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Departmental Publications List 2009 - 2010

 

Beghin, Tom.

  • “Recording Multichannel Sound within Virtual Acoustic.”  Second author, with Wieslaw Woszczyk, Martha de Francisco, and Doyuen Ko.  127th Convention of the Audio Engineering Society, New York, 2009.
  • “A Composer, His Dedicatee, Her Instrument, Their Room.”  14,000 word essay for booklet, The Virtual Haydn, Naxos, 2009
  • authorship of new website “thevirtualhaydn.com” (running since September 2009)

Biamonte, Nicole.

  • “Triadic Modal and Pentatonic Systems,” Music Theory Spectrum 32/2 (2010): 95-110.
  • edited collection: Pop-Culture Pedagogy in the Music Classroom: Teaching Tools from American Idol to YouTube (Lanham, MD: Scarecrow Press, 30 Oct. 2010), 352pp.
  •  “Musical Representation in the Videogames Guitar Hero and Rock Band,” in Pop-Culture Pedagogy in the Music Classroom, pp. 133-147.

Caplin, William.

  • Analysis, Performance and Beethoven’s Tempest Sonata: An Introduction.  Ed. Pieter Bergé, co-ed.  William E. Caplin and Jeroen D’hoe.  Leuven: Peeters, 2009; 341 pp.
  • “The Tempest Exposition: A Springboard for Form-Functional Considerations.”  In Analysis, Performance and Beethoven’s Tempest Sonata: An Introduction. Ed. Pieter Bergé, co-eds. William E. Caplin and Jeroen D’hoe, 87–125.  Leuven: Peeters, 2009.
  • ”Beethoven’s ‘Tempest’ Exposition: A Response to Janet Schmalfeldt,” Music Theory Online 16/2 (2010). 

Cherney, Brian.

  • Weinzweig: Essays on his Life and Music, co-edited with John Beckwith. Waterloo, Ontario, Laurier University Press, 2011, 403 pages.
  • “The Activist,” in Weinzweig: Essays on His Life and Music, Brian Cherney and John Beckwith, eds. (Guelph: Wilfrid Laurier University Press, 2010).

Cossette, Isabelle.

  • Cossette, I., Fréour ,V., Monaco, P., Fabre, B.  From breath to sound: linking respiratory analysis to aeroacoustic sound production in flutes,   Acta Acustica united with Acustica; vol. 96:654-667, 2010. 
  • Cossette, I., Monaco P., Aliverti A., and P. T. Macklem.  Respiratory muscle recruitment and their correlates with pulmonary volumes and flute musical tasks’. In Proceedings of 10ème  Congrès  Français d’Acoustique, Lyon, 12-16 April 2010. 6 pages. : http://hal.archives-ouvertes.fr/hal-00539763/en/.
  • Fréour, V., Caussé, R., Cossette, I. ‘Simultaneous Measurements of Pressure, Flow and Sound during Trumpet Playing’. In Proceedings of 10ème  Congrès  Français d’Acoustique, Lyon, 12-16 April 2010. http://hal.archives-ouvertes.fr/hal-00541405/en/.

Cumming, Julie.

  • “Petrucci’s Publics for the First Motet Prints.”  Making Publics in Early Modern Europe: People, Things, Forms of Knowledge, edited by Bronwen Wilson and Paul Yachnin, 96-122.  New York and London: Routledge, 2010. 

Depalle, Philippe.

  • Lagrange, M., Scavone, G., and Ph. Depalle, Analysis/Synthesis of Sound Generated by Sustained Contact between Rigid Objects, IEEE Speech, Audio, and Language Processing (SALP), Vol. 18, No. 3, pp. 509-518, March 2010.
  • Verfaille, V., Depalle, Ph., and M. Wanderley, Detecting Overblown Flute Fingerings from the Residual Noise Spectrum, J. Acoust. Soc. Am. (JASA), Vol. 127, No. 1, pp 534-541, January 2010.
  • Barthet, M., Ph. Depalle, R. Kronland-Martinet, and S. Ystad, Acoustical Correlates of Timbre and Expressiveness in Clarinet Performance, Music Perception, Vol. 28, No. 2, pp. 135-154, December 2010.
  • Lee, J. S., Ph. Depalle, Analysis / Synthesis of Rolling Sounds using a Source-Filter Approach, Proceedings of the Workshop on Digital Audio Effects (DAFX’10), Graz, Austria, September 2010.

Ferguson, Sean.

  • “The McGill Digital Orchestra: An Interdisciplinary Project on Digital Musical Instruments,” in the Journal of interdisciplinary music studies fall 2010, volume 4, issue 2, pp. 17-35. First author, with Marcelo Wanderley.

Fujinaga, Ichiro.

  • Hockman, J., M. Wanderley, and I. Fujinaga. 2009. Real-time phase vocoder manipulation by runner’s pace. Proceedings of the New Interface for Musical Expression Conference.
  • Ouyang, Y., J. A. Burgoyne, L. Pugin, and I. Fujinaga. 2009. Complex layout analysis of Medieval music manuscripts for information extraction and optical recognition. Proceedings of the International Computer Music Conference.
  • McKay, C., and I. Fujinaga. 2009. jMIR: Tools for automatic music classification. Proceedings of the International Computer Music Conference.
  • Burgoyne, J. A., L. Pugin, and I. Fujinaga. 2009. Lyric extraction and recognition on digital images of early music sources. Proceedings of the International Society for Music Information Retrieval Conference. Kobe, Japan.
  • Hankinson, A., L. Pugin, and I. Fujinaga. 2009. Interfaces for document representation in digital music libraries. Proceedings of the International Society for Music Information Retrieval Conference. Kobe, Japan.
  • Li, B., and I. Fujinaga. 2009. Optical audio reconstruction for stereo phonograph records using white light interferometry. Proceedings of the International Society for Music Information Retrieval Conference. Kobe, Japan.
  • McKay, C., J. A. Burgoyne, J. Thompson, and I. Fujinaga. Using ACE XML 2.0 to store and share feature, instance and class data for musical classification. Proceedings of the International Society for Music Information Retrieval Conference. Kobe, Japan.
  • Thompson, J., C. McKay, J. A. Burgoyne, and I. Fujinaga. 2009. Additions and improvements in the ACE 2.0 music classifier. Proceedings of the International Society for Music Information Retrieval Conference. Kobe, Japan.
  • Canazza, S., A. Camurri, and I. Fujinaga. 2010. Ethnic music audio documents: From preservation to fruition. Signal Processing 90 (4): 977–80.
  • Devaney, J., J. Wild, P. Schubert, and I. Fujinaga. 2010. Exploring the relationship between voice leading, harmony, and intonation in a cappella SATB vocal ensembles. Proceedings of the International Conference on Music Perception and Cognition. Seattle. 315–6.
  • Hankinson, A., and I. Fujinaga. 2010. An interchange format for optical music recognition applications. Proceedings of the International Society for Music Information Retrieval Conference. Utrecht. 51–6.
  • Angeles, B., C. McKay, and I. Fujinaga. 2010. Discovering metadata inconsistencies. Proceedings of the International Society for Music Information Retrieval Conference. Utrecht. 195–200.
  • McKay, C., J.A. Burgoyne, J. Hockman, J. Smith, and I. Fujinaga. 2010. Evaluating the performance of lyrical features relative to and in combination with audio, symbolic and cultural features. Proceedings of the International Society for Music Information Retrieval Conference. Utrecht. 213–8.
  • Vigliensoni, G., C. McKay, and I. Fujinaga. 2010. Using jWebMiner 2.0 to improve music classification performance by combining different types of features mined from the web. Proceedings of the International Society for Music Information Retrieval Conference. Utrecht. 607–12.
  • Hockman, J., and I. Fujinaga. 2010. Fast vs Slow: Learning tempo octaves from user data. Proceedings of the International Society for Music Information Retrieval Conference. Utrecht. 231–6.
  • McKay, C., and I. Fujinaga. 2010. Improving automatic music classification performance by extracting features from different types of data. Proceedings of the ACM International Conference on Multimedia Information Retrieval. 257–66.

Harman, Christopher.

  • The recombinant musical DNA of James Rolfe: toward musical miscegenation.  Musicworks, Toronto, #105, Winter 2009, pp. 44-53.

Huebner, Steven.

  • "Vincent d'Indy et Maurice Denis: une fraternité d'esprit," Musique, art et religion dans l’entre-deux-guerres, ed. Sylvain Caron and Michel Duchesneau (Lyon: Éditions Symétrie): 347-65.
  • “Les cantatas de Debussy à l’heure des bouleversements esthétiques ‘fin de siècle,’”  in Claude Debussy: Musiques du Prix de Rome. MusicContact GmbH GES 922206 (3,000 word essay for recording by Hervé Niquet, Brussels Philharmonic).
  • "La Princesse paysanne du Midi," Music, Theater, and Cultural Transfer: Paris, 1830-

1914, ed. Annegret Fauser and Mark Everist (University of Chicago Press, 2009): 361-78.

  • "Ravel's Perfection,"  Ravel Studies, ed. Deborah Mawer (Cambridge University Press, 2010), 9-30.
  • “ ‘Un baume dulcifiant dans ma vie’: Massenet and Don Quichotte” scholarly essay (3,000 words) for program book of Théâtre de la Monnaie production of Massenet’s opera (May 2010).

Kok, Roe-Min.

  • “Schumann im anglophonen Kontext.” In Robert Schumann: Persönlichkeit, Werk und Wirkung: Bericht über die Internationale Musikwissenschaftliche Konferenz vom 22. bis 24. April 2010 in Leipzig, ed. Helmut Loos. Leipzig: Gudrun Schröder Verlag, 2010. 18-26.
  • “Family and Gender in Imaginative Children's Music.” In Instrumental Music and the Industrial Revolution: International Conference Proceedings, Cremona, 1-3 July 2006. Ed. Roberto Illiano and Luca Sala. Bologna: Ut Orpheus Edizioni. Ad Parnassum Studies 5, 2010. 269-277.

Lesage, Jean.

  • “Qui êtes-vous Gilles Tremblay.” Circuit, Vol. 20 no 3 (December 2010).

Lorenzino, Lisa. 

  • (2009). Jazz Flute: A Proud Heritage. Canadian Winds. 7/2.  pp. 92-96
  • (2009). Quality Resources for Jazz Flute. Flutists Quarterly. 35/1. pp. 30-36.
  • (2010). Cuba: Music education and revolution in G. Cox and R. Stevens (eds). Origins and foundations of music education. London: Continuum. Pages: 26.

McAdams, Stephen.

  • Tardieu, J., Susini, P., Poisson, F., Kawakami, H. & McAdams, S. (2009). The design and evaluation of an auditory way-finding system in a train station. Applied Acoustics, 70, 1183-1193.
  • Giordano, B. L., Avanzini, F., Wanderley, M., & McAdams, S. (2009). Integrating nonspatial, nontemporal multisensory information in action-based perception. Proceedings of the 10th International Multisensory Research Forum, New York, pp. 64–65.
  • Giordano, B. L., Guastavino, C., Murphy, E., Ogg, M., Smith, B. & McAdams, S. Common and distinctive features of similarity: Effect of behavioral method. Abstracts of the 50th Meeting of the Psychonomic Society, 14, 112 (A).
  • Giordano, B., McAdams, S. & Rochesso, D. (2010). Integration of acoustical information for the perception of impacted sound sources: The role of information accuracy and exploitability. Journal of Experimental Psychology: Human Perception and Performance, 36(2), 462-476.
  • Suied, C., Susini, P., McAdams, S. & Patterson, R. (2010). Why are natural sounds detected faster than pips? Journal of the Acoustical Society of America, 127(3), EL105-EL110 [online journal DOI: 10.1121/1.3310196].
  • Misdariis, N., Minard, A., Susini, P., Lemaitre, G., McAdams, S. & Parizet, E. (2010). Environmental sound perception: Meta-description and modeling based on independent primary studies. EURASIP Journal on Audio, Speech and Music Processing [Special issue on Scalable Audio-Content Analysis], vol. 2010, Article ID 362013, 26 pp. [online journal DOI:10.1155/2010/362013].
  • Bonnel, A., McAdams, S., Smith, B., Berthiaume, C. Bertone, A., Ciocca, W., Burack, J. & Mottron, L. (2010). Enhanced pure-tone pitch discrimination among persons with autism but not Asperger syndrome. Neuropsychologia, 48, 2465–2475.
  • McAdams, S., Roussarie, V., Chaigne, A. & Giordano, B. (2010). The psychomechanics of simulated sound sources: Material properties of impacted plates. Journal of the Acoustical Society of America, 128, 1401-1413.
  • Giordano, B., McDonnell, J. & McAdams, S. (2010). Hearing living symbols and nonliving icons: Category specificities in the cognitive processing of environmental sounds. Brain and Cognition, 73, 7-19. [DOI:10.1016/j.bandc.2010.01.005]
  • Gingras, B., McAdams, S., & Schubert, P. (2010). The performer as analyst: A case study of J.S. Bach's “Dorian” fugue BWV 538. In C. Utz (Ed.), Music Theory and Interdisciplinarity. Musik Theorien der Gegenwart, vol. 4. Pfau: Saarbrücken, pp. 1-14.
  • Daniel, A., Guastavino, C. & McAdams, S. (2010). Effet du rapport signal-sur-bruit sur l'angle minimum audible en présence d'un son distracteur. Actes du 10eme Congrès Français d'Acoustique, Lyon. Société Française d'Acoustique, Paris [CD-ROM].
  • Giordano, B.K., Avanzini, F., Wanderley, M. & McAdams, S. (2010). Multisensory integration in percussion performance. Actes du 10eme Congrès Français d'Acoustique, Lyon. Société Française d'Acoustique, Paris [CD-ROM].
  • McAdams, S. & Giordano, B.L. (2010). La psychoacoutique dévoile le potentiel musical du timbre. Actes du 10eme Congrès Français d'Acoustique, Lyon. Société Française d'Acoustique, Paris [CDROM]. Also published in Acoustique & Techniques, 60, 13-20. 
  • Daniel, A., Nicol, R. & McAdams, S., Multichannel audio coding based on minimum audible angles. Proceedings of the 40th Annual Audio Engineering Society Conference, Tokyo.

Neidhöfer, Christoph.            

  • “Vers un principe commun: Intégration de la hauteur et du rythme dans le Quartetto per archi in due tempi (1955),” in À Bruno Maderna, vol. 2, edited by Geneviève Mathon, Laurent Feneyrou, and Giordano Ferrari (Paris: Basalte, 2009), 323-358.
  • “Analyse und kompositorische Praxis: einige Betrachtungen,” in Musiktheorie an ihren Grenzen: Neue und Alte Musik, edited by Angelika Moths, Markus Jans, John MacKeown, and Balz Trümpy (Bern: Peter Lang, 2009), 127-140.
  • “Atonalität und transformational analysis: Zu einigen verborgenen (und nicht so verborgenen) Strukturen in Schönberg’s Klavierstück op. 11, 3,” Jahrbuch des Staatlichen Instituts für Musikforschung 2008/2009 (Berlin), 53-73.

Quesnel, René.

  • Timbral Ear Training: A Computer-Assisted Method for Training and Researching Timbre Memory and Evaluation Skills. VDM Verlag, 2009.

Rea, John.      

  • “The Teacher,” in Weinzweig: Essays on His Life and Music, Brian Cherney and John Beckwith, eds. (Guelph: Wilfrid Laurier University Press, 2010), pp. 75-101.

Scavone, Gary.

  • Scavone. Kim, M. and Scavone, G. (2009) “Domain Decomposition Method for the Digital Waveguide Mesh.” In Proceedings of the 2009 IEEE Workshop on Applications of Signal Processing to Audio and Acoustics, New Paltz, NY.
  • Sinclair, S., Scavone, G. and Wanderley, M. (2009) “Audio-haptic interaction with the digital waveguide bowed string.” In Proceedings of the 2009 International Computer Music Conference, Montreal, Canada, pp. 275–278.
  • da Silva, Scavone, G., and Lefebvre, A. (2009). “Pressure reflection coefficient at the open end of pipes terminated by horns issuing a subsonic mean flow: A numerical study.” Journal of Sound and Vibration, 327, pp. 507-528.
  • da Silva and Scavone, G. (2010). “Numerical investigation of the mean flow effect on the acoustic reflection at the open end of clarinet-like instruments.”  Acta Acustica united with Acustica, Vol. 96, No. 5, pp. 959–966.
  • Lefebvre, A. and Scavone, G. (2010). “Refinements to the Model of a Single Woodwind Instrument Tonehole.” In Proceedings of the 2010 International Symposium on Musical Acoustics, Sydney / Katoomba, Australia, 8 pages.
  • Lefebvre, A. and Scavone, G. (2010). “Finite Element Modeling of Woodwind Instruments.” In Proceedings of the 2010 International Symposium on Musical Acoustics, Sydney / Katoomba, Australia, 8 pages.
  • Fréour, V. and Scavone, G. (2010). “Vocal-Tract Influence in Trombone Performance.” In Proceedings of the 2010 International Symposium on Musical Acoustics, Sydney / Katoomba, Australia, 5 pages.
  • Lee, J., Depalle, P. and Scavone, G. (2010) “Analysis / Synthesis of Rolling Sounds Using a Source-Filter Approach.”  In Proceedings of the 2010 International Conference on Digital Audio Effects (DAFx-10), Graz, Austria, 5 pages.
  • Saitis, C., Scavone, G., Fritz, C., and Giordano, B. (2010) “Evaluating violin quality: How consistent are skilled players?,” Journal of the Acoustical Soc. of America, Vol. 128, p. 2284.

Schubert, Peter.

  • “Musical Commonplaces in the Renaissance.” Music Education in the Middle Ages and the Renaissance. Edited by Russell E. Murray, Jr., Susan Forscher Weiss, and Cynthia J. Cyrus. Bloomington: Indiana University Press (2010): 161-192.

Stubley, Eleanor.

  • “Ear-Dreaming: A Study in Listeners,” in a Weinzweig Collection: Essays on his Life and Music, Brian Cherney and John Beckwith, eds. (Guelph: Wilfrid Laurier University Press, 2010), pp. 319–350.

Wanderley, Marcelo.

  • Mark T. Marshall, Max Hartshorn, Marcelo M. Wanderley, and Daniel J. Levitin. “Sensor Choice for Parameter Modulations in Digital Musical Instruments: Empirical Evidence from Pitch Modulation.” Journal of New Music Research, 38(3):241–253, 2009.
  • Vincent Verfaille, Philippe Depalle, and Marcelo Wanderley. “Detecting overblown flute fingerings from the residual noise spectrum.” Journal of the Acoustical Society of America, accepted for publication (appeared in Jan 2010 - 127(1):534–541).
  • S. Ferguson and M. M. Wanderley. ”The McGill Digital Orchestra: An Interdisciplinary Project on Digital Musical Instruments”. Journal of Interdisciplinary Music Studies, 4(2):17-35, Fall 2010.
  • Bouënard, M. M. Wanderley and S. Gibet. "Gesture Control of Sound Synthesis: Analysis and Classification of Percussion Gestures". Acta Acustica united with Acustica, Special issue on Natural and Virtual Instruments: Control, Gesture and Player Interaction, 96(4):668-677, 2010.
  • Vincent Verfaille, Philippe Depalle, and Marcelo M. Wanderley. "Detecting Overblown Flute Fingerings from the Residual Noise Spectrum". Journal of the Acoustical Society of America, 127(1):534–541, 2010.
  • Marcelo M. Wanderley. ”Projeto e Utilização de Instrumentos Musicais Digitais.” In Keller, D. (ed.), Criação Musical e Tecnologias: Teoria e Prática Interdisciplinar 1, ANPOM (In Portuguese), 2010.
  • Alexander Refsum Jensenius, Marcelo M. Wanderley, Rolf Inge Godøy and Marc Leman. “Musical Gesture: Concepts and Methods in Research”. In Rolf Inge Godøy and Marc Leman, ed. Musical Gestures: Sound, Movement and Meaning. New York: Routledge, pp 12-35, 2010.
  • Florian Grond, Alexandre Bouënard, Thomas Hermann and Marcelo M. Wanderley. “Virtual Auditory Myography of Timpani-playing Avatars”. In Proceedings of the International Conference on Digital Audio Effects (DAFX), Graz, Austria, 2010.
  • Tommaso Bianco, Marcelo M. Wanderley and Frederic Bevilacqua. “Mimicry of tone production: results from a pilot experiment.” In Proceedings of the 7th of Sound and Music Computing Conference, Barcelona, 2010.
  • Gabriel Vigliensoni and Marcelo M. Wanderley. "Soundcatcher: Explorations in Audio-looping and Time-freezing using an Open-air Gestural Controller". In Proceedings of the International Computer Music Conference (ICMC), pp. 100-103, New York, USA, 2010.
  • Avrum Hollinger, Joseph Thibodeau and Marcelo M. Wanderley. "An Embedded Hardware Platform for Fungible Interfaces". In Proceedings of the International Computer Music Conference (ICMC), pp. 56-59, New York, USA, 2010.
  • Marije A.J. Baalman, Vincent De Belleval, Joseph Malloch, Joseph Thibodeau, Christopher Salter and Marcelo M. Wanderley. "Sense/Stage - Low Cost, Open Source Wireless Sensor Infrastructure For Live Performance And Interactive, Real-Time Environments". In Proceedings of the International Computer Music Conference (ICMC), pp. 242-249, New York, USA, 2010.
  • Stephen Sinclair, Jean-Loup Florens and Marcelo M. Wanderley. "A Haptic Simulator for Gestural Interaction with the Bowed String". In Proceedings of the Congrès Français d’Acoustique (CFA), Lyon, France, 2010.
  • Bruno L. Giordano, Federico Avanzini, Marcelo Wanderley and Stephen McAdams. "Multisensory Integration in Percussion Performance". In Proceedings of the Congrès Français d’Acoustique (CFA), Lyon, France, 2010.
  • Caroline Palmer, Erik Koopmans, Christine Carter, Janeen D. Loehr, and Marcelo Wanderley. ”Synchronization of Motion and Timing in Clarinet Performance”. In Proc. International Symposium on Performance Science, 2009.
  • Sean Ferguson and Marcelo M. Wanderley. "The McGill Digital Orchestra: Interdisciplinarity in Digital musical Instrument Design". In Proceedings of the International Conference on Interdisciplinary Musicology (CIM), pp. 70-71, Paris, France, 2009.
  • Alexandre Bouënard, Marcelo M. Wanderley and Sylvie Gibet. "Advantages and Limitations of Simulating Percussion Gestures for Sound Synthesis". In Proceedings of the International Computer Music Conference (ICMC), pp. 255-261, Montreal, Qc., Canada, 2009.
  • Mark Zadel, Stephen Sinclair and Marcelo M. Wanderley. "Haptic feedback for Different Strokes using DIMPLE". In Proceedings of the International Computer Music Conference (ICMC), pp. 291-294, Montreal, Qc., Canada, 2009.
  • Stephen Sinclair, Gary Scavone and Marcelo M. Wanderley. "Audio-Haptic Interaction with the Digital Waveguide Bowed String". In Proceedings of the International Computer Music Conference (ICMC), pp. 275-278, Montreal, Qc., Canada, 2009.
  • Xenia Pestova, Erika Donald, Heather Hindman, Joseph Malloch, Mark T. Marshall, Fernando Rocha, Stephen Sinclair, D. Andrew Stewart, Marcelo M. Wanderley, and Sean Ferguson. "The CIRMMT/McGill Digital Orchestra Project". In Proceedings of the International Computer Music Conference (ICMC), pp. 295-298, Montreal, Qc., Canada, 2009.
  • Otso Lähdeoja, Marcelo M. Wanderley, and Joseph Malloch. "Instrument Augmentation using Ancillary Gestures for Subtle Sonic Effects". In Proceedings of the Sound and Music Computing Conference (SMC), pp. 327–330, Porto, Portugal, 2009.

Wapnick, Joel.

Whitesell, Lloyd.

  • “Erotic Ambiguity in Ravel’s Music,” in Ravel Studies, ed. Deborah Mawer (Cambridge: Cambridge University Press, 2010), 74-91.
  • “Quieting the Ghosts in The Sixth Sense and The Others,” in Music in the Horror Film: Listening to Fear, ed. Neil Lerner (New York: Routledge, 2010), 206-23.

Woszczyk, Wieslaw.

  • Woszczyk, W., Ko, D., Leonard, B., and Benson, D.: “Selection and preparation of multichannel room impulse responses for interactive low-latency rendering of virtual rooms”, Session: Acoustic Signal Processing, In: Proceedings of the 16th International Congress on Sound and Vibration, Kralow, Poland, July 5-9, 2009. 8 pages.
  • Woszczyk, W., Ko, D., and Leonard, B.; “Convolution-based virtual concert hall acoustics using aural segmentation and selection of multichannel impulse responses”, in The Proceedings of  INTER-NOISE 2009, The 38th International Congress and Exposition on Noise Control Engineering, Ottawa, Canada, August 23-26, 2009.  8 pages.
  • Woszczyk, W., Beghin, T., de Francisco, M., and Ko, D.;  Recording Multichannel Sound Within Virtual Acoustics”. Proceedings of the 127th Convention of Audio Engineering Society, New York, NY, USA. October 9-12, 2009. 10 pages.
  • Wieslaw Woszczyk, Doyuen Ko, and Brett Leonard, “Virtual Stage Acoustics: a flexible tool for providing useful sounds for musicians”, Proceedings of the International Symposium on Room Acoustics, ISRA 2010, 29-31 August 2010, Melbourne, Australia. p. 1-8.
  • Wieslaw Woszczyk, Doyuen Ko, and Brett Leonard, “The effect of processing two overhead channels on the spatial impression of virtual rooms rendered in eight-channel surround sound”, Proceedings of the AES 40th International Conference, Tokyo, Japan, 2010 October 8–10.
  • Wieslaw Woszczyk, Brett Leonard, and Doyuen Ko, “Space Builder - an impulse response-based tool for immersive 22.2 channel ambiance design”, Proceedings of the AES 40th International Conference, Tokyo, Japan, 2010 October 8–10.

Recordings:

Cherney, Brian (as composer).

  • Tombeau for piano. Jeremy Thompson, piano. McGill Records MR2010-01-2

de Francisco, Martha (as record producer).

  • The Virtual Haydn: A Complete Recording of his Solo Keyboard Music in Virtual Historical Concert Venues, with Tom Beghin & Wieslaw Woszczyk. The complete audio recordings in stereo and in surround, filmed performances as well as an accompanying documentary film on four Bluray discs. October 2009.  Naxos NBD 0001-04.
  • Stravinsky / Bernstein / Moussa : Selected Works. The National Youth Orchestra of Canada, Alain Trudel conducting. DVD release of the webcast program as well as posting of the program on the internet.
  • Mahler Symphony No. 6 /Stravinsky Sacre du Printemps / Teehan Dreams of Flying. The National Youth Orchestra of Canada, Alain Trudel conducting.
  • Recording of works by Messiaen: Poèmes pour Mi. Montreal Symphony Orchestra, Kent Nagano, conductor. Release February 2010, OSM private release.
  • Oblivión: European and Latin American Works for Cello and Orchestra. The Simon Bolivar Orchestra of Venezuela (El Sistema), Conductor Eduardo Marturet. Release February 2010, by Mercantil Venezuela.
  • Mozart/ Lara and Scott St John/ The Knights. Sinfonia Concertante, Violin Concertos 1 and 3. Released October 2010, Ancalagon ANC 136.
  • Cita con el Órgano Music by Bach, Buxtehude, Couperin, Mendelssohn, Widor, Nasi. Christian Schmitt, Pascal Marsault, L Katheryne Ramirez, at the organ of the Biblioteca Luis Angel Arango in Bogotá, Colombia. Release August 2010 by BLAA / Goethe Institut / German Embassy / Aliance Française.
  • JS Bach:  Organ works. Nicolas-Alexandre Marcotte at the organ of St Matthias, Westmount, QC. Release December 2010, XXI-21 Productions; XXI-CD 2 1713.
  • Meeting of the Spirits. Matt Haimovitz, Uccello. Released in November 2010 on Oxingale OX 123.

Harman, Christopher (as composer).

  • Piano Trio (2005). 5x3, Trio Fibonnaci, Centrediscs, CMC CD 15710 WRC8-8140.

King, Richard (as record producer).

  • John Adams: Dr. Atomic Symphony/Guide to Strange Places (Robertson/St. Louis Symphony Orchestra) Nonesuch 468220 (Aug. 2009).
  • Bernstein: Mass (Sykes, Wulfman, Morgan State University Choir, Peabody Children's Chorus, Baltimore Symphony, Alsop) Naxos 8.559622-23 (Aug. 2009).
  • Verismo (René Fleming, Soprano) Decca 4781533 Sept. 2009.
  • Rachmaninov plays Rachmaninov (Zenph Re-performance) Sony Classical 88697489712 (Sept. 2009).
  • Joshua Bell – at Home With Friends (featuring  Sting, Regina Spektor, Josh Groban, Chris Botti, Dave Grusin, and Anoushka Shankar)  Sony Classical 884977378450 (Oct. 2009).
  • Yo-Yo Ma: 30 Years Outside the Box (90 Disc limited edition box set) Sony Classical (October 2009).
  • Dvorak Symphonies No 7 & 8 (Marin Alsop/Baltimore Symphony Orchestra) Naxos CD 8.572112.
  • Dvorak Symphony No 6, etc.  (Alsop/Baltimore Symphony Orchestra) Naxos CD 8.570995.
  • Dvorak Symphonies Nos. 7 and 8 on Blu-Ray Disc (Hi Resolution and Surround) (Marin Alsop/Baltimore Symphony Orchestra) Naxos NBD0010.
  • Corigliano: Circus Maximus on Blu-Ray Disc (Hi Resolution and Surround) (Jerry Junkin/University of Texas Wind Ensemble) Naxos NBD0008.
  • Mendelssohn Piano Trios (Emanuel Ax/Yo-Yo Ma/Itzhak Perlman) Sony Classical 88697 52192-2.
  • Live in Moscow: Rachmaninov - The Bells, etc (José Serebrier/Russian National Orchestra) Warner Classics 2564 68025-5.
  • Jennifer Higdon Violin Concerto - premiere recording (Hilary Hahn/Liverpool Symphony/Vasily       Petrenko) also Tchaikovsky Violin Concerto Deutsche Grammofon 000289 477 8777 8.
  • Remember Me (Allen Coulter, director, Marcelo Zarvos, composer) Summit Entertainment.
  • Veronika Decides to Die (Emily Young, director, Murray Gold, composer) Das Films/Phase 4.

Lesage, Jean (as composer).

  • Le projet Mozart for trio with piano, Trio Fibonacci, Centerdiscs CMCCD 15710.
  • Dischordia for piano, Jeremy Thompson, piano. McGill Records MR 2010-01-2.

Rea, John (as composer).

  • Wings of Silence by John Rea performed by the Array Ensemble (‘Array Legacy’, Artifact ART 038; Toronto).

Wapnick, Joel (as record producer).

  • Messiaen: L’Ascension and Mahler: Symphony No. 2, McGill Symphony Orchestra, A. Hauser cond.  MR 2009-01-2.
  • Piano Music from Quebec /Musique de Piano du Québec, Jeremy Thompson, piano.  MR 2010-01-02

Woszczyk, Wieslaw (as record producer).

  • The Virtual Haydn: A Complete Recording of his Solo Keyboard Music in Virtual Historical Concert Venues, with Tom Beghin & Martha de Francisco. The complete audio recordings in stereo and in surround, filmed performances as well as an accompanying documentary film on four Bluray discs. October 2009.  Naxos NBD 0001-04.

Creation (World Premieres):

Cherney, Brian.

  • Brahms and the German Spirit for flute and cello. Elise Pittenger and Louise Campbell. Tanna Schulich Hall, January, 2010.
  • Capriccio for solo cello. Matt Haimovitz. Church of St. John the Evangelist, Ottawa. Ottawa Music Festival, July 7, 2010. Also performed in New York at the Apple Store and at a recital in a gallery in NY on December 5, 2010.

Harman, Christopher.

  • Silver Threads Among the Gold (2009). Montreal Symphony Orchestra, Kent Nagano; cond., Salle Wilfrid Pelletier, Place des Arts, Montreal, February 28 and March 2, 2010.

Hui, Melissa.

  • Map of Reality for string quartet. Cecilia String Quartet, Banff, AB. Jan. 11, 2010
  • Nimbly for clarinet solo. Clarinetist Rebecca Danard, Ottawa, ON. April 10, 2010.

Lesage, Jean.

  • Preludio quasi una fantasia, for organ, 5 December  2009, SMCQ, Église de l’Immaculée-Conception, Jean-Willy Kunz.

Mariner, Justin.

  • The Affirmation (2009) for solo percussion with video projection by Haydon Mariner; Gina Ryan, percussion; August 22 and 23, Studio 303, Montreal.

Rea, John.

  • Beauty dissolves in a brief hour, operatic scene for two sopranos and accordion, Queen of Puddings Opera Theatre (Toronto), July 29-30-31, 2010.
  • Schattenwerk II, Joseph Petric, accordion and David Hetherington, cello (Les Amis Concert Society, Toronto), Nov 30, 2010.

Wild, Jon.

  • pequeño infinito by Les Voix Baroques at the Ottawa chamber music festival, June 2010.

Facilities