Department of English
853 Sherbrooke Street West
Arts Building
Montreal, QC H3A 0G5 CANADA
B.A. Honours, M.A. (Durham), Ph.D. (King’s College London), Assistant Professor
Shakespeare, Restoration and eighteenth-century theatre; gender and theatre history
King’s College London
- FQRSC programme pour l’établissement de nouveau professeurs-chercheurs (2009-2012)
- Lewis Walpole Library fellowship (2009)
- Huntington Library fellowships (2005 and 2009)
- Arts and Humanities Research Board Ph.D award (2002-2005)
Articles:
"The Artistic, Cultural, and Economic Power of the Actress in the Age of Garrick", Shakespeare in Stages: New Theatre Histories, eds. Christine Dymkowski and Christie Carson (Cambridge: Cambridge University Press, 2010), 107-23.
“Women and Shakespeare in the Restoration and Eighteenth Century”,Literature Compass 5.6 (September 2008), 1154-69.
“The Influence of the Female Audience on the Shakespeare Revival of 1736‐38: The Case of the Shakespeare Ladies Club”, Shakespeare and the Eighteenth Century, eds. Peter Sabor and Paul Yachnin (Aldershot: Ashgate, 2008), 57-69.
“Shakespeare and the Eighteenth-Century Actress”, Borrowers and Lenders: The Journal of Shakespeare and Appropriation 2.2 (2006).
Read the article online.
“Elizabeth Montagu: ‘Shakespear’s Poor Little Critick’?” Shakespeare Survey 58 (2005), 72-82.
Reviews:
Eric Rasmussen and Aaron Santesso, eds., Comparative Excellence: New Essays on Shakespeare and Johnson, AMS Studies in the Eighteenth Century 52 (New York: AMS Press, 2007), Review of English Studies 59:238 (February 2008): 152-54.
“The Big Life by Paul Sirett”, Borrowers and Lenders: The Journal of Shakespeare and Appropriation 1.2 (2005) Read the article online.
Exhibition:
Behind the Scenes: The Hidden Life of Georgian Theatre, 1737-1784 (Dr Johnson’s House, London, April – September 2007).
Monograph on women’s responses to Shakespeare in the long eighteenth century; co-editor (with Peter Sabor) of a collection of essays on eighteenth-century Shakespeare for Cambridge University Press.
Research groups:
- Shakespeare and Performance Research Team (website)
- McGill Institute for Gender, Sexuality, and Feminist Studies Representation, Performance, Culture research axis (website)
- FQRSC research-creation project Hypertext and Performance: a resonant response to Joanna Baillie’s Witchcraft (Principal Investigator Patrick Leroux, Concordia University)