Crowdfunding’s profile has been on a constant rise ever since it first landed two decades back. It’s an ideal platform for entrepreneurs in edgy sectors looking for capital, as well as for getting consumers directly involved in funding products that interest them. The other side of the equation has always been to get funding for traditionally under-served entrepreneur groups like women or people of colour.
Authors: Aleksandra Kacperczyk, Peter Younkin
Publication: Administrative Science Quarterly, Vol. 62, No. 4, December 2017
Abstract:
When Hollywood is taken to task for the lack of diversity in high-profile films, decision-makers' responses tend to boil down to the idea that they're actually giving audiences what they want. Movies led by familiar (usually meaning white) faces are the most profitable, they argue, hence the casting of Scarlett Johansson in "Ghost in the Shell" and Tilda Swinton in "Doctor Strange."
The lack of diversity in Hollywood is obvious. But the more the issue is brought to light, the more those in charge continue to offer both blame and reasons why. Instead of looking to see what internal changes can be made to their casting lineups, studios consistently argue that the fault lies within the consumers who would rather see predominantly white casts. It’s certainly not a valid enough reason to excuse whitewashing, but is there any truth in that argument?
Hollywood’s track record on showcasing minority talent and storylines is pretty awful, even considering some recent efforts to diversify programming. Some studios argue that the fault lies not with them, but with consumers, who—they claim—prefer predominantly white casts. But is there any truth to that?
Venkat Kuppuswamy and Peter Younkin, business-school professors at the University of North Carolina and McGill University, respectively, took a look at data on the film industry in order to measure how diverse casts went over at box offices.
Authors: Venkat Kuppuswamy, Peter Younkin
Abstract:
Films with multiple black actors in leading roles achieve significantly higher domestic box-office revenues than films with no black actors, according to a new study from the University of North Carolina Kenan-Flagler Business School.
“Hollywood should take note – box-office revenues are 149% higher in films with multiple black actors in leading roles compared to films with no black actors,” says Venkat Kuppuswamy, assistant professor of strategy and entrepreneurship at UNC Kenan-Flagler.
Author: Peter Younkin
Publication: Organization Studies
Abstract:
We often try to hire people who are self-starters, who will work for us as if they own the business. The risk of finding such a person is that they may one day leave us to start their own company.