B.A. (Toronto); Ph.D. (Yale); FRSC; Molson Professor of English Language and Literature
Renaissance European literature, classical literature; the gothic novel; cannibalism.
- Royal Society of Canada Fellow
- Visiting Fellow, All Souls College Oxford, 2017
- James Holly Hanford prize, Milton Society of America
- Principal’s Prize for Excellence in Teaching
- SSHRC Research Grants
- SSHRC Postdoctoral Fellowship
Milton and the Metamorphosis of Ovid. Oxford University Press, 2012. Recipient of the 2012 James Holly Hanford award given by the Milton Society of America for a distinguished monograph on Milton.
The Rise of the Gothic Novel. Routledge, 1995.
From Communion to Cannibalism: An Anatomy of Metaphors of Incorporation. Princeton University Press, 1990.
Co-editor, with Elena Lombardi, Dantean Dialogues: Engaging with the Legacy of Amilcare Iannucci. University of Toronto Press, 2013.
“Growing Up with Virgil.” With Wandering Steps: Generative Irresolution in Milton’s Poetry. Ed. Mary Fenton and Louis Schwartz. Duquesne University Press, forthcoming, 2016: 132-58.
“Virgilianisms and Ovidianisms.” The Oxford History of Classical Reception in English Literature Volume 2. Ed. Patrick Cheney and Philip Hardie. Oxford: Oxford University Press, 2015: 517-38.
“Importing the Ovidian Muse to England.” The Afterlife of Ovid (BICS Supplement 130). Ed. Peter Mack and John North. London: Institute of Classical Studies, 2015: 181-202.
“Odd Coupling: Hercules and Oedipus in Paradise Regain’d and Samson Agonistes.” Milton Studies 56, 2015, 75-114.
“The Poetics of Time: The Fasti in the Renaissance.” A Handbook to the Reception of Ovid. Ed. John F. Miller and Carole E. Newlands. Oxford: Wiley-Blackwell, 2014: 217-31.
“Classical Models.” The Cambridge Companion to Paradise Lost. Ed. Louis Schwartz. Cambridge University Press, 2014: 57-67.
“Dante’s Ovidian Doubling,” in Dantean Dialogues: Engaging with the Legacy of Amilcare Iannucci. pp. 174-214.
“Satanic Envy and Classical Emulation” in Their Maker’s Image: New Essays on John Milton. Ed. Louis Schwarz and Mary Fenton, Susquehanna UP, 2011: 46-62.
“New Spins on Old Rotas: Virgil, Ovid, Milton,” in Classical Literary Careers and their Reception. Ed Helen Moore and Philip Hardie: Cambridge UP, 2010: 179-96.
"Satan and the Wrath of Juno." English Literary History 75: 2008:653-71.
"Heroic Contradictions: Samson and the Death of Turnus." Texas Studies in Literature and Language. 50.2: 2008: 201-34.
"Changing Ovid" in Metamorphosis: The Changing Face of Ovid in Medieval and Early Modern Europe. Ed. Alison Keith and Stephen Rupp., 2007: 267-83.
"'One Immortality': The Shaping of the Shelleys in The Last Man." European Romantic Review 16.5. 2005: 563-88.
"'Thy perfect image viewing': Poetic Creation and Ovid's Narcissus in Paradise Lost." Studies in Philology 102.3, summer 2005: 307-39.
"Eve and Flora" (Paradise Lost 5.15-16), Milton Quarterly 38:1, 2004: 1-17.
"Writing on Water," ELR 29.2, 1999: 282-305.
"The Function of Cannibalism at the Present Time," in Cannibalism and the Colonial World, 1998: 238-60.
"Vampiric Arts: Bram Stoker's Defence of Poetry," in Bram Stoker: History, Psychoanalysis and the Gothic, 1998: 47-61.
"Dr. Frankenstein Meets Dr. Freud," American Gothic: New Interventions in a National Narrative, 1998: 40-57.
"On Cannibals and Critics: An Exploration of James de Mille's Strange Manuscript." Mosaic 30.1, 1997.
"Comus's Wood of Allusion." University of Toronto Quarterly 61.3, 1992: 316-33.
Milton and Shakespeare; the reception of the classics, especially Virgil and Ovid, in the Renaissance; the poetry of Abraham Cowley.
Teaching in Italy!