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Publications

All items listed here are copyrighted 2002-2014 by Caroline Palmer, her co-authors, and/or the respective journals. Usage of the following documents to make digital or hard copies for personal use is accepted as long as this notice and the full citation of the paper(s) appear on top of the copies' first page. Other usage requires specific permission and/or a fee.


Mathias, B., Pfordresher, P.Q., & Palmer, C. (in press). Context and meter enhance long-range planning in music performance. Frontiers in Human Neuroscience.

Hedger, S., Hogstrom, A., Palmer, C., & Nusbaum, H. (in press). Sleep consolidation of musical competence. Music Perception.

Livingstone, S.R., Thompson, W.F., Wanderley, M.M., & Palmer, C. (in press). Common cues to emotion in the dynamic facial expressions of speech and song. Quarterly Journal of Experimental Psychology.

Zamm, A., Pfordresher, P.Q., & Palmer, C. (in press). Temporal coordination in joint music performance: Effects of endogenous rhythms and auditory feedback. Experimental Brain Research. doi: 10.1007/s00221-014-4140-5.

Mathias, B., Palmer, C., Perrin, F., & Tillmann, B. (in press).  Sensorimotor learning enhances expectations during auditory perception. Cerebral Cortex. doi: 10.1093/cercor/bhu030.
In the news: How the brain recognizes familiar music

Palmer, C., Lidji, P., & Peretz, I. (2014). Losing the beat: Deficits in temporal coordination. Philosophical Transactions of the Royal Society: Biological Sciences, 369, 20130405.

Maes, P.J., Wanderley, M., & Palmer, C. (2014). The role of working memory in the temporal control of discrete and continuous movements. Experimental Brain Research, 10, doi:10.1007.

Quinto, L.R., Thompson, W.F., Kroos, C., & Palmer, C. (2014). Singing emotionally: A study of pre-production, production, and post-production facial expressions. Frontiers in Cognitive Psychology, 5, doi: 10.3389/fpsyg.2014.00262.

Maes, P.-J., Leman, M., Palmer, C. & Wanderley, M. (2014). Action-based effects on music perception. Frontiers in Psychology. 4:1008. doi: 10.3389/fpsyg.2013.01008.

Brown, R.M., & Palmer, C. (2013). Auditory and motor imagery modulate learning in music performance. Frontiers in Human Neuroscience, 7:320. doi: 10.3389/fnhum.2013.00320.

Brown, R.M., Chen, J., Hollinger, A., Penhune, V., Palmer, C., & Zatorre, R. (2013). Repetition suppression in auditory-motor regions to pitch and temporal structure in music. Journal of Cognitive Neuroscience, 25, 313-328.

Goebl, W., & Palmer, C. (2013). Temporal control and hand movement efficiency in skilled music performance. PLoS One 8: e50901. doi:10.1371/journal.pone.0050901.

Palmer, C., & Loehr, J.D. (2013). Meeting of two minds in duet piano performance. In L. F. Bernstein and A. Rozin (Eds.), Musical implications: Essays in honor of Eugene Narmour (pp. 323-338). Hillsdale, NY: Pendragon Press.

Palmer, C. (2013). Music performance: Movement and coordination. In D. Deutsch (Ed.), The Psychology of Music, Third Ed (pp. 405-422). Amsterdam, The Netherlands: Elsevier Press.

Palmer, C., Spidle, F., Koopmans, E., & Schubert, P. (2013). Temporal coordination in vocal duet performances of musical rounds. In R. Bresin & A. Askenfelt (Eds), Proceedings of the Stockholm Music Acoustics Conference (pp. 678-682), KTH Royal Institute of Technology: Stockholm.

Altenmüller, E., Demorest, S.M., Fujioka, T., Halpern, A.R., Hannon, E.E., Loui, P., Majno, M., Oechslin, M.S., Osborne, N., Overy, K., Palmer, C., Peretz, I., Pfordresher, P.Q., Särkämö, T., Wan, C.Y., & Zatorre, R.J. (2012). Introduction to The Neurosciences and music IV: learning and memory. Annals of the New York Academy of Sciences, 1252, 1-16.

Brown, R.M., & Palmer, C. (2012). Auditory-motor learning influences auditory memory for music. Memory & Cognition, 40, 567-578.

Livingstone, S.R., Palmer, C., & Schubert, E. (2012). Emotional response to musical repetition. Emotion, 12, 552-567.

Palmer, C., Mathias, B., & Anderson, M. (2012). Sensorimotor mechanisms in music performance: Actions that go partially wrong. Annals of the New York Academy of Sciences, 1252, 185-191.

Pivneva, I., Palmer, C., & Titone, D. (2012). Inhibitory control and L2 proficiency modulate bilingual language production: Evidence from spontaneous monologue and dialogue speech. Frontiers in Psychology, 3, 57.

Dalla Bella, S., & Palmer, C. (2011). Rate effects on timing, key velocity, and finger kinematics in piano performance. PLoS ONE, 6, e20518. doi:10.1371/journal.pone.0020518.

Lidji, P., Palmer, C., Peretz, I., & Morningstar, M. (2011). Entrainment to song and speech. In A. Williamon, D. Edwards, & L. Bartel (Eds.), Proceedings of the International Symposium on Performance Science (pp. 123-128). EAC: Utrecht, The Netherlands.

Lidji, P., Palmer, C., Peretz, I., & Morningstar, M. (2011). Listeners feel the beat: Entrainment to English and French speech rhythms. Psychonomic Bulletin & Review, 18, 1035-1041.

Livingstone, S., Palmer, C., Wanderley, M.M., Thompson, W.F., & Lissemore, J. (2011). Facial expressions in vocal performance: Visual communication of emotion. In A. Williamon, D. Edwards, & L. Bartel (Eds.) , Proceedings of the International Symposium on Performance Science (pp. 545-550). EAC: Utrecht, The Netherlands. 

Loehr, J.D., & Palmer, C. (2011). Temporal coordination between performing musicians. The Quarterly Journal of Experimental Psychology, 64, 2153-2167.

Loehr, J.D., Large, E.W., & Palmer, C. (2011). Temporal coordination and adaptation to rate change in music performance. Journal of Experimental Psychology: Human Perception and Performance, 37, 1292-1309.

Pfordresher, P.Q., Keller, P.E., Koch, I., Palmer, C., & Yildirim, E. (2011). Activation of learned action sequences by auditory feedback. Psychonomic Bulletin & Review, 18, 544-549.

Phillips-Silver, J., Toiviainen, P., Gosselin, N., Piché, O., Nozaradan, S., Palmer, C., & Peretz, I. (2011). Born to dance but beat deaf: A new form of congenital amusia. Neuropsychologia, 49, 961-969.

Mathias, B., Palmer, C., Pfordresher, P.Q., & Anderson, M.F. (2010). Effects of meter and serial position on memory retrieval during music performance. In A. Williamon, D. Edwards, and L. Bartel (Eds.), Proceedings of the International Symposium on Performance Science (pp, 405-410). Utrecht, The Netherlands: European Association of Conservatoires.

Goebl, W., & Palmer, C. (2009). Synchronization of timing and motion among performing musicians. Music Perception, 26, 427-438.

Goebl, W., & Palmer, C. (2009). Finger motion in piano performance: Touch and tempo. In A. Williamon, S. Pretty, & R. Buck (Eds.) , Proceedings of the International Symposium on Performance Science (pp. 65-70). EAC: Utrecht, The Netherlands.

Livingstone, S.R., Schubert, E., Loehr, J.D., & Palmer, C. (2009). Emotional arousal and the automatic detection of musical phrase. In A. Williamon, S. Pretty, & R. Buck (Eds.), Proceedings of the Second International Symposium on Performance Science (pp. 445–450). Utrecht: European Association of Conservatoires (AEC).

Loehr, J.D., & Palmer, C. (2009). Sequential and biomechanical factors constrain timing and motion in tapping. Journal of Motor Behavior, 41, 128-136.

Loehr, J.D., & Palmer, C. (2009). Subdividing the beat: Auditory and motor contributions to synchronization. Music Perception, 26, 415-425.

Palmer, C., Koopmans, E., Carter, C., Loehr, J.D., & Wanderley, M. (2009). Synchronization of motion and timing in clarinet performance. In A. Williamon, S. Pretty, & R. Buck (Eds.), Proceedings of the Second International Symposium on Performance Science. Utrecht: European Association of Conservatoires (AEC).

Palmer, C., Jewett, L.R., & Steinhauer, K. (2009). Effects of context on electrophysiological responses to musical accents. Annals of the New York Academy of Sciences, 1169, 470-480.

Palmer, C., Koopmans, E., Loehr, J.D., & Carter, C. (2009). Movement-related feedback and temporal accuracy in clarinet performance. Music Perception, 26, 439-449.

Goebl, W., & Palmer, C. (2008). Tactile feedback and timing accuracy in piano performance. Experimental Brain Research, 186, 471-479.

Hutchins, S., & Palmer, C. (2008). Repetition priming in music. The Journal of Experimental Psychology: Human Perception and Performance, 34, 693-707.

Palmer, C. (2008). Music and the pursuit of truthMusic Perception. 25, 487.

Palmer, C., Carter, C., Koopmans, E. & Loehr, J.D. (2007). Movement, planning, and music: Motion coordinates of skilled performance. In E. Schubert, K. Buckley, R. Eliott, B. Koboroff, J. Chen, C. Stevens (Eds.), Proceedings of the International Conference on Music Communication Science (pp. 119-122). Sydney, Australia: University of Western Sydney.

Pfordresher, P.Q., Palmer, C., & Jungers, M. K. (2007). Speed, accuracy, and serial order in sequence production. Cognitive Science, 26, 1-37.

Loehr, J.D., & Palmer, C. (2007). Cognitive and biomechanical influences in pianists' finger tapping. Experimental Brain Research, 178, 518-528.

Schendel, Z.A., & Palmer, C. (2007). Suppression effects on musical and verbal memory. Memory & Cognition, 35, 640-650.

Dalla Bella, S., & Palmer, C. (2006). Personal identifiers in musicians' finger movement dynamics. Journal of Cognitive Neuroscience, 18, Supplement, G84.

Palmer, C. (2006). The nature of memory for music performance skills. In E. Altenmüller, M. Wiesendanger, J. Kesselring (Eds.), Music, Motor Control and the Brain, pp 39-53. Oxford, UK: Oxford University Press.

Palmer, C., & Hutchins, S. (2006). What is musical prosody?. In B. H. Ross (Ed.), Psychology of Learning and Motivation, 46, pp 245-278. Amsterdam, The Netherlands: Elsevier Press.

Pfordresher, P.Q., & Palmer, C. (2006). Effects of hearing the past, present, or future during music performance. Perception & Psychophysics, 68, 362-376.

Palmer, C. (2005a). Sequence memory in music performance. Current Directions in Psychological Science, 14, 247-250.

Palmer, C. (2005b). Time course of retrieval and movement preparation in music performance. Annals of the New York Academy of Sciences, 1060, 360-367.

Highben, Z., & Palmer, C. (2004). Effects of auditory and motor mental practice in memorized piano performance. Bulletin of the Council for Research in Music Education, 159, 58-65.

Palmer, C., & Dalla Bella, S. (2004). Movement amplitude and tempo change in piano performance. Journal of the Acoustical Society of America, 115, 2590.

Finney, S. A., & Palmer, C. (2003). Auditory feedback and memory for music performance: Sound evidence for an encoding effect. Memory & Cognition, 31, 51-64.

Meyer, R. K., & Palmer, C. (2003). Temporal and motor transfer in music performance. Music Perception, 21, 81-104.

Palmer, C., & Jungers, M.K. (2003). Music cognition. In L. Nadel (Ed.), Encyclopedia of Cognitive Science, 3, 155-158.

Palmer, C., & Pfordresher, P.Q. (2003). Incremental planning in sequence production. Psychological Review, 110, 683-712.

Jungers, M. K., Palmer, C., & Speer, S.R. (2002). Time after time: the coordinating influence of tempo in music and speech. Cognitive Processing, 1, 21-35.

Large, E.W., & Palmer, C. (2002). Perceiving temporal regularity in music. Cognitive Science, 26, 1-37.

Pfordresher, P.Q., & Palmer, C. (2002). Effects of delayed auditory feedback on timing in music performance. Psychological Research, 16, 71-79.

Palmer, C., Jungers, M.K., & Jusczyk, P.W. (2001). Episodic memory for musical prosody. Journal of Memory and Language, 45, 526-545.

Drake, C., & Palmer, C. (2000). Skill acquisition in music performance: relations between planning and temporal control. Cognition, 74, 1-33.

Palmer, C., & Meyer, R.K. (2000). Conceptual and motor learning in music performance. Psychological Science, 11, 63-68.

Palmer, C., & Pfordresher, P.Q. (2000). From my hand to your ear: the faces of meter in performance and perception. In C. Woods, G. Luck, R. Brochard, F. Seddon & J. A. Sloboda (Eds.) Proceedings of the 6th International Conference on Music Perception and Cognition. Keele, UK: Keele University.

Palmer, C. (1997). Music performance. Annual Review of Psychology, 48, 155-138.