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Departmental Publications List 2012

 Publications, January – December 2012

Beghin, Tom

  • Solo and chamber performances in Austria, Belgium, and Montreal.
  • Credo ut intelligam: Haydn’s Reading of the Credo Text.” In Haydn: Culture, Context, and Criticism. Ed. Richard Will and Mary Hunter. Cambridge: Cambridge University Press (2012), 240-77.

Bouliane, Denys

Recording:

  • Rythmes et échos des rivages anticostiens for 15 musicians. Nouvel Ensemble Moderne, L. Vaillancourt, cond. ATMA classique ACD2 2395.

Brackett, David

  • “Preaching Blues.” Black Music Research Journal 32/1 (Spring 2012), 113-36.
  • Black or White? Michael Jackson and the Idea of Crossover.” Popular Music & Society 35/2 (2012), 169-85.
  • “What a Difference a Name Makes: Two Instances of African-American Music.” In The Cultural Study of Music: A Critical Introduction, 2nd edition. Ed. Martin Clayton, Richard Middleton, and Trevor Herbert. New York: Routledge (2012), 127-39.
  • Eric Smialek, Philippe Depalle, and David Brackett, “A Spectrographic Analysis of Vocal Techniques in Extreme Metal for Musicological Analysis.” Proceedings of the International Computer Music Conference (Ljubljana, Slovenia, 2012).

Caplin, William

  • Pieter Bergé, in collaboration with Jeroen D’hoe, Poundie Burstein, William E. Caplin, James Hepokoski, and Willam Rothstein, Beethoven’s Tempest Sonata: Five Annotated Analyses for Performers and Scholars. Leuven: Peeters (2012).
  • “William Caplin Responds.” Intersections: Canadian Journal of Music 31/1 (2012), 67–76.
  • “William Benjamin.” Grove Music Online (revision of article).

Cherney, Brian

World premieres:

  • Nachtstücke for solo piano. Hirota Yoko. New Music Concerts, Toronto, April 30, 2012.
  • Sérénade triste for choir and percussion ensemble. VivaVoce and Sixtrum. Redpath Hall, May 5, 2012.
  • Entretiens avec Paul Celan for clarinet, electric guitar, harp, harpsichord, percussion, viola. Bradyworks. La Chapelle du bon Pasteur, Montreal, December 8, 2012.

Recording:

  • In Gottes Gärten schweigen die Engel for percussion ensemble. Columbus State University Percussion Ensemble, Paul Vaillancourt, cond. Albany Records, Albany N.Y. 2012.

Cossette, Isabelle

  • Bianco, T., V. Freour, I. Cossette, F. Bevilacqua, and R. Causse, “Measures of facial muscle activation, intraoral pressure and mouthpiece force in trumpet playing.” Journal of New Music Research 41/1 (2012), 49-65.

Cumming, Julie

  • “Julie Cumming Interview.” In The Legacies and Futures of the Humanities in North America and Beyond. Ed. Robert F. Barsky. Ameriquests 9 (2012). http://ejournals.library.vanderbilt.edu/index.php/ameriquests/article/view/3660/1772
  • “Text Setting and Imitative Technique in Petrucci’s First Five Motet Prints.” In The Motet around 1500: On the Relationship of Imitation and Text Treatment. Ed. Thomas Schmidt-Beste. Epitome musical. Turnhout: Brepols (2012), 83-110.
  • Peter Schubert and Julie Cumming, “Text and Motif c. 1500: A New Approach to Text Underlay.” Early Music 40 (2012), 3-14.

de Francisco, Martha

Recordings (as producer):

  • Lang Lang: The Chopin Album. Rundfunk-Zentrum, Berlin. Sony Classical.
  • NYOC - Russian Masters & Canadian Creators. Works by Prokofiev, Shostakovich, Tchaikovsky, Gilbert, Sherkin. National Youth Orchestra of Canada, Alain Trudel, cond. Released by NYOC.
  • The Juilliard Sessions. Conrad Tao, Sean Lee, Paul Appleby. Debut recordings for online release by EMI Classics.
  • Music and Art Video. Eight composers from eight countries, new compositions/creations. NEM Forum 2010. Nouvel Ensemble Modern, Lorraine Vaillancourt, cond. Released by NEM Editions (DVD audio/video).
  • Bach, Brandenburgische Konzerte, Shostakovich, Preludes op. 87, a selection. Ensemble Caprice, Matthias Maute. Analekta.
  • Music of the Shaar, The Shabbat Experience, Traditional Synagogue Music, Volume 2. The Shaar Hashomayim Synagogue Choir, Stephen Glass, cond., Gideon Zelermyer, cantor. Shaarmusic.
  • Bach, Sonatas for violin and harp. Lara St John, violin, Marie-Pierre Langlamet, harp. Berlin Philharmonie. Ancalagon Records.
  • Franz Schubert, Philip Glass, Morton Feldman, Eric Satie: Selected Works. The Knights Chamber Orchestra. Ancalagon Records.
  • Julian Wachner, Marjorie Merryman, works for orchestra. McGill Chamber Orchestra, Julian Wachner, cond. Naxos.
  • Bach, Piano Concertos. Alexandre Tharaud, Les Violons du Roy, Bernard Labadie, cond. EMI Virgin Classics.

Fujinaga, Ichiro

  • McKay, C., and I. Fujinaga, “Expressing musical features, class labels, ontologies, and metadata using ACE XML 2.0.” In Structuring Music through Markup Language: Designs and Architectures. Ed. J. Steyn. Hershey. PA: IGI Global (2012), 48–79.
  • Pugin, L., A. Hankinson, and I. Fujinaga, “Digital preservation and access strategies for musical heritage: The Swiss RISM experience.” OCLC Systems and Services 28/1 (2012), 34–55.
  • Rebelo, A., I. Fujinaga, F. Paszkiewicz, A. R. S. Marcal, C. Guedes, and J. S. Cardoso, “Optical music recognition: State-of-the-art and open issues.” International Journal of Multimedia Information Retrieval (March 2012), 1–18.
  • Devaney, J., M. I. Mandel, D. P. W. Ellis, and I. Fujinaga, “Automatically extracting performance data from recordings of trained singers.” Psychomusicology: Music, Mind & Brain 21/1–2 (2011), 108–36.
  • Hankinson, A., W. Liu, L. Pugin, and I. Fujinaga, “Diva: A web-based high-resolution digital document viewer.” In Proceedings of the Theory and Practice of Digital Libraries Conference (2012), 455–60.
  • Hankinson, A., J. A. Burgoyne, G. Vigliensoni, A. Porter, J. Thompson, W. Liu, R. Chiu, and I. Fujinaga, “Digital document image retrieval using optical music recognition.” In Proceedings of the International Society for Music Information Retrieval Conference. Porto, Portugal (2012), 577–82.
  • Burlet, G., A. Porter, A. Hankinson, and I. Fujinaga, “Neon.js: Neume editor online.” In Proceedings of the International Society for Music Information Retrieval Conference. Porto, Portugal (2012), 121–26.
  • Hankinson, A., J. A. Burgoyne, G. Vigliensoni, and I. Fujinaga, “Creating a large-scale searchable digital collection from printed music materials.” In Proceedings of the Advances in Music Information Research. Lyon, France (2012), 903–8.

Harman, Christopher

World premieres:

  • This Is Not America. Viva Voce, Sixtrum, Peter Schubert, cond. Redpath Hall, Montreal, May 4, 2012.
  • Cilla. Esprit Orchestra, Alex Pauk, cond. Koerner Hall, Toronto, November 18, 2012.
  • Piacevole - orchestration of one of Brian Cherney’s Twelve Pieces for Young Pianists. McGill Contemporary Music Ensemble, Cristian Gort, cond. Pollack Hall, November 23, 2012.

Hasegawa, Robert

  • Gegenstrebige Harmonik in the Music of Hans Zender.” Perspectives of New Music 49/1-2 (2011), 1-27.
  • “Coherence and Incoherence in Xenakis’s Embellie.” In Exploring Xenakis. Ed. Sharon Kanach. Hillsdale, NY: Pendragon Press (2012).

Huebner, Steven

  • “The Opera Chorus.” In Nineteenth-Century Choral Music. Ed. Donna Di Grazia. New York: Routledge (2012), 30-38.
  • “Prolégomènes: Le dix-huitième du dix-neuvième: choix lexicaux, enjeux critiques.” In Présence du XVIIIe siècle dans l’opéra français du XIXe siècle. Ed. Jean-Christophe Branger and Vincent Giroud. Publications de l’Université de Saint Étienne (2012), 35-66.
  • “Évolution du style de la cantate de Debussy à Ravel.” In Le concours du Prix de Rome en musique. Ed. Alexandre Dratwicki. Symétrie (2012), 397-429.
  • Guest editor: Peer-reviewed proceedings of the conference “Dialogues en mouvement” (February 16-19, 2011), Cahiers de la Société québécoise de recherche en musique 13 (2012), double issue.
  • Web project “Nineteenth-Century French Singers: A Press Anthology,” mounted on the French Music Criticism website. Compiled by Kimberly White, supervised by S. Huebner. 600 pages.
  • “Seraphic, Soothing, and Middle Brow.” Program book essay, Opera North (Manchester) production of Gounod’s Faust.

King, Richard

Recordings (as recording engineer):

  • Traveler (Jerry Douglas). Entertainment One EOM-CD 2128.
  • Bartok, Concerto for Orchestra. Alsop/Baltimore Symphony Orchestra. Naxos CD 8.572486.
  • ONCE: A New Musical. Original Cast-Various Artists. Sony Masterworks 88691 948242.
  • French Impressions. Joshua Bell/Jeremy Denk. Sony Classical 88697 820262.
  • Viva Brazil – LIVE. Yo-Yo Ma. iTunes EP release, Sony Masterworks.
  • The Goat Rodeo Sessions (Live from the House of Blues). iTunes EP release, Sony Masterworks.
  • Bach, Sonatas and Partitas. Cecylia Arzewski. Bridge Records 9358 A/B.

Kok, Roe-Min

  • “Robert Schumann’s Choral Music.” In Nineteenth-Century Choral Music. Ed. Donna Di Grazia. Routledge Studies in Musical Genres. New York: Routledge (2013), 150-68.
  • “‘Von fremden Ländern und Menschen … .’ Western Classical Music, Colonialism and Identity Formation: A Case-Study in Southeast Asia.” In Musik und kulturelle Identität. Bericht des XIII. Internationalen Kongresses der Gesellschaft für Musikforschung 16.–21.9.2004 in Weimar. Ed. Detlef Altenburg and Rainer Bayreuther. Vol. 1. Kassel: Bärenreiter (2012), 498-505.

Leroux, Philippe

Published scores:

  • Du Souffle for saxophone quartet. Paris: Ed. Gérard Billaudot (2012).
  • Ailes for baritone and 15 instruments. Paris: Ed. Gérard Billaudot (2012).
  • Dense…Englouti for piano. Paris: Ed. Gérard Billaudot (2012).
  • Un corps de louange (new version) for orchestra. Paris: Ed. Gérard Billaudot (2012).

World premieres:

  • Dense…englouti for piano. Hugues Leclère. Auditorium Marcel Landowsky, Paris.
  • Ailes for baritone and 15 instruments. Guillermo Anzorena, Baryton, Ensemble 2e2m, Pierre Roullier, cond. Auditorium Marcel Landowsky, Paris.
    • Un corps de louange for orchestra. Orchestre National de Lorraine, Jacques Mercier, cond. Festival La Chaise-Dieu, La Chaise-Dieu.

Recordings:

  • UN LIEU VERDOYANT (male voice version) for voice and saxophone. Jean-Jacques L'Anthoën, tenor, Alexandre Souillart, saxophone. CNSMDP Le Conservatoire de Paris, Fondation Meyer, CREC.audio 11/084.
  • RHEUMICS for 6 percussionists. Les Percussions de Strasbourg. Accord Universal 480 6512.

Lesage, Jean

World premiere:

  • Les heures nocturnes for violin and piano. Alexandre Da Costa and Wonny Sung. Festival Orford, August 10, 2012.

Lorenzino, Lisa

  • Cunha, R., and L. Lorenzino, “The Secondary Aspects of Collective Music-making.” Research Studies in Music Education, 34/1 (2012), 73-88. DOI: 10.1177/1321103X12439134
  • “Growth, Development, and the Need for Music Teacher-Initiated Endeavours.” In Personhood and Music Learning: Connecting Perspectives and Narratives. Ed. Susan A. O’Neill. Waterloo, ON: Canadian Music Educators’ Association (2012), 289-303.

McAdams, Stephen

  • Giordano, B.L., Y. Visell, H.-Y. Yao, V. Hayward, J. Cooperstock, and S. McAdams, “Identification of walked-upon materials in auditory, kinesthetic, haptic and audio-haptic conditions.” Journal of the Acoustical Society of America 131 (2012), 4002-12.
  • Giordano, B.L., S. McAdams, R. Zatorre, N. Kriegeskorte, and P. Belin, “Abstract encoding of biological sound categories in fine-grained spatial patterns of cerebral activity.” Cerebral Cortex. Published online, 16/07/2012, doi:10.1093/cercor/bhs162.
  • Tardieu, D., and S. McAdams, “Perception of dyads of impulsive and sustained instrument sounds.” Music Perception 30 (2012), 117-28.
  • Daniel, A., R. Nicol, and S. McAdams, “Parametric spatial audio coding based on spatial auditory blurring.” Proceedings of the 45th Annual Audio Engineering Society Conference, Helsinki (2012).
  • Trochidis, K., D. Sears, D.-L. Trân, and S. McAdams, “Psychophysiological measures of emotional response to Romantic orchestral music and their musical and acoustic correlates.” Proceedings of the 9th International Symposium on Computer Music Modelling and Retrieval (CMMR 2012). Queen Mary University of London, London (2012), 45-52.

Neidhöfer, Christoph

  • “Berio at Work: Compositional Procedures in Circles, O King, Concerto for Two Pianos, Glossa, and Notturno.” In Luciano Berio: Nuove Prospettive / New Perspectives. Ed. Angela Ida De Benedictis. Florence: Leo S. Olschki (2012), 195-233.

Rea, John

World premiere:

  • Icare en émoi ... Dédale à cran (Ikaros agog ... Daidalos on edge) for large orchestra. Esprit Orchestra (Toronto), Alex Pauk, cond.

Recordings:

  • Singulari-T (Tombeau de Ligeti). Nouvel Ensemble Moderne, Lorraine Vaillancourt, cond. Bouliane, Gougeon, Rea, ATMA ACD2.2395.
  • Three excerpts from Las Meninas for piano, Canadian Compositions for Young Pianists [anthology]. Studea Musica: SKU: CD-BR1335.

Rusch, René

  • “Schubert’s Drei Klavierstücke, D. 946, nos. 1 and 2 and the Case of the Crossed-Out C Section.” Journal of Music Theory 56/1 (Spring 2012), 53–86.

Scavone, Gary

  • Saitis, C., B. Giordano, C. Fritz, and G. Scavone, “Perceptual evaluation of violins: A quantitative analysis of preference judgments by experience players.” Journal of the Acoustical Society of America 132/6 (2012), 4002–12.
  • Lefebvre, A., and G. Scavone, “Characterization of woodwind instrument toneholes with the Finite Element Method.” Journal of the Acoustical Society of America 131/4 (2012), 3153-63.
  • Freour, V., and G. Scavone, “Investigation of the effect of upstream airways impedance on regeneration of lip oscillations in trombone performance.” In Proceedings of the Acoustics 2012 Conference. Nantes, France (2012), 2225–30.
  • Mansour, H., and G. Scavone, “A comparison of vibration analysis techniques applied to the Persian setar.” In Proceedings of the Acoustics 2012 Conference. Nantes, France (2012), 1737–42.
  • Saitis, C., C. Fritz, B. Giordano, and G. Scavone, “Bridge admittance measurements of 10 preference-rated violins.” In Proceedings of the Acoustics 2012 Conference. Nantes, France (2012), 3599–604.

Schubert, Peter

Recordings (as performer):

  • “Goodnight, Goodnight, Beloved.” VivaVoce, Peter Schubert, cond. ATMA ACD22670.
  • “Yo soy Maria.” Marie-Josée Lord, VivaVoce, Peter Schubert, cond. ATMA ACD22663.

Wanderley, Marcelo

  • Caramiaux, B., M. M. Wanderley, and F. Bevilacqua, “Segmenting and Parsing Instrumentalist’s Gestures.” Journal of New Music Research 41/1 (2012), 13–29.
  • Perez Carrillo A., and M. M. Wanderley, “Learning and Extraction of Violin Instrumental Controls from Audio Signal.” In Proceedings of the MIRUM Workshop, ACM Multimedia Conference. Nara, Japan (November 2012).
  • Michael Winters, R., and M. M. Wanderley, “New Directions for the Sonification of Expressive Movement in Music Performance.” In Proceedings of the 18th International Conference on Auditory Display. Atlanta, Georgia (2012).
  • Germain, F., J. Abel, P. Depalle, and M. M. Wanderley, “Uniform Noise Sequences for Nonlinear System Identification.” In Proceedings of the 15th International Conference of Digital Audio Effects (DAFx-12) (2012).
  • Vigliensoni G., and M. M. Wanderley, “A Quantitative Comparison of Position Trackers for the Development of a Touch-less Musical Interface.” In Proceedings of the 2012 International Conference on New Interfaces for Musical Expression (NIME12). Ann Harbour (2012).
  • Hollinger A., and M. M. Wanderley, ”Optoelectronic Acquisition and Control Board for Musical Applications.” In Proceedings of the 2012 International Conference on New Interfaces for Musical Expression (NIME12). Ann Arbor (2012).
  • Hattwick I., and M. M. Wanderley, “A Dimension Space for Evaluating Collaborative Musical Performance Systems.” In Proceedings of the 2012 International Conference on New Interfaces for Musical Expression (NIME12). Ann Harbour (2012).
  • Tache, O., J.-L. Florens, S. Sinclair, and M. M. Wanderley, “Exploring Audio and Tactile Qualities of Instrumentality with Bowed String Models.” In Proceedings of the 2012 International Conference on New Interfaces for Musical Expression (NIME12). Ann Harbour (2012).
  • Giordano, M., S. Sinclair, and M. M. Wanderley, “Bowing a Vibration-enhanced Force-feedback Device.” In Proceedings of the 2012 International Conference on New Interfaces for Musical Expression (NIME12). Ann Harbour (2012).
  • Chadefaux, D., M. M. Wanderley, J.-L. Le Carrou, B. Fabre, and L. Daudet, “Experimental study of the musician / instrument interaction in the case of the concert harp.” In Proceedings of Acoustics 2012. Nantes, France.

Wapnick, Joel

  • Wapnick, J., K. Keech, and G. Ryan, “Preferences for piano versus harpsichord performances in Renaissance and Baroque keyboard music.” Psychology of Music 40/1 (2012), 5-18.

Woszczyk, Wieslaw

  • “Active Acoustics in Concert Halls – A New Approach.” Archives of Acoustics 36/2 (2011), 1-14.
  • Woszczyk, W., D. Ko, and B. Leonard, “Virtual Acoustics at the Service of Music Performance and Recording.” Archives of Acoustics 37/1 (2012), 109–13.
  • Ko, D., W. Woszczyk, and SH. Chon, “Evaluation of a New Active Acoustics System in Performances of Five String Quartets.” Paper Number: 8603, Audio Engineering Society Convention Paper, in Proceedings of the 132nd Convention, Budapest, Hungary (April 26–29, 2012).
  • Benson, D., and W. Woszczyk, “Comparing Search Interfaces for Room Impulse Response Libraries.” Audio Engineering Society, Paper Number: 8758, Audio Engineering Society Convention Paper, in Proceedings of the 133rd Convention, San Francisco (October 26-29, 2012).
  • Woszczyk, W., B. Leonard, and D. Benson, “Spatial Sound Design Tool for 22.2 Channel 3-D Audio Productions, with Height.” Paper Number: 8753, Audio Engineering Society Convention Paper, in Proceedings of the 133rd Convention, San Francisco (October 26-29, 2012).