We are currently working on a new AHCS Alumni group to better connect our graduates—please check back soon! If you would like to be contacted about joining, please write caitlin.loney [at] mcgill.ca (Caitlin Loney).
Sonia Del Re
Sonia Del Re is Senior Curator of Prints and Drawings at the National Gallery of Canada, Ottawa. She holds a Bachelor’s degree from the Faculty of Arts at McGill University (2003), a Master’s of Museology from the Université de Montréal (2005), and a Ph.D. in Art History from McGill University (2014). Written under the supervision of Prof. Angela Vanhaelen and Prof. Bronwen Wilson (now at UCLA), her doctoral dissertation focused on half-length single-figured paintings by the Utrecht Caravaggists and little-known prints of the 1620s after these. Sonia joined the curatorial team of the National Gallery in 2006 as Curatorial Assistant.
She is now responsible for the care, growth, display, interpretation, and publication of a collection of about 25,000 works on paper created on three continents over the span of six centuries, providing her with an extraordinary range of periods, schools, styles, techniques and materials to study. Sonia, who was elected to the Print Council of America in 2016, has developed Canada’s national collection through the acquisition of drawings by Giacomo Balla, Vincenzo Camuccini, Camille Corot, M.C. Escher, Théodore Géricault, Anne-Louis Girodet, Laurent de La Hyre, Charles Le Brun, Christoph Heinrich Kniep, George Frederic Watts, Johan Wierix, and Claude François, the first professional artist to have come from Europe to paint in Canada, in 1670. Her recent contributions to the collection of prints include celebrated etchings by Rembrandt, and large groups of sheets by engraver Claude Mellan and etcher Jean-Jacques de Boissieu.
Sonia has curated multiple exhibitions showcasing the national collection that have traveled across the country: Beautiful Monsters: Beasts and Fantastic Creatures in Early European Prints; Storms and Bright Skies: Three Centuries of Dutch Landscapes; The Noble Art of the Carracci and Their School; Chagall’s Daphnis & Chloé; M. C. Escher: The Mathemagician (as Coordinating Curator); and Picasso: Man and Beast. The Vollard Suite of Prints. Based on an important gift of British 19th-century drawings, her exhibition Beauty's Awakening: Drawings by the Pre-Raphaelites and Their Contemporaries from the Lanigan Collection, for which she edited the catalogue, travelled across the Atlantic to Leighton House Museum in London, England. Her forthcoming project, Vittoria, Veronese and Tiepolo: Masters of Venetian Portraiture, draws on the collections of the Metropolitan Museum of Art, among others.
Danielle Shapiro is the author of John Vassos: Industrial Design for Modern Life (Minnesota, 2016). The book centers on John Vassos (1898-1985), a Greek American artist and pioneering industrial designer who specialized in designing forms for media technologies which had no prior shape. More than a half century before the touch screen, Vassos enthused over the tactile experience of using a radio and a television. His drawings of hands touching knobs and his writings on the radio dial reveal his focus on the intuition of how we communicate with our machines. Vassos understood that the act of radio listening engaged a broad ensemble of senses. Based on her dissertation in Communication Studies written under the supervision of Prof. Will Straw, Danielle’s book explores the broader relationship between Vassos’s work and American culture. By historicizing the birth of the media he designed, the book stimulates thinking about how media devices have entered as much the home as the broadcast studio. Danielle will be speaking at the New York Public Library about her book on June 14 at 6pm.
Since completing her PhD in AHCS in 2005, Danielle has held a teaching fellowship at Harvard University, a Fulbright Award, postdoctoral fellowships at the Archives of American Art and the Smithsonian American Art Museum, and at the Wolfsonian Museum. From 2008 to 2014, she was a Senior Program Officer at the National Endowment for the Humanities where she oversaw grant projects for museum exhibitions and documentary films with strong humanities scholarship. She was a curatorial assistant at the Cooper-Hewitt Smithsonian National Museum of Design, which spawned her career long interest in industrial design. Among other venues, her work has appeared in Design Issues, the Archives of American Art Journal, the Encyclopedia of 20th Century Photography, and the Encyclopedia of Documentary Film. She is particularly excited about a new project of an exhibit of John Vassos’s work, possibly at a Smithsonian Museum.
Dr. Christina Smylitopoulos is Associate Professor of Art History in the School of Fine Art and Music at the University of Guelph. She earned her PhD in AHCS under the supervision of Dr. Richard Taws (UCL) in 2011. Winner of the Arts Insight Dissertation Award, Christina’s dissertation considered eighteenth-century British graphic satire and the British colonial project in India. She is currently working on a book about the publisher, print and book seller Thomas Tegg’s early nineteenth-century intervention in British graphic satire. Tegg was a major patron and producer of British graphic satire, yet his commercial interest in the genre has prevented him from being considered a serious figure in book and art history. He was pejoratively dubbed a “pioneer” of publishing because his motivation in the trade was in selling books and not in “the encouragement of authors” (The Times, 1848). Christina’s book will reposition his work, currently characterized as cheap products from an opportunistic publisher, to what closer study reveals them to be: collaborative multimedia objects of critical art intended for a new audience, with a surprising reach of influence.
Prior to her position at Guelph, Christina was a Postdoctoral Research Associate at the Yale Center for British Art, a Social Science and Humanities Research Council of Canada Doctoral Fellow and a Paul Mellon Centre for Studies in British Art Junior Fellow. She has received research grants from, among others, the Huntington Library, the Swann Foundation for Caricature and Cartoon (Library of Congress), and the Houghton Library at Harvard University. Her essays have appeared in Revue d'art canadienne/Canadian Art Review (RACAR); The British Art Journal, Eighteenth-Century Life, and Word and Image in the Long Eighteenth Century: An Interdisciplinary Dialogue; she has reviewed for Oxford Art Journal, RACAR, The Historian, and caa.reviews. Christina has an essay in L. Hannan and P.J. Corfield (eds), Hats Off, Gentlemen: The Changing Arts of Communication in the Eighteenth Century (edited collection forthcoming with Les Éditions Honoré Champion, 2016) and an edited collection Agents of Space: Eighteenth-Century Art, Architecture, and Visual Culture (forthcoming with CSP, 2016). An award winning teacher (College of Arts; Teaching Excellence Award, 2014-2015), Christina delivers graduate and undergraduate courses on art and architecture of the long eighteenth century (1680s-1830s) and art historiography.
Gretchen King recently defended her PhD in the Communication Studies program. Under the supervision of Prof. Becky Lentz, Gretchen has written a dissertation entitled "The radical pedagogy of community radio: the case of Radio al-Balad 92.4 FM, community media audiences and political change in Jordan." This fall, she will begin a post-doctoral fellowship with Dr. Geneviève A. Bonin at Université d'Ottawa, sponsored by the Fonds de recherche du Québec - Société et culture (FRQSC).
Evolved from her PhD thesis, Gretchen’s post-doctoral project is “Listening to community radio audiences: assessing the impact of community broadcasting and cultivating the sustainability of local news in Canada.” The project foregrounds the significant role that Canada has played since the 1920s in the community broadcasting sector. Described as the birthplace of community radio, Canada now boasts some two hundred community radio stations operating as participatory, non-profit media institutions providing access to radio. While an influential report commissioned by Heritage Canada in 2007 stressed the significant role played by community radio in expressing dissenting views, providing opportunities for community participation in content-production and other public goods, that report also neglected the inclusion of audience perspectives or any rigorous assessment of impact—a serious lacuna.
Gretchen’s post-doctoral research will prioritize the perspectives of listeners, whose experiences are vital to ascertaining how effective community radio stations have been in producing community news programming and thus fulfilling its official mandate of “meeting the needs and interests of the communities served.” Aimed at audiences both within and far beyond the academy, the project will provide the first in-depth, qualitative data on the impact of community radio on civic engagement in Canada by analyzing personal narratives contributed by audiences, interviews facilitated among community radio news producers, and completed station surveys. Second, Gretchen will generate DIY-type audience research tools and listener engagement recommendations through which community radio stations can be more accountable to listeners and funders. Third, the project will yield a sustainable framework and best practices for cultivating accessible and inclusive community radio news programming based on the experiences of listeners, producers, and station staff. Finally, Gretchen will submit her research on the impact community radio on civic participation in Canada for publication in academic journals including the Canadian Journal of Communication and Global Media and Communication.
|AHCS graduates enact changes within the academy and far beyond it. If you are an alum of the Department and would like to share your work, please contact Caitlin Loney (caitlin.loney [at] mcgill.ca).|