Precarious Visualities: New Perspectives on Identification in Contemporary Art and Visual Culture. Montreal: McGill-Queen's University Press, 2008. Introduction [.pdf] Chapter13 [.pdf]
"The Suspension of History in Contemporary Media Arts." Intermédialités 11 (Spring 2008): 125-148. View text [.pdf]
The Aesthetics of Disengagement: Contemporary Art and Depression. Minneapolis: University of Minnesota Press, 2006. Introduction [.pdf]
"New Media's Presentness and the Question of History: Craigie Horsfield's Broadway Installation." Cinémas 17 (Fall 2006): 37-56. View text [.pdf]
"The Temporalities of Video: Extendedness Revisited." Art Journal 65 (Fall 2006): 82-99. View text [.pdf]
"New media art hybridity and augmented reality: a process for the interaction of art, (neuro)science and AR technology." Convergence 11 (2005): 32-42. View text [.pdf]
"The Disappearing Screen: An Incomplete Matter." Parachute 113 (2004): 15-29. View text [.pdf]
"To Touch the Other: A Story of Corpo-Electronic Surfaces." Amelia Jones, ed. The Feminism and Visual Culture Reader (Routledge 2003): 514-519. View text [.pdf]
"The Insufficiency of the Performative: Video Art at the Turn of the Millenium." Art Journal 60 (Spring 2001): 128-33. View text [.pdf]
"Pipilotti Rist: Images as Quasi Objects." n. paradoxa 7 (2001): 18-25. View text [.pdf]
"Contemporary Knots: The Videography of Manon Labrecque." Parachute 103 (2001): 107-127. View text [.pdf]
"Vision and insufficiency at the Turn of the Millennium: Rosemarie Trockel's Distracted Eye." October 96 (Spring 2001): 87-110. View text [.pdf]
"Redefinitions of abjection in contemporary performances of the female body." Res 31 (Spring 1997): 149-156. View text [.pdf]