)
Performance : Standard solo oratorio repertoire with an emphasis on performance, performance practice and the interpretation of sacred text within a concert setting.
Terms: This course is not scheduled for the 2010-2011 academic year.
Instructors: There are no professors associated with this course for the 2010-2011 academic year.
Performance : Techniques on learning and performing music from the beginning of atonality to music of the present day. Exploration of unique notations and extended vocal techniques.
Terms: This course is not scheduled for the 2010-2011 academic year.
Instructors: There are no professors associated with this course for the 2010-2011 academic year.
Prerequisite: Audition
Selected as follows:
9 credits of Theory
6 credits of Musicianship
3 credits of Music History
9 credits of Diction
9 credits
Music Theory and Analysis : Compositional resources of late 18th and early 19th century music. Analysis of forms common to the period c. 1770 - 1840, including Classical sonata forms in several media.
Terms: This course is not scheduled for the 2010-2011 academic year.
Instructors: There are no professors associated with this course for the 2010-2011 academic year.
Music Theory and Analysis : Expanded harmonic resources of the 19th century (e.g., advanced chromaticism including enharmonic reinterpretation and symmetrical division). Analysis of characteristic small and large forms. Writing and analytical skills with a goal toward perceiving how levels of musical structure interact.
Terms: This course is not scheduled for the 2010-2011 academic year.
Instructors: There are no professors associated with this course for the 2010-2011 academic year.
Music Theory and Analysis : Exploration of 20th and 21st century organizations of pitch, rhythm, timbre etc. Written and analytical skills for the purpose of gaining insight into the compositional techniques and aesthetics of this repertoire.
Terms: This course is not scheduled for the 2010-2011 academic year.
Instructors: There are no professors associated with this course for the 2010-2011 academic year.
3 hours
Prerequisite: MUTH 251
6 credits
Musicianship : Rhythm and metre mixed divisions and two-part work; additional chordal voicings and pitch collections; melodies modulating to closely-related keys adding tenor clef; harmonic progression including applied chords; two-part keyboard-style passages.
Terms: This course is not scheduled for the 2010-2011 academic year.
Instructors: There are no professors associated with this course for the 2010-2011 academic year.
Musicianship : Changing metres; chord voicings and atonal pitch collections; modulating tonal melodies and score reading of transposing instruments; harmonic progression including chromatic chords; two-part passages.
Terms: This course is not scheduled for the 2010-2011 academic year.
Instructors: There are no professors associated with this course for the 2010-2011 academic year.
Musicianship : Fundamental musicianship issues in the context of performance with an emphasis on intonation accuracy, rhythm, voice-leading and sound texture.
Terms: This course is not scheduled for the 2010-2011 academic year.
Instructors: There are no professors associated with this course for the 2010-2011 academic year.
Prerequisite: MUSP 141
3 credits
Music History and Literature : Examination of various periods and styles: e.g., central works from different traditions, the interaction of music and society, performance practice, and music's relation to other arts.
Terms: Winter 2011
Instructors: Roe-Min Kok (Winter)
9 credits
Performance : Rules of lyric diction and the sounds of the International Phonetic Alphabet (IPA).
Terms: Fall 2010
Instructors: Michael McMahon (Fall)
1 hour
Restriction: Open to singers and collaborative pianists.
Performance : Study of International Phonetic Alphabet. Study of Italian pronunciation in singing using song and opera texts.
Terms: Fall 2010
Instructors: Maria-Caliopi Popescu (Fall)
2 hours
Prerequisite: none
Performance : Study of French pronunciation in singing using song and opera texts.
Terms: Winter 2011
Instructors: Therese Boudreault-Sevadjian (Winter)
2 hours
Prerequisite: MUPG 210
Performance : Study of International Phonetic Alphabet. Study of Standard English pronunciation in singing using song and opera texts with a special emphasis on problematic vowels, diphthongs and consonants.
Terms: Fall 2010
Instructors: Elizabeth Koch (Fall)
2 hours
Prerequisite: none
Performance : Study of German pronunciation in singing using song and opera texts.
Terms: Winter 2011
Instructors: Michael McMahon (Winter)
2 hours
Prerequisite: MUPG 212
Two of:
Music History and Literature : Topics in American and European non-German song repertoire from the eighteenth century to the present. Issues discussed may include the role of song in national music culture, art song and folk song, national styles and poetic traditions, text-music relationships, and performance practice.
Terms: This course is not scheduled for the 2010-2011 academic year.
Instructors: There are no professors associated with this course for the 2010-2011 academic year.
Music History and Literature : History of opera from its origins in the musical, literary, and philosophical models available to the Florentine Camerata to the end of the baroque. The development of opera will be studied from the perspective of artistic style and in the light of historical, political, social, and economic conditions.
Terms: Winter 2011
Instructors: Erin Helyard (Winter)
Music History and Literature : Mozart's operas and the seria, buffa, and Singspiel traditions. Ottocento opera, grand opera, and cross-fertilization between France and Italy. German Romantic opera. Wagner. Eastern European opera. Verismo and fin-de-siècle opera in Vienna and Paris. Sociology of opera. Emphasis on critical understanding of music's role in articulating drama.
Terms: This course is not scheduled for the 2010-2011 academic year.
Instructors: There are no professors associated with this course for the 2010-2011 academic year.
Music History and Literature : Major early twentieth-century works by Debussy, Strauss, Schreker, Bartók, Stravinsky and Schoenberg. Opera in Europe between the Wars including operas of Berg, Milhaud, Krenek, Hindemith and Weill. Politics, sociology, and literature in relationship to musical style. Approaches since 1945 in selected works by Britten, Henze, Zimmermann, Ligeti, Somers and Glass.
Terms: This course is not scheduled for the 2010-2011 academic year.
Instructors: There are no professors associated with this course for the 2010-2011 academic year.
Music History and Literature : Survey of the German Lied from the late eighteenth to the early twentieth century, focusing on songs and song cycles by Schubert, Schumann, Brahms, Wolf, Mahler, Schoenberg, Berg, and Webern. Topics include text, musical form and text-music relationships, melodic style and harmonic organization, accompaniment, and performance practice.
Terms: Fall 2010
Instructors: Roe-Min Kok (Fall)
3 credits of Non-music Electives
15 credits of Free Electives (may not include courses with a MUEN prefix)
Prior to, or concurrent with registration in the corresponding Diction courses, the Voice Major must furnish evidence of having completed ESLN 400 or ESLN 401, ITAL 205D1/ ITAL 205D2, GERM 202, and FRSL 207, or their equivalent. This language requirement may be fulfilled by appropriate high school or CEGEP courses, or as part of the non-music elective requirements above, or by extra university courses.