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Friday, September 3, 2010 - 20:00
Location
Tanna Schulich Hall
Friday, September 3, 2010 - 20:00
Class of Hank Knox |
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Tuesday, September 7, 2010 - 20:00
Location
Tanna Schulich Hall
Tuesday, September 7, 2010 - 20:00
Class of Jan Jarczyk |
Thursday, September 9, 2010 - 17:00
Location
Pollack Hall
Thursday, September 9, 2010 - 17:00
Class of Elizabeth Dolin |
Friday, September 10, 2010 - 17:30
Location
Pollack Hall
Friday, September 10, 2010 - 17:30
Class of Stefano Algieri
Friday, September 10, 2010 - 18:45
Location
Pollack Hall
Friday, September 10, 2010 - 18:45
Class of Sanford Sylvan
Friday, September 10, 2010 - 19:30
Location
Tanna Schulich Hall
Friday, September 10, 2010 - 19:30
Proceeds to benefit the Kenneth Woodman Scholarship Fund. |
Saturday, September 11, 2010 - 17:00
Location
Outside Venue
Saturday, September 11, 2010 - 17:00
Class of John Grew. Christ Church Cathedral (St. Catherine St. W.) |
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Sunday, September 12, 2010 - 15:30
Location
Pollack Hall
Sunday, September 12, 2010 - 15:30
Tel. 514-932-6796
Sunday, September 12, 2010 - 17:00
Location
Tanna Schulich Hall
Sunday, September 12, 2010 - 17:00
Class of Paul Merkelo |
Monday, September 13, 2010 - 17:00
Location
Pollack Hall
Monday, September 13, 2010 - 17:00
Class of Marina Mdivani
Monday, September 13, 2010 - 20:00
Location
Tanna Schulich Hall
Monday, September 13, 2010 - 20:00
Class of Tom Beghin |
Wednesday, September 15, 2010 - 19:30
Location
Tanna Schulich Hall
Wednesday, September 15, 2010 - 19:30
Bach-Busoni, Great Eighteen» Chorale Preludes for organ Nun komm der Heiden Heiland, BWV 659 Franz Joseph Haydn, Sonata in A major, Hob. XVI/26 Claude Debussy, excerpts from Préludes, 2e livre Colin Eatock, Book of Saints (2008), Canadian premiere Frédéric Chopin, Andante spianato and Grande Polonaise brillante, Op. 22
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Thursday, September 16, 2010 - 16:30
Location
Clara Lichtenstein Hall
Thursday, September 16, 2010 - 16:30
Sound synthesis based on computational physical models promises the most complete and compact rendering of performance expression. This talk will review various modeling paradigms in more or less historical order. After a recap of foundational ideas from Bernoulli and d'Alembert, block diagrams, summaries, and sound examples will be presented for various synthesis models, including the Kelly-Lochbaum-Mathews singing voice, and digital waveguide models of plucked/struck strings, woodwinds, bowed strings, distortion-feedback electric guitar, and piano/harpsichord. Finally, recent related research and software development at CCRMA will be summarized.
JULIUS SMITH: Julius O. Smith teaches a music signal-processing course sequence and supervises related research at the Center for Computer Research in Music and Acoustics (CCRMA). He is formally a professor of music and associate professor (by courtesy) of electrical engineering at Stanford University. In 1975, he received his BS/EE degree from Rice University, where he got a good start in the field of digital signal processing and modeling for control. In 1983, he received the PhD/EE degree from Stanford University, specializing in techniques for digital filter design and system identification, with application to violin modeling. His work history includes the Signal Processing Department at Electromagnetic Systems Laboratories, Inc., working on systems for digital communications, the Adaptive Systems Department at Systems Control Technology, Inc., working on research problems in adaptive filtering and spectral estimation, and NeXT Computer, Inc., where he was responsible for sound, mu sic, and signal processing software for the NeXT computer workstation. Prof. Smith is a Fellow of the Audio Engineering Society and the Acoustical Society of America. He is the author of four online books and numerous research publications in his field. For further information, see http://ccrma.stanford.edu/~jos/.
A complete list of CIRMMT Distinguished Lectures in the Science and Technology of Music for 2010-2011 is found by clicking on the following link: http://www.cirmmt.mcgill.ca/activities/distinguished-lectures |
Friday, September 17, 2010 - 19:00
Location
Music Multimedia Room
Friday, September 17, 2010 - 19:00
Andrew Culver, piano, synthesizer, laptop; Charles de Mestral, SAHABI and other instruments; John Heward, drums, percussion; Lori Freedman, clarinet. |
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Sunday, September 19, 2010 - 13:00
Location
Tanna Schulich Hall
Sunday, September 19, 2010 - 13:00
Matthias Maute, director. Tel. 514-523-3611 |
Tuesday, September 21, 2010 - 16:30
Location
New Music Building
Tuesday, September 21, 2010 - 16:30
Room A832.
Tuesday, September 21, 2010 - 20:00
Location
Tanna Schulich Hall
Tuesday, September 21, 2010 - 20:00
Class of André Roy. "L'influence de la viole d'amour sur le développement de l'alto moderne tel que proposé par Paul Hindemith". With the participation of Pamela Reimer, piano and Quatuor Molinari. |
Wednesday, September 22, 2010 - 19:30
Location
Tanna Schulich Hall
Wednesday, September 22, 2010 - 19:30
A collective of contemporary jazz composers/performers from Montreal. New music composed by members of the ensemble, all prominent members of the Montreal jazz community. David Bellemare: alto, tenor and soprano saxes; Al Mclean: alto, tenor and soprano saxes; Alex Coté: baritone sax, flute; Dave Mossing: trumpet; Joe Sullivan: trumpet; Jean-Nicolas Trottier: trombone; Rafael Zaldivar: piano; Morgan Moore: bass; Alain Bourgeois: drums |
Friday, September 24, 2010 - 19:30
Location
Music Multimedia Room
Friday, September 24, 2010 - 19:30
"Surface Tension: Eve Egoyan and David Rokeby". As part of the Virtual Acoustics Open House. Wieslaw Woszczyk, coordinator. Free with reserved seating, see link above.
Friday, September 24, 2010 - 19:30
Location
Tanna Schulich Hall
Friday, September 24, 2010 - 19:30
With the participation of Diego Espinosa, Sandra Joseph. Works by Kagel, Aperghis, Griffin.
Friday, September 24, 2010 - 19:30
Location
Pollack Hall
Friday, September 24, 2010 - 19:30
As part of the Journées de la culture, and in commemoration of Gustav Mahler's 150th Anniversary. Alexis Hauser, artistic director. Richard Strauss: Feierlicher Einzug der Ritter des Johanniter-Ordens, Op. 103; Mahler: Lieder eines fahrenden Gesellen, Cairan Ryan, baritone; Schumann, Symphony No. 2 in C major, Op. 61, with retouches by Mahler. This concert will be broadcast live on: http://www.mcgill.ca/music/events/concerts/webcasts
Friday, September 24, 2010 - 20:00
Location
Outside Venue
Friday, September 24, 2010 - 20:00
Class of William Porter. Mountainside United Church (687 Roslyn Ave., Westmount. Villa Maria metro). |
Saturday, September 25, 2010 - 19:30
Location
Pollack Hall
Saturday, September 25, 2010 - 19:30
As part of the Journées de la culture, and in commemoration of Gustav Mahler's 150th Anniversary. Alexis Hauser, artistic director. Richard Strauss: Feierlicher Einzug der Ritter des Johanniter-Ordens, Op. 103; Mahler: Lieder eines fahrenden Gesellen, Cairan Ryan, baritone; Schumann, Symphony No. 2 in C major, Op. 61, with retouches by Mahler. This concert will be broadcast live on: http://www.mcgill.ca/music/events/concerts/webcasts
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Monday, September 27, 2010 - 19:00
Location
Clara Lichtenstein Hall
Monday, September 27, 2010 - 19:00
Mark Fewer, coordinator
Monday, September 27, 2010 - 19:30
Location
Pollack Hall
Monday, September 27, 2010 - 19:30
Boris Brott, director. Tel. 514-487-5190 |
Tuesday, September 28, 2010 - 16:00 - 17:30
Location
New Music Building
Tuesday, September 28, 2010 - 16:00 - 17:30
Room A832. The development of new technologies, as with any tool and instrument transforms the relationships between people and their environment. How these interactions between users and devices involving new digital technologies can be productively described and studied within a situated cognition framework, focusing especially on the domains of cognitive linguistics and psychology. Building on linguistics, it is possible to analyze people's verbal descriptions as an access to their sensory experience in order to infer the psychological structures of the mind. Two examples will be given as illustrations: § evaluation of 2D vs 3D (CAVE) visual devices (PhD work); § evaluation of new musical interfaces (postdoc LAM) showing eventually a paradigm shift in human sensory experience and conceptualization. How this theoretical and methodological framework can be useful to develop cognitive sensor systems (INCAS3 current work).
ABOUT CAROLINE CANCE: Caroline Cance is a postdoctoral researcher in Cognitive Linguistics and Psychology. She is currently working in the Netherlands in a new research institute called INCAS³ (INnovative Centre for Advanced Sensor and Sensor Systems, Assen, The Netherlands): www.incas3.eu. She did her PhD in Linguistics (Univ. Paris III) on the relationships between sensory experiences, linguistics resources, discourse processes, and conceptualizations of colours in French. Since then, her research has been especially concerned with the relationships between language, perception and cognition in various sensory domains (visual, sonic, … multisensorial). The main goal is to identify and analyze the role of lexical, morphosyntactical and discursive resources involved in discourse to build meaning, interpretation and conceptualizations of visual, acoustic and multisensory experiences (professional practices as well as everyday life experiences), in different languages and cultures. For further information see http://ccance.free.fr/FR/
A complete list of CIRMMT activities for 2010-2011 is found by clicking on the following link: https://www.cirmmt.mcgill.ca/activities
Tuesday, September 28, 2010 - 20:00
Location
Tanna Schulich Hall
Tuesday, September 28, 2010 - 20:00
Class of André Roy |
Wednesday, September 29, 2010 - 19:30
Location
Tanna Schulich Hall
Wednesday, September 29, 2010 - 19:30
With Kevin Dean, trumpet; Alex Walkington, bass; Dave Laing, drums. |
Thursday, September 30, 2010 - 19:00
Location
555 Sherbrooke Street West
Thursday, September 30, 2010 - 19:00
Tel. 514-398-8288 (alumni), 514-398-4547 (public). Concert begins at 8:00 p.m. Keith Dyrda, trombone; Philip Chiu, piano. Works by Georg Philipp Telemann, Arthur Pryor; members of Opera McGill: excerpts from Puccini's La Bohème; East to West, a jazz combo, with Kyla Campbell, voice; Maxime Tremblay, guitar; David Reid, piano; Evan Stewart, bass; Matt MacEachern, drums. Works by David Reid.
Thursday, September 30, 2010 - 20:00
Location
Tanna Schulich Hall
Thursday, September 30, 2010 - 20:00
Tel. 514-935-3933 |
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